MCN Originals Archive for September, 2010

Box Office Hell – September 30

This week our pundits predict The Social Network as a solid lock for the #1 slot, while there’s some dissension over whether Let Me In will draw enough box office blood to capture the place position.

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Digital Nation: Barry Munday

As red herrings go, it’s tough to beat castration. The title character of Chris D’Arienzo’s truly offbeat comedy, Barry Munday, undergoes just such an operation. It’s required after the father of a promiscuous teenager slams a trumpet into crotch of the two-bit, happy-hour lothario in a movie theater. Poor Barry didn’t even have time to…

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22 Weeks To Oscar: The Year Of Good Being Good Enough

This is a very competitive race for a dozen or so movies looking to fit into a few slots. GREAT is not necessary. In fact, GREAT may be a problem for some of these films. This is the Oscar season of Really Good.
(New Charts This Week, Including Acting Races)

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The DVD Wrap: Get Him to the Greek, Coco Chanel and Igor Stravinsky, The Thin Red Line, The Law, Ellery Queen … and more

Get Him to the Greek: Blu-ray In Richard Benjamin’s delightful 1982 comedy, My Favorite Year, all junior writer Benjy Stone was required to do was get the famously debauched British actor, Alan Swann, from his New York hotel to a nearby studio, where a popular comedy-variety show (think, “Your Show of Shows”) is being broadcast…

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MW on DVDs: The Killer Inside Me, The Law (La Loi), Palermo or Wolfsburg, Get Him to the Greek … and more

PICK OF THE WEEK: NEW The Killer Inside Me (Three Stars) U.S.; Michael Winterbottom, 2010 All these years, ever since it first appeared as a paperback original novel in 1952, a possible movie of Jim Thompson’s The Killer Inside Me — the first-person deep-noir tale of a smooth-talking small-town Southern deputy sheriff and murdering bastard…

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Super Movie Friends 8 – Sally Menke, Christian Berger, Joan Sobel

Sally Menke passed away yesterday, tragically, but this chat with her friend and colleague, Joan Sobel, and cinematographer Christian Berger is a chance to spend 45 minutes with three of the very best at what they do.

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Digital Nation: The Other City

Contrary to much circumstantial evidence, AIDS isn’t gone … it isn’t even hiding. That’s the primary message of Susan Koch’s documentary The Other City, which takes a look at what may be, to some, the surprising fact that HIV/AIDS has not gone away. In fact, in our nation’s capital, practically within shouting distance of the…

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Teasing True Grit

The Coen Bros are back… and their teaser may be the best minute you spend alone this month.

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Frenzy on the Wall: James Franco is … Okay

I’m mystified by the accolades that have been heaped upon James Franco over the last few years.  That’s not to say that I don’t think he’s a solid and talented actor because he surely is, but I’m not seeing the “genius” of his performances that others are seeing.  It’s especially odd that he’s held in…

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Weekend Box Office Report – September 26

Wall Street: Money Never Sleeps topped the weekend box office charts with a logy estimate of $19.5 million. The new batch of national releases generally underperformed based on tracking including second place Legend of the Guardians: The Owls of Ga Hoole, which hooted up $16.3 million.

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Friday Estimates – September 25

At this point in the weekend, Wall Street 2 and Gordon Gekko appear to be sitting on the top of the heap, with the owls of Legend of the Guardians flagging behind The Town in third place …

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Review: Wall Street: Money Never Sleeps

Up until the last ten minutes or so, I was really digging Wall Street 2: Money Never Sleeps. It’s not that we needed to revisit Gordon “Greed is Good” Gekko (Michael Douglas), that classically evil rich white bad guy who preceded (some might say, foretold) all those rich (mostly) white (mostly) bad guys who built…

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Box Office Hell -September 23

This week, most of our box office pundits see Gordon Gekko and Wall Street 2 rising to the top, while the owls of Legend of the Guardians flap into the place position …

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DP/13 – Wall Street: Money Never Sleeps actor Shia LaBeouf

It’s Shia. It’s iPhone. It’s not pretty. But worth watching for the Shia experience and some interesting insights into how he got into the WS2 role.

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Wilmington on Movies: Wall Street: Money Never Sleeps, Legend of the Guardians: The Owls of Ga’Hoole, and Our Hitler

Wall Street: Money Never Sleeps (Three and a Half Stars) U.S.; Oliver Stone, 2010 Oliver Stone’s new movie Wall Street: Money Never Sleeps returns us to one of Stone’s great subjects of the 1980s: the glamour and corruption of the American financial markets. A sequel to Stone‘s 1987 Wall Street, this show plunges us back…

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Review – The Social Network (98.75% Spoiler-Free)

The Social Network is one of the greatest films not to quite make it to Great… perhaps as intended.

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Review: You Will Meet a Tall Dark Stranger

Woody Allen‘s latest effort, You Will Find a Tall Dark Stranger, finds the director returning to Europe — the fertile ground which, in recent years, has served as the setting for the excellent Match Point and Vicky Cristina Barcelona and the fair-to-middling Cassandra’s Dream and Scoop. This time around he’s back in London with a…

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Arthouse Redux: Themes of Forgiveness

This past Sunday, the sermon at our Unitarian church was about the Jewish High Holy Days Rosh Hashanah and Yom Kippur, the bookends of the “Days of Awe” on the Jewish calendar. Yom Kippur is, of course, about atonement and repentance, and all the talk in the sermon about Yom Kippur got me thinking about…

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DP/30 @ TIFF ’10: Henry’s Crime actors Keanu Reeves, James Caan, Vera Farmiga

DP/30 – The stars of the unexpected TIFF hit get together to chat with David Poland about making the film.

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Excuse Our Dust

MCN is going through its second server change in less than a month. It seems that the demand on the new server was greater than had been anticipated. That’s good. Getting slow loads and “please come back later” screens… not so good. Hopefully, you haven’t noticed, but if you have, our apologies. We’ll be at full speed again shortly.

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MCN Originals

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon