MCN Originals Archive for January, 2019

The DVD Wrapup: Nutcracker, Always Room For Giallo, Mondo, Hunter Killer, Slice, Night Is Short, Suburbia, Masanjia and more

Disney decided that “The Nutcracker and the Four Realms” had a better ring to it than “The Nutcracker and the Mouse King.” And, perhaps, that’s where the studio’s expectations for the holiday movie first hit a wall.

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Gurus o’ Gold On The Oscar Chart No. 1

Weighing in on a first set of Oscar nominations, including acting nods after the Sunday night SAG awards. Harsh weather and (harsher?) Sundance delayed several Gurus, but the roster will be back to full strength in charts leading up to Oscar night.

Love for BlacKkKlansman pushes Spike Lee’s multi-nominated pic atop Green Book for second ranking for Best Pictures. Best Actor and Best Supporting Actor predications offer up a pretty solid consensus

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Sundance: Untitled Amazing Johnathan Documentary, The Magic Life of V and Walden

What sets “Untitled Amazing Johnathan Documentary” apart is that about midway through the film there’s a plot twist, followed by another plot twist, followed by a period of tense relationship between documentarian and subject that left Berman sad, morose, feeling badly used, and uncertain as to whether he’d ever finish his film. It’s here that “Untitled Amazing Johnathan Documentary,” not unlike “Winnebago Man,” becomes a film as much about the filmmaker unearthing deep and sometimes unpleasant truths about himself and ultimately becoming part of his own film, as it is about the subject the film thought it was going to be when it grew up.

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The DVD Wrapup: Mikey & Nicky, Apparition, Widowed Witch, Dis, Spiral, Wandering Muse, Jack the Ripper, Howling 3, Eating Animals, Scoundrels, Waterworld … More

Cassavetes and Falk may fit the mold of small-time wise guys, but the characters’ likability factor decreases from the moment May ratchets up the dial on Nicky’s booze-fueled paranoia. It plummets even further during their visits to former wives and girlfriends, who act as if they expect to be slapped around, fucked and forsaken.

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The Gurus O’ Gold Weigh The Acting Categories And Best Picture

Hello, Glenn Close!

Oscar nominations drop on Tuesday morning, and the Gurus anticipate some shifts in the Academy’s Final Five for acting nominations, plus a few flyaway titles from the Best Picture roster, which could contain as many as ten nominees.

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The DVD Wrapup: Not A Witch, Jonathan, The Captain, Speed Kills, Room 304, Hippocrates, The Dark, Crimson Peak, Tea With Dames, Forbidden Photos, Addiction … More

I was reminded of Nǃxau while watching I Am Not a Witch, an offbeat dramedy by Rungano Nyoni. It depicts the ways women convicted of being witches in rural Zambia cope with ignorance, prejudice and forced labor.

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The Gurus o’ Gold Highlight Best Picture, Best Foreign Language, Best Documentary

Checking in a week before Oscar nomination voting ends: predictions for documentary feature, foreign language film, and of course, best picture, with a good range of wiggling in the rankings after major guilds have announced their nominees.

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The DVD Wrapup: Mid90s, Oath, Obamaland, Bad Reputation, Hell Fest, Time Freak, Kusama, Oddsockeaters, Bent, Harry/Sally, Nemesis, Frontline, Cats … More

Jonah Hill’s endearing dramedy is only the latest entry in a long list of movies in which skateboarding plays a key role in the social development of borderline characters looking for a reason to wake up in the morning.

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Gurus Predict Globes Picks And Best Picture

The Gurus weigh in on Best Picture after the PGA nominations and Hollywood Foreign Press best pics before Sunday night gets its Globe on.

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MCN Originals

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon