Movie City News Archive for February, 2017

The Weekend Report

Get Out got in with an estimated $30.5 million debut. The session’s other two national openers had less fortuitous results. Animated Rock Dogs charted 11th with $3.6 million. Collide bumped into $1.5 million.

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Bill Paxton Was 61

Bill Paxton Was 61

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Remembering Bill Paxton

The phone rang.

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Isabelle Who…ppert? A Beginner’s Guide to the Oscar-Nominated ‘Elle’ Actress

“Isabelle Who…ppert? A Beginner’s Guide to the Oscar-Nominated Elle Actress”

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“From the wry irony of the deceptively exuberant opening sequence (in which dozens of starry-eyed wannabes dazzle us with their dreams and then, as winter arrives in a city without seasons, promptly disappear into the ether), the entire film is engaged in a self-aware soft-shoe around the amorphous border between fantasy and reality.”

“From the wry irony of the deceptively exuberant opening sequence (in which dozens of starry-eyed wannabes dazzle us with their dreams and then, as winter arrives in a city without seasons, promptly disappear into the ether), the entire film is engaged in a self-aware soft-shoe around the amorphous border between fantasy and reality.”

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Marisa Silver On The A Generation’s Turn From Plot To Personal Digression, Referencing 1928’sWeirdly Fascinating “Plotto: The Master Book Of All Plots”

Marisa Silver On The A Generation’s Turn From Plot To Personal Digression, Referencing 1928’s Weirdly Fascinating “Plotto: The Master Book Of All Plots”

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Michael Cieply Douses Writer Hopes In Imminent Bargaining With AMPTP Water From A Single Unnamed Executive

Michael Cieply Douses Writer Hopes In Imminent Bargaining With AMPTP Water From A Single Unnamed Executive

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Spirit Awards

Moonlight; Isabelle Huppert, Casey Affleck; Toni Erdmann; OJ: Made In America; Ben Foster, Molly Shannon, Supporting, Hell Or High Water; Moonlight, Screenplay, Editing, Cinematography; The Witch, Best First Feature, Best First Screenplay; Spa Night, Cassavetes For Under $500,000

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Academy Rescinds 13 Hours: The Secret Soldiers Of Benghazi Sound Mixing Nomination For Lobbying By Telephone

Oscar Benghazi Scandal!! (Literally) Academy Rescinds 13 Hours: The Secret Soldiers Of Benghazi Sound Mixing Nomination For Lobbying By Telephone

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ACADEMY RESCINDS SOUND MIXING NOMINATION FOR GREG P. RUSSELL ON “13 HOURS: THE SECRET SOLDIERS OF BENGHAZI”

LOS ANGELES, CA – Upon recommendation by the Sound Branch Executive Committee, the Academy’s Board of Governors voted Thursday (2/23) to rescind the Sound Mixing nomination for Greg P. Russell from “13 Hours: The Secret Soldiers of Benghazi” for violation of Academy campaign regulations.  The decision was prompted by the discovery that Russell had called…

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“I watched them dreaming that I could do that: tell the story of my city and my people When I saw the work of the White Helmets, I knew that was the story of Syria I wanted to tell to tell the world.”

I get US visa but I haven’t traveled to U.S At all and I won’t travel to OSCAR due to intensity of work, our priority is helping our people. — Khaled Khatib (@995Khaled) February 25, 2017 “I watched them dreaming that I could do that: tell the story of my city and my people When…

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“Since there are only three nominees in the category and Suicide Squad certainly has the most makeup, there is a real chance that a film with Harley Quinn as a tubercular Juggalo will win an Oscar. David Lynch has never gotten an Academy Award but Suicide Squad, a film that covered Jared Leto in mall tattoos and paid someone to stencil “Damaged” onto his forehead, is within spitting distance of a win.”

“Since there are only three nominees in the category and Suicide Squad certainly has the most makeup, there is a real chance that a film with Harley Quinn as a tubercular Juggalo will win an Oscar. David Lynch has never gotten an Academy Award but Suicide Squad, a film that covered Jared Leto in mall tattoos…

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Michael Phillips And Jordan Peele

“When I first started writing Get Out, the movie was meant to confront the audience a little bit more, with the justified fear of being black in certain situations in this country. By the time I shot it, that awakening had been already begun. Everyone had already started talking about the murders of young black…

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“As entertaining and satisfying as Zootopia may be scene-by-scene, it ultimately fails because it insists on having it both ways simultaneously—anthropomorphic and metaphoric.”

“As entertaining and satisfying as Zootopia may be scene-by-scene, it ultimately fails because it insists on having it both ways simultaneously—anthropomorphic and metaphoric.”

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Abra Cadaver: Magician Found Dead At Hw’d’s Magic Castle

Abra Cadaver: Magician Found Dead At Hw’d’s Magic Castle

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Take Marc Caro’s Annual Oscar Quiz

Marc Caro‘s Annual Oscar Quiz

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Convicted Felon Dinesh D’Souza Runs Away With Four Razzies, With Hillary’s America Worst Movie, Worst Director, Worst Actress And Worst Actor For D’Souza

Convicted Felon Dinesh D’Souza Runs Away With Four Razzies, With Hillary’s America Worst Movie, Worst Director, Worst Actress And Worst Actor For D’Souza

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Angelica Jade Bastién On Oscar’s History With Black Filmmakers

“The Academy Awards and its relationship with black artistry has been characterized by a profound absence and silence in regards to the fullness of the black experience.” Angelica Jade Bastién On Oscar’s History With Black Filmmakers

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“Derogatory Information” Prevents Oscar-Nominated Syrian Cinematographer Of White Helmets From Entering America

“It is important that people understand that Syria has people who want the same things they want: Peace, jobs, family, and to live without the fear of bombs. This is what I hope the film does.” “Derogatory Information” Prevents Oscar-Nominated Syrian Cinematographer Of White Helmets From Entering America

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“I wasn’t thinking of Judy as a clinically ill person, or This is an addict. I was worried something awful had happened to the delightful, brilliant woman I loved.”

“I wasn’t thinking of Judy as a clinically ill person, or This is an addict. I was worried something awful had happened to the delightful, brilliant woman I loved.”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon