Movie City News Archive for August, 2017

Unicode Emoji Subcommittee Adds Additional Vice-Chairs To Work On “Digitally Disadvantaged Languages”

Unicode Emoji Subcommittee Adds Additional Vice-Chairs To Work On “Digitally Disadvantaged Languages”

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“Keanu Reeves and Winona Ryder could just flirtatiously read the phone book to each other and I would be satisfied. But they’ll be doing more than that.”

“Keanu Reeves and Winona Ryder could just flirtatiously read the phone book to each other and I would be satisfied. But they’ll be doing more than that.”

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Jezebel Joins The External Creative-Exec Game With “‘Lord Of The Flies,’ But With Women, Written By Men”

“I can say pretty confidently right now that we just do not need this.” Jezebel Culture Editor Joins The External Creative-Exec Game With “‘Lord Of The Flies,’ But With Women, Written By Men”

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From Down Under: How Murdoch Moves Allowed CBS Into Australian Broadcast-VOD Market

From Down Under: How Murdoch Moves Allowed CBS Into Australian Broadcast-VOD Market

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Brick, Mortar And The Recurring Cycle: Movie Theater Chain Stocks Pummeled

Brick, Mortar And The Recurring Cycle: Movie Theater Chain Stocks Pummeled

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Louis Armand On “Reactionary Sentimentalism / Berlin” With Wim Wenders, Nick Cave, Brian Eno, David Bowie And Many More Across Several Decades Of Pop-Punk History

Louis Armand On “Reactionary Sentimentalism / Berlin” With Wim Wenders, Nick Cave, Brian Eno, David Bowie And Many More Across Several Decades Of Pop-Punk History  

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Telluride Sets The Big Show

44th TELLURIDE FILM FESTIVAL ANNOUNCES 2017 PROGRAM LINEUP Telluride, CO (August 31, 2017) – Telluride Film Festival, presented by the National Film Preserve, today announced its official program selections for the 44th edition of the Telluride Film Festival. TFF’s annual celebration of artistic excellence brings together cinema enthusiasts, filmmakers and artists to discover the best in…

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The DVD Wrapup: Ronin, Wedding Banquet, The Stranger, Baywatch, Bring It On, Dean, Born in China and more

On a rain-swept night in Paris, an international crack team of professional thieves, weapons buffs and a computer geek assembles in an old-fashioned neighborhood bistro, summoned by a shady crime syndicate fronted by the enigmatic Deirdre. None of the crooks appear to know each other or the special skills they’re bringing to the table. They will be handsomely paid to steal an aluminum briefcase, handcuffed to the arm of their mark, who’s guarded by several armed men – presumably, ronin, themselves, — and safely make the transfer to Deirdre’s employers. It serves as Ronin’s McGuffin. No matter what the briefcase contains, its theft will inspire two unquestionably great car chases, one through the narrow streets of Nice, the other in Paris; a shootout in and around the centuries-old Arles Amphitheatre and Café Van Gogh; and a sniper attack inside a Paris skating rink. If it sounds confusing, it’s only because viewers aren’t supposed to be able to separate the white hats from the black hats until the final reel.

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Xan Brooks: Zama Gaga

“Her left-field masterpiece; a picture that’s antic, sensual and strange, with a top-note of menace and a malarial air. The heat is intense; the settlers go berserk. Nobody here is quite stable; nothing can be trusted.” Xan Brooks: Zama Gaga!

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Politico’s Jack Schafer Sez After A Half-Billion Dollars, The Newseum “Deserves To Die”

Politico’s Jack Schafer Sez After A Half-Billion Dollars, The Newseum “Deserves To Die”

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“Simpsons” Fires Alf Clausen, Composer For 27 Years

“Simpsons” Fires Alf Clausen, Composer For All 27 Years

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20 More Fired Under Al Jazeera Subsidiary Miramax’s CEO Bill Block

20 More Fired Under Al Jazeera Subsidiary BeIN’s Miramax CEO Bill Block

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Chinese Media Investor Recon Drops $100 Million Bid For Control Of Avi Lerner’s Millennium Films

Chinese Media Investor Recon Drops $100 Million Bid For Control Of Avi Lerner’s Millennium Films

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“Close Encounters of the Third Kind is reprehensible. It is, after all, the story of a daydreamer dad who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another.”

“Close Encounters of the Third Kind is reprehensible. It is, after all, the story of a daydreamer dad who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another.”

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From March, Paul Schrader Revisits Transcendental Style And Side-Eyes Slow Cinema

“The concept of spirituality does involve a stepping away from the maelstrom of activity and the maelstrom of action and empathy. Action and empathy are the two primary tools of a filmmaker. That’s why they’re called moving pictures: picture have empathy and movement has movement. So what happens when you say, “I’m going to show…

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Art Of The Title Credits Andrew Niccol’s Lord Of War

Art Of The Title Credits Andrew Niccol’s Lord Of War

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Richard Brody On Paul Schrader’s First Reformed

“Schrader, one of the crucial creators of the modern cinema, seems to have made it in a state of anger, passion, pain, mourning, and desire, held together by the conflicted religious fury—blending exaltation and torment—that runs through all of his films. First Reformed has the feeling of a summation, of a teeming and roiling avowal…

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Owen Gleiberman Seems To Say Schrader’s Film Is Good, But Bad, But Good, But Bad

“It’s a piece of 1970s grindhouse pseudo-psychology, applied to 21st-century violence. He’s like a graphic-novel version of Travis Bickle; he embraces ——— as a form of slumming. (And there’s a romance too!)” Owen Gleiberman‘s Spoiler-Doused Notice Says Schrader’s Film Is Good, But Bad, But Good, But Bad

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Novelist Terry Pratchett’s Unfinished Work Destroyed By Steamroller Lord Jericho

Novelist Terry Pratchett’s Unfinished Work Destroyed By Steamroller Lord Jericho

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Why Are John Denver Songs In Four Major Movies This Year (So Far)?

Why Are John Denver Songs In Four Major Movies This Year (So Far)?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon