MCN Curated Headlines Archive for February, 2018
The internet is like Groundhog Day every time I point out first Groot died. Baby Groot has a different personality, a different body, no memories of adult Groot & adult Groot’s sacrifice actually meant something. New round of news stories & collective gasping again & again. https://t.co/gvx7c0g2fF
— James Gunn (@JamesGunn) February 27, 2018
“Seacrest stylist was let go two weeks after she reported harassment allegations to Human Resources”
Two Histories Of the Two-Minute, Twenty-Three-Second 2017 Best Picture Award Fracas
“I thought, ‘Well, maybe this is a misprint.’ And then, ‘I shouldn’t foul up the show just because someone made a little error.'”
“This needs to be fixed. When Jordan Horowitz realized he was smack-dab in the middle of one of the biggest blunders in the history of live television, those five little words popped into his head. ‘It felt like there was just chaos swirling. And that’s when my producer brain took over.'”
“As the competition for attention was rewarding ever more exploitation, Gawker was leading the way. The site routinely published thinly sourced, nasty articles that attacked and mocked people. Most of the victims didn’t fight back; Gawker could unleash both negative stories and well-funded lawyers.”
Ever-Clever NYT Editorial Page Gives Billionaire Facebook Board Member Peter Thiel Acreage To Spiel A Version of His Destruction Of Gawker
“I’ve lost the capacity to gauge the opprobrium—what’s irrational versus what’s a reasonable amount of Internet outrage these days. Look, we’re recruiting different types of writers than we have traditionally, and I’ll make some mistakes. It’s just gonna happen… Sure, Erik Prince wrote in our pages. You know who else has written in our pages? Bernie Sanders, and not just once.””
James Bennet, Editorial Page Editor And Future Contender For Times’ Top Newsroom Job
“Facebook’s biggest challenges are reinventing its core product and repairing its reputation.”
That Unsurpassed Deadpan “Humour” For Which The Economist Is Best Known
“This is an extremely unfortunate outcome for our employees, our creditors and any victims [but] the Board has no choice but to pursue its only viable option to maximize the Company’s remaining value: an orderly bankruptcy process.”
WeinsteinCo Bankrupt; Only Offer Was Illusory
After the first show this evening, I had a massive heart attack. The Doctor who saved my life told me I had 100% blockage of my LAD artery (aka “the Widow-Maker”). If I hadn’t canceled show 2 to go to the hospital, I would’ve died tonight. But for now, I’m still above ground! pic.twitter.com/M5gSnW9E5h
— KevinSmith (@ThatKevinSmith) February 26, 2018
“With Whedon’s exit, the door is now open for a female director to take on the job of forging a ‘Batgirl’ for our time. And let’s be explicit about why that would — and hopefully [sic] will — be a fantastic thing, quite apart from the obvious and essential moral issue of equality in hiring in Hollywood. Superhero movies are fantasies, but the best of them have found a way to overlap the real world. Like Batman, she’s a night stalker with no superpowers, emerging from an impulse of dark nobility. So for this movie to work, she needs to be not just a bat-eared icon, but a character with layers, a mistress of the night who can speak in a larger-than-life way to the experience of women.”
Owen Gleiberman Peter-Barts For A Bit With His Extended “Batgirl” Hiring Advice
“We wanted to award prizes not just for what cinema can do and where it is but where it could go in the future.”
Tom Tykwer On His Berlin Jury’s Selections
“I’ve got a reputation for being difficult – it’s bullshit.”
A Delightful Interview With The Great Lynne Ramsay
The Alligator King: Directed, Animated and Sung by Bud Luckey
“We definitely thought that this was going to be the one that killed us. This seemed like such an unlikely thing. It’s interesting because if you look at any of the movies that are nominees this year, until they succeed, they don’t look like obvious films to make, necessarily. Once you know that they’ve succeeded at the box office or critically, you sort of forget how risky they were, potentially, in the first place.”
Emma Thomas: Producer