Press Releases Archive for February, 2013

OSCILLOSCOPE IS HOT FOR A TEACHER

Sundance Favorite Scheduled For Release in 2013.

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Foxy, The Complete Pam Grier at FSLC

In-person at THE BIG BIRD CAGE; COFFY; GREASED LIGHTNING; JACKIE BROWN; SHEBA, BABY and SCREAM BLACULA SCREAM   The Film Society of Lincoln Center announces New York, NY, February 12, 2013 — The Film Society of Lincoln Center announced details today for the upcoming film series, Foxy, The Complete Pam Grier (March 15-17). Screening at…

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Announcing the 10th Annual BendFilm Film Festival in Bend, Oregon

FOR IMMEDIATE RELEASE BendFilm Ramps Up for 10th Annual Festival In October Announces Call for Entries for 2013 Bend, Oregon – February 11, 2013 –  Ten years is a long time in the life of a film festival. Like restaurants, many Festivals start with the best intentions only to fall by the wayside a few years…

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SKYFALL Earns Top Honors from Cinematographers

LOS ANGELES – Roger Deakins, ASC, BSC; Balazs Bolygo, HSC; Kramer Morgenthau, ASC; Florian Hoffmeister; and Bradford Lipson claimed top honors in the four competitive categories at the 27th Annual American Society of Cinematographers (ASC) Awards for Outstanding Achievement, which was held here tonight at the Grand Ballroom at Hollywood & Highland. Deakins won the…

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AMERICAN CINEMA EDITORS (ACE) HONORS VETERAN EDITORS RICHARD MARKS, A.C.E. and LARRY SILK, A.C.E. WITH LIFETIME CAREER ACHIEVEMENT AWARDS

FOR IMMEDIATE RELEASE Universal City, February 8, 2013 – American Cinema Editors (ACE) will honor veteran editors Richard Marks, A.C.E. and Larry Silk, A.C.E. with the organization’s prestigious Lifetime Career Achievement Award at the 63rd Annual ACE Eddie Awards on February 16, 2013 in the International Ballroom of the Beverly Hilton Hotel.  The Lifetime Career Achievement Award…

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KINO LORBER ACQUIRES SUNDANCE WINNER COMPUTER CHESS

“Artificially Intelligent” Comedy from Andrew Bujalski, winner of the Alfred P. Sloan Prize, now slated for upcoming festivals and national theatrical release. New York, NY – February 8, 2013 – Kino Lorber is pleased to announce that it has acquired all U.S. rights to Andrew Bujalski’s Computer Chess, which premiered last month at the Sundance Film…

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ACADEMY ANNOUNCES START OF FINAL OSCARS® VOTING

Final voting for the Oscars will officially open on Friday, February 8th at 8 a.m. PT.

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Focus Features And Laika Reteam For BOXTROLLS

FOCUS FEATURES AND LAIKA REUNITE FOR OCTOBER 2014’s THE BOXTROLLS, BASED ON ALAN SNOW’S BESTSELLER HERE BE MONSTERS AND STARRING THE VOICES OF BEN KINGSLEY, TONI COLLETTE, ELLE FANNING, ISAAC HEMPSTEAD-WRIGHT, JARED HARRIS, SIMON PEGG, NICK FROST, RICHARD AYOADE, TRACY MORGAN FOR IMMEDIATE RELEASE PORTLAND, February 7, 2013 – Marking their third project together, LAIKA…

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NEW NOVEL RE-TELLS PRIDE AND PREJUDICE FROM SERVANTS’ PERSPECTIVE

Film Rights Acquired by Random House Studio and Focus Features

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon