Movie City News Archive for October, 2016

“For AT&T Chief Randall Stephenson, Time Warner Deal Is the Peak of an Ambitious Climb”

“For AT&T Chief Randall Stephenson, Time Warner Deal Is the Peak of an Ambitious Climb”

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J. R. Jones Is Team Mahershala Ali

J. R. Jones Is Team Mahershala Ali

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Aisha Harris On Barry Jenkins’ Fine Debut, Medicine For Melancholy

Aisha Harris On Barry Jenkins’ Fine Debut, Medicine For Melancholy

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Wesley Morris Rocks Out With His Pop Out, Essaying “Last Taboo: Black Male Sexuality”

“The black penis is imagined more than it’s seen, which isn’t surprising. This newly relaxed standard for showing penises feels like a triumph of juvenile phallocentrism — it’s dudes peeking over a urinal divider and, as often as not, giggling at what they see. Not all of that peeking is harmless; some of those dudes…

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The Weekend Report

Never underestimate a woman scorned. Boo! A Madea Halloween maintained the top spot in the marketplace for a second weekend with an estimated $16.8 million. It scared the sole weekend national newcomer (and once-presumed champ) Inferno that settled for poor seconds of $14.9 million.

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Jennifer Lawrence Hails Jodie Foster As “My President”

Jennifer Lawrence Hails Jodie Foster As “My President”

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Zadie Smith’s Dance Lessons For Writers

“Astaire is clearly not an experimental dancer like Twyla Tharp or Pina Bausch, but he is surreal in the sense of surpassing the real. He is transcendent. When he dances a question proposes itself: what if a body moved like this through the world? But it is only a rhetorical, fantastical question, for no bodies…

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Kiva Reardon On The Cost Of Love In Fassbinder, Getting Retro’ed In T.O. Today

Kiva Reardon On The Cost Of Love In Fassbinder, Getting Retro’ed In T.O. Today

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Fox Film PR Chief Chris Petrikin On Way Out After Decade On Pico

Fox Film PR Chris Petrikin On Way Out After Decade On Pico

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Charting Big Media And All The Many Tributaries, Subsidiaries And Investments

Charting Big Media And All The Many Tributaries, Subsidiaries And Investments

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Kyle Buchanan’s On Top Of 1980s Movie Sex Scenes

Kyle Buchanan‘s On Top Of 1980s Movie Sex Scenes

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The Modern Morality Tale Of The Murder Of A Bookseller Over A Copy Of “The Wind In The Willows”

The Modern Morality Tale Of The Murder Of A Bookseller Over A Copy Of “The Wind In The Willows”

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Hazel Shermet, 96, Comedienne-Actress-Singer, Was On Radio With Milton Berle And Henny Youngman, In 1954 Star Is Born, Voice Of Henrietta Hippo For 196 Episodes

Hazel Shermet, 96, Comedienne-Actress-Singer, Was On Radio With Milton Berle And Henny Youngman, In 1954 Star Is Born, Voice Of Henrietta Hippo For 196 Episodes

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Cary Buckley Gets Hours-Long, Largely Off-The-Record Audience With Warren Beatty

Cary Buckley Gets Hours-Long, Largely Off-The-Record Audience With Warren Beatty

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Friday Box Office Estimates

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Newly Published Anaïs Nin Erotic Stories Consigned To “Adult Dungeon” By Amazon

Newly Published Anaïs Nin Erotic Stories Consigned To “Adult Dungeon” By Amazon

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James Quandt On Fassbinder’s Favorite Films

James Quandt On Fassbinder’s Favorite Films

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“Silence, rather than finger-pointing over delays, may be a sign that an agreement is near on ‘The Other Side Of The Wind’ – or at the very least both sides are fully immersed in serious negotiations.

“Silence, rather than finger-pointing over delays, may be a sign that an agreement is near on ‘The Other Side Of The Wind’ – or at the very least both sides are fully immersed in serious negotiations.

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Daisy Ridley Takes Up The Case Of Rey Against The Armies Of The Internet

“The Mary Sue thing in itself is sexist because it’s the name of a woman.” Daisy Ridley Takes Up The Case Of Rey Against The Armies Of The Internet

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Jonathan Lethem Profiles Doc-Maker Adam Curtis

Jonathan Lethem Profiles Doc-Maker Adam Curtis

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon