Press Releases Archive for December, 2013

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCED TODAY ROSE KUO IS STEPPING DOWN AS EXECUTIVE DIRECTOR

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCED TODAY ROSE KUO IS STEPPING DOWN AS EXECUTIVE DIRECTOR LESLI KLAINBERG APPOINTED AS INTERIM EXECUTIVE DIRECTOR NEW YORK, NY (December 18, 2013) — The Film Society of Lincoln Center announced today that Rose Kuo is stepping down as Executive Director. Lesli Klainberg, currently Managing Director of the Film…

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Sundance Institute Announces 12 Projects For 2014 January Screenwriters Lab

Sundance Institute has selected 12 projects.

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“12 Years A Slave” and “American Hustle” Get 13 Nominations Each From BFCA’s Critics’ Choice Movie Awards

NOMINATIONS FOR THE 19th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE American Hustle Captain Phillips Dallas Buyers Club Gravity Her Inside Llewyn Davis Nebraska Saving Mr. Banks 12 Years a Slave The Wolf of Wall Street BEST ACTOR Christian Bale – American Hustle Bruce Dern – Nebraska Chiwetel Ejiofor – 12 Years a Slave Tom…

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2014 Sundance Film Festival Announces 20th Anniversary of Hoop Dreams as ‘From the Collection’ Screening

FOR IMMEDIATE RELEASE Park City, UT — Sundance Institute today announced that the newly restored Hoop Dreams (1994) will screen in the From the Collection program at the 2014 Sundance Film Festival, 20 years after the film made its world premiere at the 1994 Festival. The recently completed restoration represents the collaborative effort of Sundance Institute, UCLA Film…

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A24 and Demarest team up on TUSK

 A24 will distribute Kevin Smith’s epic twist on horror to the masses in 2014.  New York (December 10, 2013) –A24 and Demarest Films have teamed up on Kevin Smith’s latest film TUSK. The film, which stars Justin Long, Michael Parks, Genesis Rodriguez, and Haley Joel Osment, was born out of one of Kevin Smith’s immensely…

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SUNDANCE INSTITUTE ANNOUNCES SHORT FILM PROGRAM FOR 2014 SUNDANCE FILM FESTIVAL

30th Anniversary of the Sundance Film Festival.

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Cinema Eye Launches Voting for 2014 Audience Choice Prize

All 10 Audience Choice Films Screening in Toronto at Hot Docs Bloor Cinema Tickets Now On Sale for January 8, 2014 Cinema Eye ceremony at Museum of the Moving Image New York – December 9, 2013 – The Cinema Eye Honors for Nonfiction Filmmaking have opened voting for the 2014 Audience Choice Prize, the Cinema Eye…

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ROGER EBERT DOC “LIFE ITSELF” TO WORLD PREMIERE AT SUNDANCE FILM FESTIVAL WITH SIMULTANEOUS PRIVATE STREAMING EXCLUSIVELY FOR INDIEGOGO SUPPORTERS

Life Itself, a new documentary about the life of Roger Ebert, will premiere at the 2014 Sundance Film Festival.  Directed by Steve James (Hoop Dreams, The Interrupters) and executive produced by Martin Scorsese, the film will also be viewable via private stream simultaneous with the world premiere screening exclusively to backers of the film’s Indiegogo campaign (igg.me/at/EbertMovie). Supporters…

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SUNDANCE INSTITUTE ANNOUNCES FILMS IN PREMIERES AND DOCUMENTARY PREMIERES FOR 2014 SUNDANCE FILM FESTIVAL

30th Anniversary of the Sundance Film Festival.

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“The Square” and Spurlock’s “Inside Man” Take Top Honors at 2013 IDA Documentary Awards

LOS ANGELES, December 6, 2013 — Winners in the International Documentary Association’s 2013 IDA Documentary Awards were announced during tonight’s program, giving Jehane Noujaim’s THE SQUARE top honors with the Best Feature Award. The first major film acquisition by Netflix, THE SQUARE follows a group of Egyptian activists as they battle leaders and regimes, and…

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Fandor partners with Cinedigm, Factory 25 and Oscilloscope Laboratories

 On-demand movie service expands independent film library with key distributor partnerships  San Francisco, CA (December 5, 2013) – San Francisco-based Fandor announced today new partnerships with Cinedigm, Factory 25 and Oscilloscope Laboratories that reinforce the company’s commitment to expand the depth of their library with high quality and distinctive independent films from every genre. These partners…

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SUNDANCE INSTITUTE ANNOUNCES FILMS AND INSTALLATIONS FOR 2014 EDITION OF NEW FRONTIER AT THE SUNDANCE FILM FESTIVAL

For Immediate Release December 5, 2013 FEATURING U.S. PREMIERE OF DOUG AITKEN’S THE SOURCE (EVOLVING) KLIP COLLECTIVE SHOWCASES FESTIVAL’S 30-YEAR LEGACY WITH 3D-MAPPING PROJECTIONS New Location, Expanded Offerings Mark 30th Anniversary of the Sundance Film Festival Park City, UT — Sundance Institute announced today the films and installations to be featured in the 2014 edition…

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SUNDANCE INSTITUTE ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT AND NEW ‘SUNDANCE KIDS’ SECTION FOR 2014 SUNDANCE FILM FESTIVAL

FOR IMMEDIATE RELEASE December 5, 2013 30th Anniversary of the Sundance Film Festival Park City, UT — Sundance Institute announced today the films selected to screen in the 2014 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight and new ‘Sundance Kids’ section of films for younger audiences. The Festival takes place January 16-26…

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10 CONTENDERS REMAIN IN VFX OSCAR RACE

December 5, 2013 FOR IMMEDIATE RELEASE 10 CONTENDERS REMAIN IN VFX OSCAR RACE BEVERLY HILLS, CA — The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 86th Oscars®. The films are listed below in alphabetical order: “Elysium” “Gravity” “The Hobbit:…

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SUNDANCE INSTITUTE ANNOUNCES FILMS IN U.S. AND WORLD COMPETITIONS, NEXT <=> FOR 2014 SUNDANCE FILM FESTIVAL

FOR IMMEDIATE RELEASE 30th Anniversary of the Sundance Film Festival will Feature 117 Feature-Length Films Park City, UT, December 4, 2013— Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions and the out-of-competition NEXT <=> section of the 2014 Sundance Film Festival, January 16-26 in Park City, Salt…

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15 DOCUMENTARY FEATURES ADVANCE IN 2013 OSCAR RACE

December 3, 2013 FOR IMMEDIATE RELEASE 15 DOCUMENTARY FEATURES ADVANCE IN 2013 OSCAR RACE BEVERLY HILLS, CA — The Academy of Motion Picture Arts and Sciences today announced that 15 films in the Documentary Feature category will advance in the voting process for the 86th Oscars® . One hundred forty-seven films had originally qualified in…

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SLAMDANCE’S 20TH FESTIVAL ANNOUNCES DYNAMIC 2014 FEATURE FILM COMPETITION LINEUP

(LOS ANGELES, CA – December 3, 2013) The Slamdance Film Festival today announced their Narrative and Documentary Feature Film Competition programs for its 20th Festival season. As the premiere film festival for filmmakers by filmmakers, Slamdance’s showcase for emerging filmmakers includes 10 narrative and 8 documentary films, including 11 World Premieres, 4 North American, and…

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TRIBECA FILM ACQUIRES NORTH AMERICAN RIGHTS TO GIA COPPOLA’S FEATURE DEBUT PALO ALTO, BASED ON JAMES FRANCO’S SHORT STORY COLLECTION

Spring 2014 theatrical release set for teen drama starring Emma Roberts, Jack Kilmer, Nat Wolff, Zoe Levin, James Franco and Val Kilmer “One of the best movies ever made about high school life in America.” – David Ehrlich, Film.com  “A knockout… Coppola’s direction is amazingly free and relaxed, with a loose, lyrical visual style, and a firm sense of what’s…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon