MCN Curated Headlines Archive for April, 2018

“We’ve spent lifetimes trying to dismantle rape culture and an environment that protects rapists and abusers instead of their accusers.”
“Why Women Never Expected Bill Cosby To Be Convicted”

“I don’t think that people who were victims would feel particularly supported by going to someone and asking for help, whether that person was in HR or that person was a colleague.”
Washington Post: NBC News Faces Skepticism Over In-house Sexual Harassment Investigation With Fresh Accusations Against Tom Brokaw

variety

“I felt powerless to say no. He could ruin my career. I just remember being frozen.”
“I met with Linda Vester on two occasions, both at her request, 23 years ago because she wanted advice with respect to her career at NBC.  The meetings were brief, cordial and appropriate, and despite Linda’s allegations, I made no romantic overtures towards her at that time or any other.”
Former NBC Anchor Accuses Tom Brokaw Of Sexual Impropriety

NY Times

“We face a transition — a potential merger that will have lasting implications for the movie business. I have no more insight into this transaction than you do. But I am holding onto the very basics — what helped make The Greatest Showman a hit. Let’s stay dedicated to the future of cinema and passionate about the films to come. Let’s wear our hearts on our sleeves and aim to please in every frame.”
Stacey Snider At CinemaCon

You can only find out the value of an idea by doing it… oh shit I am quoting Nick Cave here. You gotta trust your instinct if that idea feels right.
“What little known or under-seen film would you recommend to any cinephile?”
Morvern Callar.
“Tips to a good screenplay?”
Keep it tight, don’t over-describe, write economically. Read Graphic Novels.
Lynne Ramsay Gives Plain, Good AMA

“The idea of Bill Cosby as network kingpin is greeted with enthusiasm by those who appreciate his creative genius and moral commitment. But it doesn’t sit well with some entertainment veterans who have worked with Cosby in a business capacity. The picture that emerges from these sources is of an ego out of control, someone who is not used to hearing ‘No.'”
From 1993, Nikki Finke On Bill Cosby’s Hope To Buy All Of NBC

“Ultimately, if you have to sum up exactly what filmmaking is about, it’s sculpting space.”
Olivier Assayas On Cold Water And Career

“I love playing bitches. I love the whole idea of being so impossible that it’s funny.”
Shirley MacLaine

indie wire

“This is something that, like curating a diverse and interesting program, is always on our radar. It’s something that we wanted to achieve. This year we knew going in if we could make it happen that we would like to do it. We weren’t going to force ourselves into any contortions to make it happen. We wanted to see what the work was like and what was being made and what would submitted to us. We had no trouble when we started evaluating the work and looking at it and discussing it, no trouble in reaching a parity this year.”
Half Of Hot Docs By Women

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon