Press Releases Archive for November, 2010

IFC MIDNIGHT NABS NORTH AMERICAN RIGHTS TO MANUEL CARBALLO’S EXORCISMUS AND MIGUEL ANGEL VIVAS’ KIDNAPPED

New York, NY (November 5, 2010) – IFC Midnight, the genre label of IFC Films, announced today that the company is acquiring North American rights to two films: Manuel Carballo’s supernatural chiller EXORCISMUS and Miguel Angel Vivas’ powerful and shocking home invasion flick KIDNAPPED. Both films will be released through the IFC Midnight label theatrically and…

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IFC MIDNIGHT GETS U.S. RIGHTS TO MICHAEL GREENSPAN’S ADRIEN BRODY STARRER WRECKED

New York, NY (November 5, 2010) – IFC Midnight, the genre label of IFC Films, announced today that the company is acquiring US rights to Michael Greenspan’s directorial debut WRECKED from Entertainment One (eOne).  The psychological thriller, whose script was penned by Christopher Dodd, stars Adrien Brody (THE PIANIST, PREDATORS), Caroline Dhavernas (BREACH, HOLLYWOODLAND) and…

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CINEMA EYE Announces Nonfiction Film Nominees for 2011 HONORS

Lixin Fan’s LAST TRAIN HOME nominated for a leading 7 awards ARMADILLO and EXIT THROUGH THE GIFT SHOP receive 6 nominations each THE OATH and MARWENCOL also vie for Outstanding Feature and Direction Legendary filmmaker Frederick Wiseman among five nominated for Outstanding Direction Danish documentaries dominate international field Inaugural short film nominees announced Awards to…

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JUSTIN TIMBERLAKE AND AMANDA SEYFRIED STAR IN NOW

THRILLER IS CURRENTLY IN PRODUCTION FROM WRITER-DIRECTOR ANDREW NICCOL LOS ANGELES — New Regency has begun production on Andrew Niccol’s thriller NOW, starring Justin Timberlake and Amanda Seyfried. Niccol, whose credits include the screenplay for The Truman Show, directs from his original screenplay. The film is produced by Eric Newman (Children of Men), Niccol and Marc…

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MILEY CYRUS GOES UNDERCOVER FOR EXCLUSIVE AT AFM

Los Angeles, CA (November 3, 2010) – Guy East and Nigel Sinclair, Co-Chairmen of Exclusive Media Group (“Exclusive”), announced today that the company will produce and fully finance the action comedy So Undercover with worldwide superstar Miley Cyrus (The Last Song, Hannah Montana and LOL) in the lead role. The film will be directed by…

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IFC FILMS TO THEATRICALLY RE-RELEASE CLAUDE LANZMANN’S MASTERPIECE ‘SHOAH’ FOR ITS 25TH ANNIVERSARY

FOR IMMEDIATE RELEASE ‘Shoah’ to re-open with 2 brand new 35mm prints in New York City on Friday, December 10 at Lincoln Plaza Cinemas and on Friday, December 24th at IFC Center followed by a national rollout in 2011 New York, NY (November 2, 2010) – IFC Films, the leading American distributor of independent and foreign films,…

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FILMDISTRICT AND TRISTAR PICTURES TO PARTNER ON RELEASE OF ‘SOUL SURFER’

Dennis Quaid, Helen Hunt, AnnaSophia Robb and Carrie Underwood star in the Bethany Hamilton story the first film to go out under the new FilmDistrict deal with Sony Pictures NEW YORK, November 1, 2010 – SOUL SURFER is the true story of competitive teen surfer Bethany Hamilton, who lost her arm in a shark attack…

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NEWLY ESTABLISHED DISTRIBUTION COMPANY WREKIN HILL ENTERTAINMENT AND LIONSGATE ENTER INTO HOME ENTERTAINMENT DISTRIBUTION AGREEMENT ENCOMPASSING DVD, BLU-RAY, DIGITAL DELIVERY AND VOD

Lionsgate Obtains United States Home Entertainment Distribution Rights For All Upcoming Wrekin Hill Theatrical Titles SANTA MONICA, CA (November 1, 2010) – LIONSGATE® (NYSE: LGF), the leading next generation studio and Wrekin Hill Entertainment, the newly established distribution company founded by Chris Ball, former Co-Chairman of Exclusive Media Group and President and Co-Founder of Newmarket…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon