Press Releases Archive for September, 2010

WEINSTEIN COMPANY BUYS DIRTY GIRL IMMEDIATELY FOLLOWING ITS FIRST TORONTO FILM FESTIVAL SCREENING

FOR IMMEDIATE RELEASE: THE COMPANY ACQUIRES THE FILM FOR NORTH AMERICA, UNITED KINGDOM, FRANCE, AUSTRALIA, NEW ZEALAND, AND SOUTH AFRICA 13 September, 2010. The Toronto International Film Festival.   It was confirmed today that the Weinstein Company bought North American, United Kingdom, France, Australia, New Zealand,  and South African rights to Abe Sylvia’s thoroughly entertaining film,…

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THE WEINSTEIN COMPANY TAKES ALL U.S. RIGHTS TO FRENCH FILM “SARAH’S KEY”

FOR IMMEDIATE RELEASE: THE FILM WHICH IS BASED ON THE NEW YORK TIMES BEST SELLING BOOK WILL MAKE ITS WORLD PREMIERE AT THE TORONTO INTERNATIONAL FILM FESTIVAL 10 September 2010. Toronto International Film Festival. The Weinstein Company preemptively bought all U.S. rights to  “Sarah’s Key” starring Kristin Scott Thomas and based on the New York…

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FAMED FILM CRITIC ROGER EBERT ANNOUNCES NEW WEEKLY MOVIE REVIEW SHOW

Roger Ebert Presents At The Movies CHICAGO, IL – September 10, 2010 – Roger Ebert Presents At the Movies, a weekly half-hour film review program, was announced today by its producers, Chaz and Roger Ebert. The program continues its 35 year run of a show first co-hosted by Gene Siskel and Ebert and later by…

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ATO PICTURES ROLLS WITH ‘CASINO JACK’

INDIE DISTRIBUTOR ACQUIRES KEVIN SPACEY STARRER IN ADVANCE OF ITS WORLD PREMIERE AT THE TORONTO FILM FESTIVAL New York, NY (September 9, 2010) – In advance of its World Premiere at the Toronto Film Festival, ATO Pictures (Art Takes Over) is proud to announce that it has acquired U.S. theatrical rights to CASINO JACK from…

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‘Clear Blue Tuesday’ Filmmaker Fights Back Against Critics Who Labeled Her Film the 9/11 Rock Musical

NEW YORK, Sept. 9, 2010 — The independent film “Clear Blue Tuesday,” which opened Friday, September 3rd in New York at the Quad Cinema (34 West 13th Street), has caused an uproar among film critics, feature writers and bloggers – most of whom have not even seen the film before making negative comments about it…

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Rotterdam Announces Cinema Reloading Film Production Platform

ON THE EVE OF THE TORONTO FILM FESTIVAL, THE INTERNATIONAL FILM FESTIVAL ROTTERDAM (IFFR) ANNOUNCES NEW INITIATIVE WITH ACCLAIMED FILMMAKER HARMONY KORINE FOR ITS PIONEERING “CINEMA RELOADED” FILM PRODUCTION / ONLINE FUNDRAISING PLATFORM The First-Ever Projects Fully Funded By Online Donations And Produced Under The Auspices Of A Film Festival To Premiere At IFFR 2011…

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SONY PICTURES CLASSICS ACQUIRES “BARNEY’S VERSION” BASED ON MORDECAI RICHLER’S ACCLAIMED NOVEL

NEW YORK, NY (September 8, 2010) – Sony Pictures Classics announced today that they have acquired all US rights to BARNEY’S VERSION from producer Robert Lantos (EASTERN PROMISES, BEING JULIA, SUNSHINE). BARNEY’S VERSION is directed by Richard J. Lewis and based upon Mordecai Richler’s prize-winning comic novel. The film is In Competition at the Venice…

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STATEMENT REGARDING JEAN-LUC GODARD’S REPLY TO THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES

September 7, 2010 FOR IMMEDIATE RELEASE STATEMENT REGARDING JEAN-LUC GODARD’S REPLY TO THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES In response to Academy President Tom Sherak’s letter informing him that the Board of Governors had voted him an Honorary Oscar, Jean-Luc Godard has sent a cordial, hand-written note back to Sherak. In it, Godard…

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BERGMAN EXHIBITION “TRUTH AND LIES” TO WORLD PREMIERE AT THE ACADEMY

September 7, 2010 FOR IMMEDIATE RELEASE Beverly Hills, CA – “Ingmar Bergman: Truth and Lies,” an exhibition that delves into the career and personal life of the legendary Swedish director, will have its world premiere at the Academy of Motion Picture Arts and Sciences on Thursday, September 16. Organized by the Deutsche Kinemathek – Museum…

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MARTIN SCORSESE’S A LETTER TO ELIA ACQUIRED BY TWENTIETH CENTURY FOX HOME ENTERTAINMENT AND PBS’ “AMERICAN MASTERS” SERIES

Documentary Chronicling the Life and Work of Acclaimed Director Elia Kazan World Premieres at Venice International Film Festival, Premieres in North America at Telluride Film Festival, Official Selection New York Film Festival PBS National Broadcast Premiere on October 4, 2010 The Elia Kazan Film Collection, featuring the Documentary and 15 of Kazan’s Most Noteworthy and…

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HBO DOCUMENTARY FILMS ACQUIRES U.S. TV RIGHTS TO PUBLIC SPEAKING, SPOTLIGHTING WRITER FRAN LEBOWITZ

For Immediate Release Academy Award® Winner Martin Scorsese Directs; Vanity Fair Editor Graydon Carter Produces NEW YORK, Sept. 7, 2010 – HBO has acquired U.S. TV rights to the documentary PUBLIC SPEAKING, directed by Oscar® winner Martin Scorsese and produced by Emmy®- and Peabody-winning documentary producer Graydon Carter, and Margaret Bodde, it was announced today…

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Movie Milestone: Redbox Rents One Billionth Movie

Redbox Thanks Consumers with “Thanks A Billion” Celebration OAKBROOK TERRACE, Ill., Sept. 5 /PRNewswire/ — Redbox, the popular DVD rental kiosk provider and wholly-owned subsidiary of Coinstar, Inc. (Nasdaq: CSTR), reached a major movie milestone today with the rental of its one billionth movie. “Clash of the Titans,” rented from a redbox® location in Tampa,…

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ACADEMY GRANTS $50,000 TO TELLURIDE FILM FESTIVAL

September 3, 2010 FOR IMMEDIATE RELEASE Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences has awarded a $50,000 grant to underwrite the 2010 Telluride Film Festival’s Guest Director program, this year featuring novelist and screenwriter of “The English Patient,” Michael Ondaatje. This is the third consecutive year that the Academy has…

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SIFF Brings Festival of New Spanish Cinema to Seattle

Pragda and Seattle International Film Festival present THE FESTIVAL OF NEW SPANISH CINEMA Dates: Thursday, September 23 – Sunday, September 26 SIFF Cinema, 321 Mercer Street at 3rd Avenue, McCaw Hall, in the Nesholm Family Lecture Hall at Seattle Center The Festival of New Spanish Cinema in Seattle is organized by Pragda and SIFF and…

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NEWMARKET FILMS TO RELEASE PETER WEIR’S THE WAY BACK

NEWMARKET FILMS TO RELEASE PETER WEIR’S THE WAY BACK IN JANUARY 2011 WORLD PREMIERE OF THE WAY BACK AT 2010 TELLURIDE FILM FESTIVAL IN CONJUNCTION WITH WEIR TRIBUTE Los Angeles, CA (September 2nd, 2010) – Nigel Sinclair, CEO and Co-Chairman of Exclusive Media Group (“Exclusive”) , and Chris Ball, Co-Chairman of Exclusive and President and…

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37th TELLURIDE FILM FESTIVAL ANNOUNCES 2010 FESTIVAL LINEUP

Twenty-four new feature films to preview in Festival’s main program, the ‘SHOW’ Claudia Cardinale, Colin Firth and Peter Weir to receive Silver Medallion Awards Special revival programs selected by Guest Director Michael Ondaatje Telluride, CO – Telluride Film Festival (September 3-6, 2010), presented by the National Film Preserve is proud to announce its 2010 Festival…

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ROADSIDE ATTRACTIONS BUYING BINGE CONTINUES WITH PRE-EMPTIVE TIFF BUY, COOL IT

FOR IMMEDIATE RELEASE ROADSIDE ATTRACTIONS PRE-EMPTIVELY ACQUIRES TORONTO FILM FESTIVAL SELECTION COOL IT **Global warming doc takes issue with AN INCONVENIENT TRUTH** (Los Angeles, Sept. 1) Roadside Attractions has acquired U.S. rights to filmmaker Ondi Timoner’s hot-topic doc COOL IT, which will have its world premiere at the 2010 Toronto International Film Festival. The only…

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Fantasia & Fantasia 2000 Go Blu On November 30, 2010

FOR IMMEDIATE RELEASE Releasing for the First Time in Over a Decade To Astound the Eyes and Ears of a New Generation! Highly-Anticipated Hi-Def Debut of Disney’s Acclaimed Masterwork and the Modern Magnum Opus it Inspired BURBANK, Calif., September 2010 — Fantasia and Fantasia 2000 — the magical, animated musical masterpiece and the contemporary classic…

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BRAVEN FILMS TO LAUNCH WITH TREVI BIOPIC AS FIRST PROJECT

FOR IMMEDIATE RELEASE BRAVEN FILMS TO LAUNCH WITH TREVI BIOPIC AS FIRST PROJECT Company Kicks Off With $6 Million in Development Funds New York, NY (September 1, 2010) – Newly formed Braven Films announced today that the New York-based company is launching with over six million dollars in private funding towards developing feature film screenplays…

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2010 New Orleans Film Festival Selects Renowned Independent Features for Festival’s Opening and Closing Films

New Orleans, August 27, 2010 – New Orleans Film Society is pleased to announce that the opening and closing feature films have been selected to screen at the 21st Annual New Orleans Film Festival taking place October 14-21, 2010. This year, Welcome to the Rileys will be the opening film with Blue Valentine rounding out…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon