Movie City News Archive for March, 2017

At Eighty-Seven, Frederick Wiseman Turns To The Ballet

“I got sick and tired of seeing ballets about relationships, or mythological forests 10 centuries ago. Of the ballets I saw, very few of them were about the contemporary world. So I thought why not take an extreme subject — like psychotics in a prison for the criminally insane — and see if something resembling…

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Costuming Challenges For Free Fire’s Extended “Real Time”

Costuming Challenges For Free Fire‘s Extended “Real Time”

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China Alibaba Pictures Posts $139 Million Loss

China Alibaba Pictures Posts $139 Million Loss

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An Ovation For Basic Instinct And Its Skin-Baring Brethren At 25

An Ovation For Basic Instinct And Its Skin-Baring Brethren At 25

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Tour Laura Dern’s House In The Canyon

Tour Laura Dern’s House In The Canyon

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Yes, Cat Videos Are Art

Yes, Cat Videos Are Art

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A Musing On How DreamWorks Animation Arrived At Boss Baby

A Musing On How DreamWorks Animation Arrived At Boss Baby

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Jim Hemphill And Walter Hill Talk The Assignment

Jim Hemphill And Walter Hill Talk Up The Assignment

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FCC To End Federal “Lifeline” Subsidy For Broadband For 3,500,000 Low-Income Americans

FCC To End Federal “Lifeline” Subsidy For Broadband For 3,500,000 Low-Income Americans

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Oz Perkins On The Art Of The Slow Shocker

Oz Perkins On The Art Of The Slow Shocker

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Struggling Hong Kong Disneyland To Get $45 Million Infusion From Disney For Expansion

Struggling Hong Kong Disneyland To Get $45 Million Infusion From Disney For Expansion

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Annapurna Adds Marketing And Distribution Hires

[PR] – As part of their growing marketing and distribution operation, Annapurna has hired a number of new executives to build out the division.  Annapurna’s inaugural release is Kathryn Bigelow’s UNTITLED DETROIT PROJECT on August 4, 2017. Reporting to President of Marketing, David Kaminow, Annapurna has expanded its marketing team with the hires of Anne Yoo, as…

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Ebertfest Fills Out Its Schedule

EBERTFEST ANNOUNCES FINAL SLATE OF FILMS AND SPECIAL GUESTS FOR THE 2017 FESTIVAL 19th Annual Roger Ebert’s Film Festival to take place April 19-23, 2017 in Champaign, IL CHAMPAIGN, ILL – March 30, 2017 – The 19th Annual Roger Ebert’s Film Festival co-founded and hosted by Chaz Ebert, also known as ‘Ebertfest,’ announced today the…

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Louis Theroux On His Religion Movie

Louis Theroux On His Religion Movie

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Thelma Schoonmaker On A Life In Martin Scorsese Movies

“It’s a true collaboration with us. He taught me everything. I knew nothing about editing. But it’s a true collaboration now, and I can’t begin to tell you how much of a joy it is to be in the room with him. Because we talk about everything, not just the movie. And he’s so rich,…

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Michael Phillips Asks Readers How Much They’d Pay To Watch A Premiere Picture At Home

Michael Phillips Asks Readers How Much They’d Pay To Watch A Premiere Picture At Home

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William Powell, 66, Author Of “The Anarchist’s Cookbook”

William Powell, 66, Author Of “The Anarchist’s Cookbook”

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A Profane Take On Piers Morgan, Man Of No Qualities

A Profane Take On Piers Morgan, Man Of No Qualities

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Michael Moore Sees “Extinction Of Human Life On Earth”

Michael Moore Sees “Extinction Of Human Life On Earth”

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Jordan Peele On What Get Out Can Teach H’wd

“I can’t presume to say what everybody is getting from the film. It definitely, for lack of a better word, is a more fun way to engage in a discussion about race.” Jordan Peele On What Get Out Can Teach H’wd

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon