MCN Originals Archive for November, 2016

The DVD Wrapup: BFG, Pete’s Dragon, Baked in Brooklyn, Weng Weng, T.A.M.I./T.N.T. and more

With great numbers already recorded for Disney’s Moana, it’s difficult to look back at the last two years and imagine studio executives not being completely thrilled about what they’ve accomplished. Several releases have exceeded or threatened to hit the billion-dollar barrier and critical response has generally been friendly, even for those titles with lower financial expectations.

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20 Weeks To Oscar: The Beginning Is The End

You know it’s already over, right?

No, I’m not saying we know who is going to win Oscars this year. We don’t. But we know who is realistically in the running, and who is not.

To use a sports metaphor, we are in the playoffs. But teams still have to play the games.

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DVD Geek: Valley of the Dolls, Beyond The Valley Of The Dolls, Vamp

There is bad, and then there is really bad. Valley of the Dolls is a bad movie. The histrionics of the characters pass for drama, while simplified progressions of successes and failures, both in careers and in romance, pass for narrative. But the plot is coherent, and the acting, although pushing the edges of sensibility, is valid. Dolls is appealing as high camp, with its most indulgent performances and importune dialog being accepted after the fact as a comical alternative to the real world, especially because of its show business milieu.

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The Weekend Report

The box office went unseasonal as Moana ascended to the top of the charts with an estimated $55.6 million debut for the three-day portion of the Thanksgiving holiday frame. Three other wide releases made the turkey trot debut with OK response for the Second World War era espionage thriller Allied that grossed $12.7 million. However, Bad Santa 2 had a paucity of Christmas cheer with a $6 million bow and the Howard Hughes inspired Rules Don’t Apply was decidedly elusive with a $1.6 million tally.

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Friday Box Office Estimates

A mixed bag on Thanksgiving weekend at the box office. It’s early to get a full read on Moana as its launch outpaces Frozen, but it is a rarity for a big animated movie to open on Thanksgiving weekend. Tea leaves are blurry. Likewise, the question of Doctor Strange remains open, as its 24 days to get to $200 million domestic is right in the middle of the Marvel pack. And Fantastic Beasts is pacing right along with the 2nd and 3rd Potter films so far. Allied opens soft, pacing with Australia, though it would be worth noting that Australia did over $200m worldwide and Allied could well do the same. Arrival is the strong hold of the week. Bad Santa 2 peed on Santa’s leg. Lion and Miss Sloane deliver in exclusive runs.

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Thankful 2016: 20 Years In

This is the 20th Thankful column and I am still grateful for so much. But what a long, strange trip it has been.

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The DVD Wrapup and Gift Guide: One-Eyed Jacks, Hell or High Water, Kubo, Mia Madre, The Land, Holiday Horror, Poldark and much more

Brando delivers a performance so distinctively nuanced –it runs the gamut from bizarre to brilliant – that it’s been indelibly etched into the memories of everyone who’s seen it. Ditto, his delivery of the lines, “Get up you scum-sucking pig! I want you standing when I open you up,” “You may be a one-eyed jack around here, but I’ve seen the other side of your face” and “Get up, you big tub of guts!”

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Gurus o’ Gold: Thanksgiving – Episode 2

In the second charts of the week, The Gurus look at Best Picture and offer their suggestions for what you must see this holiday weekend as well as what unexpected nominations would excite them. Have a wonderful holiday!

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Gurus o’ Gold: Thanksgiving – Episode 1

In this first of two pre-Thanksgiving Gurus outings, not a lot of change in Picture and the Supporting acting categories. The only real mover in Picture is… Arrival.

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The Weekend Report

Fantastic Beasts and Where to Find Them wasn’t just Pottering around, with an estimated $74.3 million debut way ahead of the pack. The session’s other new wide openers sputtered, as The Edge of Seventeen enrolled at seventh with $4.6 million and inspirational boxing saga Bleed for This only punched $2.3 million. The expansion of Billy Lynn’s Long Halftime Walk crawled to $933,000.

