Movie City News Archive for January, 2019

Kyle b

”Instead of apologizing for the show’s length, the academy should resolve to pack the Oscar broadcast full of major moments, no matter how long it goes. Instead of antagonizing the craftspeople who should be celebrating the biggest night of their careers, the Oscars should find a way to honor them by making every presentation a…

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Mark Harris

A dead-on piece from the NYTimes' @kylebuchanan about how this year's Oscars are becoming "an entertainment show determined to divest itself of all entertainment…Does the academy understand why we still tune into this show?" (Spoiler: Nope.) https://t.co/G0sqKPEMcn — Mark Harris (@MarkHarrisNYC) January 31, 2019

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Edgar Wright On Dick Miller

RIP Dick Miller, surely the king of character actors. A friendly, funny face in Gremlins (1&2), Piranha, the original Little Shop Of Horrors, Not Of This Earth, After Hours & my personal beatnik fav, Walter Paisley in 'A Bucket Of Blood'. Any role of his was cult movie nirvana. pic.twitter.com/StRqrWHgBS — edgarwright (@edgarwright) January 31,…

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Dick Miller

Farewell, Dick Miller pic.twitter.com/8VdHRuhpdP — Kim Morgan (@SunsetGunShot) January 31, 2019

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Heatquel

The HEAT sequel/prequel *NOVEL* co-written by 5-time New York Times bestselling author @ReedFColeman & 4-time Oscar nominated filmmaker Michael Mann will be out later this year. This will be the second book from @MannBooks & Harper Collins. The first is Hunting Leroux out 2/19. pic.twitter.com/gkdWwseLQu — Don Winslow (@donwinslow) January 30, 2019

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Empire

BREAKING: Chicago police officials have surveillance images that show two persons of interest in the alleged racist and homophobic attack on "Empire" actor Jussie Smollett, @NaderDIssa reports. Check back for more on this developing story: https://t.co/n15lr8uRCa. — Chicago Sun-Times (@Suntimes) January 30, 2019

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Glenn Kenny: “An early, unsuccessful, attempt at #MeToo in Hollywood”

Glenn Kenny: “An early, unsuccessful, attempt at #MeToo in Hollywood”

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Criterion Channel Vimeo/VHX

I just realized the new Criterion Channel service appears to be using Vimeo OTT / VHX, which I find personally very exciting as I was an early angel investor in VHX! https://t.co/fRmqsRR29Y — Keith Calder (@keithcalder) January 30, 2019

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Kot on DeRogatis on R. Kelly

A solid NY Times profile on my @soundopinions colleague @JimDeRogatis, and his ongoing R. Kelly reporting. But "cantankerous"? Nah, just persistent.https://t.co/XrfxtdfUwd — Greg Kot (@gregkot) January 29, 2019

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Good Dr, Bordwell Extends His Remarks on Christopher Nolan, As Well As A Kerfuffle With Another Film Cricket

Good Dr, Bordwell Extends His Remarks on Christopher Nolan, As Well As A Kerfuffle With Another Film Cricket

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Safe

We never safe. — tarell 'wilding' (@octarell) January 29, 2019

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Empire statement

pic.twitter.com/EWqEwAZUwz — Empire (@EmpireFOX) January 29, 2019

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Soderbergh

“I built my name on two people talking in a room. And I still believe in the power of something seemingly so small as two people talking in a room. I still think that is how everything begins. You can look at the largest global narrative that you can find, and you can trace it…

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Jackson family

Michael Jackson family calls Sundance doc a 'public lynching' https://t.co/vCD0rRznHI pic.twitter.com/BKVyhmybAW — Screen International (@Screendaily) January 29, 2019

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Harris Concurs Bird

At this point, I would not be at all surprised if someone on the Oscars–presenter or winner–goes off script during the show and says, "This is wrong and insulting." And if they go through with this plan, I'll be rooting for that moment. pic.twitter.com/PEKarqOS2g — Mark Harris (@MarkHarrisNYC) January 29, 2019

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Megan Ellison Twitter

There are so many things I want to say on Twitter that I just…can’t pic.twitter.com/qoR0yKtQlR — Megan Ellison (@meganeellison) January 29, 2019

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Brad Bird

Hear, hear! It also doesn’t help when actors and presenters make easy jokes about how dull the “technical” categories are. ALL categories are interdependent and vital to the power of cinema. https://t.co/Reo5VS8LpO — Brad Bird (@BradBirdA113) January 29, 2019

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Minhal Baig’s Hala Appeals To Apple

Minhal Baig’s Hala Appeals To Apple

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Kubrick by Weegee

Weegee’s photo of Stanley Kubrick on the set of DR. STRANGELOVE (1964). pic.twitter.com/haZDEVL1yi — The Daily (@CriterionDaily) January 28, 2019

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon