MCN Curated Headlines Archive for January, 2018
“Elon Musk was my neighbor for ten years. Great guy, man. He’s a fearless motherfucker. Every week we’d have two or three dinners with Zuckerberg and Sergey Brin and all those cats. Jeffrey Bezos. Bezos — the richest motherfucker in the world now.”
Quincy Jones Talks And Talks To GQ
Woody Allen is my friend and I continue to believe him. It might be of interest to take a look at the 60 Minute interview from 1992 and see what you think. https://t.co/QVQIUxImB1
— Diane Keaton (@Diane_Keaton) January 29, 2018
“It had taken me two whole days and five pages to capture the diffident dialogue between the two would-be lovers. But Guadagnino had distilled it in just a few minutes. They shot it three to four more times. For me, the message was clear: film cuts and trims with savage brevity, where a shrug or an intercepted glance or a nervous pause between two words can lay bare the heart in ways written prose is far more nuanced and needs more time and space on the page. But the thing is, I couldn’t write silence. I couldn’t measure pauses and breaths and the most elusive yet expressive body language.”
André Aciman On The Adaptation Of His Novel, Call Me By Your Name
To make a long story short
We’re being left only with the future:
I make a toast
For that day which never comes
But is the only thing
Really left in our control.
Chilean Poet Nicanor Parra Was 103
“Mudbound feels relevant to the current moment in ways many similar period pieces concerning black life do not. This is most apparent in the way it studies the tense relationship between black and white women, and touches upon how even the most ‘well-meaning’ white people have racism that deserves to be unpacked.”
Angelica Jade Bastién Insists On Mudbound‘s Virtue
“Businesses die every day in New York, but all deaths are not equal. Some rend the very fabric of a city that fancies itself, quite reasonably, the nation’s cultural tastemaker. So there is reason to mourn the passing of two movie houses in Manhattan that believed in the capacity of films that aren’t dominated by car explosions, light sabers and computer-generated gimcrackery to more faithfully reflect the human spirit.”
Clyde Haberman Waxes Rot
“Capitalism killed this cinema, this evil, greedy, 20th century form of capitalism. The multi-billionaires have done this. It’s so strange that this neighborhood, the capital of the left in America, would allow this theater to close. It’s shameful — it should be embarrassing. You understand though that each time we let another thing like this happen, they become empowered. It’s like in horror films when the beast gets fed another morsel and it becomes stronger and stronger. I don’t know what to do about this situation.”
Michael Moore Mourns Closing Of Lincoln Plaza Cinemas
“Ronan is in a good position now,” Ms. Aronson said. “He’s traveling around with a halo. Unfortunately, he’s wrong.”
Melina Ryzik And Brooks Barnes Handicap Woody Allen
Jonnie Rosenbaum Afterwords Orson Welles’ Screenplays For Cradle Will Rock And Big Brass Ring
“My message to the newsroom will be that we will be working together as one team starting tomorrow to do the best work we can.”
Amid Controversies, L.A. Times Names Jim Kirk Editor-in-Chief
I’m a big fan, A lot of people are big fans. At what point did you see something like his movie Cabin Boy?
“I saw it when I was a kid. And I thought it was kind of a monster movie. There’s Chocki and the giant. We actually had the props, like the miniature fish sticks, and I would play with them as if they were Barbies. But when I was 20, I saw it from the lens of my dad’s humor and realizing it wasn’t just this adventure movie I saw when I was little, that it was a cult comedy. I know so many people obsessed with it. So yeah, I’m a huge fan of my dad.”
“F—, it’s awful living there with Trump. I’m so glad I’m f—ing out of that f—ing country – I think it’s really broken. I wish I could just stand up in some kind of Speakers’ Corner in Australia and go, ‘Guys – just – everyone: this rise of nationalism – don’t do it! You’re just going to turn your nation into a bunch of head-butting motherf—ers.’”
Australian Musical Maker Tim Minchin After The Death Of His $100 Million DreamWorks Animated Musical
1 of the most effective things Dylan Farrow has in her arsenal is the “persistence of emotion.” Like Mayella in TKAM, her tears/exhortations r meant 2 shame u in2 belief in her story.
But I need more than that before I destroy some1, regardless of their fame.
I need a lot more.— ABFoundation (@ABFalecbaldwin) January 28, 2018
Alec Baldwin Again Seized By Need To Comment
I am not sure I have ever seen such a bizarre celebrity trainwreck since #CharlieSheen "WINNING" days. @ScottBaio took to #Facebook to defend himself against cgarhes that he molested #NicoleEggert . https://t.co/3JVHd4bjK9
— Rod Lurie (@RodLurie) January 28, 2018
I love that she calls the doll an “action figure.” That’s how warriors think. Big!pic.twitter.com/H2BT5LopWK
— Ava DuVernay (@ava) January 28, 2018
“We’ve had very, very stable, unwavering support from senior management. It allows us to focus on the work. When you’re able to focus on the movies and the marketplace as opposed to looking over your shoulder, that really helps.”
What Would Be Fox Searchlight’s Future Under A Successful Disney-Fox Merger?
“This is a revolting film and a mockery of our history, our heroes. The way in which all Soviet people are depicted is quite simply offensive. First of all for the descendants of those depicted in it and likewise for war veterans.”
Moscow Raids Pioneer Cinema, The Single, Billionaire-Owned Theater That Dared Show The Death Of Stalin
“I was ashamed and embarrassed, and then I went through stages of grieving because I lost my career. For a man, that’s the ultimate degradation.”
Billy Bush Still Sore Over Losing His Nice Job