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Friday Box Office Estimates

Unexpectedly, Fantastic Beasts seems soft in the perspective of 5-day Harry Potter openings. Still, what may well be a $100m+ opening weekend would be foolish to doubt. The big Friday opening took steam out of the market, especially for family and action. The Edge of Seventeen has been a passion project for STX, but not much of a start. Tough to figure out what else they could have done to get it rolling. Great start for Manchester by the Sea. Solid for Nocturnal Animals.

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The DVD Wrapup: Finding Dory, Jungle Book, Shirley Clarke 4, Better Call Saul, Christmas Stuff and more

The only critical knocks I’ve seen against Finding Dory were prompted by a perceived diminishment, however slight, in Pixar’s trademark gags and a story that bears too much resemblance to the original. Even so, the aggregate score on Metacritic.com stands at a lofty 77 and, last month, the worldwide box-office tally passed the billion-dollar barrier.

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Gurus o’ Gold: Who Directed That Masterpiece?

The election took The Gurus by surprise this week, but they have consulted with The Oscar Deities and are back in the saddle. This week, Best Picture and Best Director.

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The Weekend Report

Doctor Strange continued to cast his spell on the world with the top spot in the domestic arena estimated at $43.4 million. The session saw three new national releases with the alien Arrival slotting in position three with $24.1 million and right behind the urban family comedy Almost Christmas grossing $15.5 million. The haunted house thriller Shut In had a much fainter pulse of $3.7 million.

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Confessions Of A Film Fest Junkie

Over the past fifty years, it’s been tough to program a film festival in Los Angeles. It took Gary Essert years to secure financing and convince the Hollywood establishment that the long-gone FilmEx was benign, not a radical assault to crumble studio walls. That was back in 1971, and his pioneering festival was first significant showcase of international cinema in the City of Angels.

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Friday Box Office Estimates

Doctor Strange is building with unusually strong weekday numbers and a strong Friday hold Marvel’s latest entry is looking more like a high-200s domestic grosser than a low-200s, which would make it the only non-Iron-Man-starring product besides Guardians to explode out of the gate. Trolls holds solid. Arrival lands, although not overwhelmingly. (A movie meant to build.) And Almost Christmas opens less strongly than Will Packer’s This Christmas, but is aimed at Thanksgiving week. Also holding, Hacksaw Ridge. Big two-screen start for Ang Lee’s motion-emotion experiment of Billy Lynn’s Halftime Walk.

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Remembering Leonard Cohen

I met Leonard Cohen many times over the years. He lived close to my neighborhood and I’d see him shopping at Ralph’s or having dinner with his family at Le Petit Greek in Larchmont. But my relationship and odd connection dates back to the early 1970s when I was still living in Canada.

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The DVD Wrapup: Star Trek/Wars, Indignation, Private Property, Morris From America, Viktoria, Mes Aynak, Initiation and more

If these holiday-ready set demonstrate anything conclusively, it’s that distributors of DVD/Blu-ray/VOD titles are way ahead of consumers and equipment manufacturers on the technological curve, at least when it comes to promoting the visual and audio potential for home theaters. Unlike Ultra High Def and Blu-ray 3D units, technologically advanced pictures, like Star Trek Beyond and the upgraded edition of Star Wars: Episode VII: The Force Awakens, are priced to sell right now.

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20W2O: Keep To Your Knitting

Oscar punditry reads a lot like the months and months and months of expertise voiced on cable TV and via print/online media for 18 months leading to the November 8 absurdity of a Trump election. And the voices after the results settled in last night reminded me so much of the post-Oscar (and often, pre-Oscar) whining.

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Wilmington On Movies: DOCTOR STRANGE

I might prefer something adapted not from a classic comic but, say, a great novel, or a profound drama or a truly witty comedy, but we don’t call the shots.

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MCN Originals

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon