Press Releases Archive for August, 2010

STAR-STUDDED STONE OPENS THE 46th CHICAGO INTERNATIONAL FILM FESTIVAL

FOR IMMEDIATE RELEASE Edward Norton and Director John Curran To Walk Red Carpet for Opening Night on Thursday, October 7 CHICAGO, August 16, 2010

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Polaroid Eyewear and RealD Sign Global License Agreement for Polaroid

ORMOND BEACH, Fla., ZURICH and LOS ANGELES, Aug. 18 /PRNewswire/ — Polaroid Eyewear, a division of Stylemark AG, and RealD Inc. (NYSE: RLD), a leading provider of 3D technology for cinema, consumer electronics and professional applications, announced today that they have signed a global license agreement to use the RealD brand in conjunction with the…

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2010 New York Film Festival Masterworks & Special Events

48th New York Film Festival Sept. 24 – Oct. 10 NEW YORK, Aug. 16, 2010 — The Film Society of Lincoln Center’s 48th New York Film Festival, the essential showcase of the latest and best in American and international cinema will complement this years previously announced festival selections with a unique blend of concurrent programs,…

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FESTIVAL

WHEN THE SUN GOES DOWN, THE STARS COME OUT MIDNIGHT MADNESS Toronto

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MICHAEL NYMAN AND HARUN FAROCKI JOIN TIFF

TORONTO

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YA?ASIN! ISTANBUL SPOTLIGHTED IN FESTIVAL

CITY TO CITY

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TIFF OFFERS CINEMATIC FUN FOR THE WHOLE FAMILY WITH SPROCKETS FAMILY ZONE PROGRAMMING

SPROCKETS FAMILY ZONE Toronto

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FANTASTIC FEST 2010 ANNOUNCES "LET ME IN" FOR OPENING NIGHT

The U.S. Premiere Will Open Fantastic Fest on Thursday, September 23 Austin, TX—Tuesday, August 17, 2010— Fantastic Fest is pleased to announce the opening night film will be the U.S. premiere of the highly anticipated Let Me In, directed by Matt Reeves (Cloverfield) and starring Chloe Moretz (Kick Ass), Kodi Smit-McPhee (The Road), Elias Koteas…

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DANIEL CRAIG AND ROONEY MARA TO STAR IN THE GIRL WITH THE DRAGON TATTOO

(Culver City, August 16, 2010) — Daniel Craig and Rooney Mara have been cast in the lead roles of Columbia Pictures

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New York Film Festival announces 2010 lineup

NEW YORK, August 16, 2010 – The 48th New York Film Festival will host 28 feature films from fourteen countries when it runs Sept. 24-Oct. 10 at Alice Tully Hall and The Walter Reade Theater, including the Closing Night selection, Clint Eastwood’s Hereafter. The festival, presented by the Film Society of Lincoln Center will also…

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FILMMAKING TEAM IN PLACE FOR JUSTIN BIEBER FEATURE FILM DEBUT

FROM Paramount Pictures, MTV Films, Insurge PiCTURES and Island Def Jam Music Group HOLLYWOOD, CA (August 11, 2010)

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Sundance Institute Announces a Week of Creative Film Producing Initiatives

Culminating in the Second Annual Creative Producing Summit Netflix Founder and CEO Reed Hastings to Give Keynote at Creative Producing Summit Creative Producing Labs Held for Feature Film and Documentary Fellows Prior to the Summit LOS ANGELES, CA

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Icahn Extends Tender Offer for Lions Gate Common Shares

NEW YORK, Aug. 11 /PRNewswire/ — Carl C. Icahn announced today that the offer by his affiliated entities to purchase up to all of the outstanding common shares of Lions Gate Entertainment Corp. for $6.50 per share in cash has been extended and will now expire at 8:00 p.m., New York City time, on October…

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INDUSTRY JOINS TOGETHER TO CREATE GREEN VENDOR WEBSITE

FOR IMMEDIATE RELEASE Producers Guild of America and Top Studios Lead Efforts to Advance Sustainability in Entertainment Sector LOS ANGELES AND NEW YORK (August 11, 2010)

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Starring Johnny Carson at www.johnnycarson.com Browsable Clips, Searchable Licensing Site and DVD Launches all Part of a 2010 Rollout August 11, 2010, Fullerton, Calif. – During his 30 years on NBC as host of The Tonight Show, Johnny Carson interviewed more than 22,000 guests. The legendary entertainer introduced Jay Leno, David Letterman, Joan Rivers, Ellen…

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TIFF: Festival Announces Canadian Features

Toronto

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Propworx Star Trek

Original Props, Costumes and Production Artwork Reach Astronomical Heights at the Live and Online Auction Sunday, August 8, 2010 LOS ANGELES

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon