Movie City News Archive for October, 2019

Fuck You Money

first thing my high school journalism teacher advised about working in this industry was to keep a "go to hell" fund for the day your bosses clash with your principles. Thought about using mine more than once, haven't yet. All respect to the Deadspin folks for their bravery today — Wesley (@WesleyLowery) October 30, 2019

Read the full article »

High Flying

Watching all this discourse over college athletes being paid makes me want to see “High Flying Bird” be optioned into a series on Netflix so badly. I’d love to see @octarell tackle this. https://t.co/wW5bJpx7yK — Rebecca Theodore-Vachon (@FilmFatale_NYC) October 30, 2019

Read the full article »

Demme

watching his films you get the sense that he genuinely loved people, even when they were broken, even when they were damned, even when they were monsters. Strong heart. — Willow Catelyn Maclay (@willow_catelyn) October 28, 2019

Read the full article »

David Lynch

David Lynch’s acceptance speech at the #HonoraryOscars pic.twitter.com/LTsLz8akNC — Amanda (@DuganAmanda) October 29, 2019

Read the full article »

Ankler Mojo

Beats me how people are still obsessed with the sheningans in DC when we've just lived through the dismantling of Box Office Mojo — Ankler Rushfield – (@richardrushfield) October 25, 2019

Read the full article »

Landmark Theatres Names Paul Serwitz Prez, CEO

[pr] Charles S. Cohen, Owner and Chairman of Landmark Theatres, today announced the appointment of veteran exhibition executive Paul Serwitz as Landmark Theatres’ President and Chief Operating Officer. Paul Serwitz brings his highly regarded reputation to Landmark after serving 17 years as Vice President of Film for Regal Entertainment Group, the national theatre circuit whose brands include Regal Cinemas, Edwards Theaters and…

Read the full article »

Lucas Museum of Narrative Art finds its director at the Met

Lucas Museum of Narrative Art Finds its Director at the Met

Read the full article »

Dan Kois Profiles John Sayles As Matewan Goes Criterion

Dan Kois Profiles John Sayles As Matewan Goes Criterion

Read the full article »

Bilge Ebiri On The Insider at 20

Bilge Ebiri On The Insider at 20

Read the full article »

View Six “Bespoke” Home Screening Rooms

View Six “Bespoke” Home Screening Rooms from Monaco, Los Angeles, Notting Hill and Britain’s First Home IMAX Joint

Read the full article »

Olivia Wilde

First of all, in order to select this movie from hundreds of options, you have to agree to a “parental advisory” that warns you that viewer discretion is advised. Once you click “proceed” it seems like you’ve agreed to watch the movie in its original form. Instead… — olivia wilde (@oliviawilde) October 30, 2019 —…

Read the full article »

Twitter Politlcal Ads

Twitter still has a litany of problems that need to be addressed — including rampant hate speech, coordinated harassment campaigns, and artificial amplification — but credit where credit is due. Banning political advertising is an important step in the right direction. https://t.co/OEVy65pj24 — Caroline Orr (@RVAwonk) October 30, 2019

Read the full article »

Stealing is Wrong

This is the dumbest, most disingenuous rationale for stealing the intellectual property that it took other people years of time and millions of dollars to make that I've ever seen. And that's saying something. — Zack Stentz (@MuseZack) October 30, 2019

Read the full article »

The DVD Wrapup: Lion King, Sisters of Wilderness, My Son, Martin Guerre, Jirga, Horror Guide Part II, Harmonia, Bunuel’s Susana … More

Visually, Favreau admits to being influenced by Julie Taymor’s transcendent stage adaptation of The Lion King. … The things that fooled me, however, were the lifelike appearance, personalities and movement of the hyper-realistic animals.

Read the full article »

Fair Pay For Creatives

i used to work for a company owned by something called “ziff davis” (OK boomer!) which is where i first encountered this very confusing equation — Kathryn Jezer-Morton (@KJezerMorton) October 29, 2019

Read the full article »

Kanye West Says $68 Million Tax Refund Is God’s Reward for Being a Christian Under Trump

Kanye West Says $68 Million Tax Refund Is God’s Reward for Being a Christian Under Trump

Read the full article »

Buress

[spins wheel] [Hannibal Buress] is canceled over [rent control] — Whet Moser (@whet) October 30, 2019 He opened for Chris Rock at the Chicago theatre a couple years ago and had a part about kicking some med students out of the building he just bought on the South Side. — Chris in Chicago: aka Sterling…

Read the full article »

Letterman + 10

“You know, the other night I read the piece that you wrote 10 years ago,” David Letterman told me on a rainy day earlier this month. “It took you long enough,” I said. “And I thought, Holy shit, this is so disturbing and, sadly, a perspective that I did not have because the only perspective…

Read the full article »

Sleep Sleep

"You could call it fan service, if the service is to teach fans that mimicking Stanley Kubrick’s chilly elegance—and even reshooting scenes from the original film with lookalike actors, a crime bordering on sacrilege—doesn’t make your take nearly as scary." https://t.co/QdCqugNdi9 — Jason Zinoman (@zinoman) October 30, 2019

Read the full article »

Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon