Press Releases Archive for December, 2014

Sundance Announces Spotlight, Midnight And New Frontiers

SUNDANCE INSTITUTE ANNOUNCES FILMS IN SPOTLIGHT AND PARK CITY AT MIDNIGHT FOR 2015 SUNDANCE FILM FESTIVAL NEW FRONTIER FILMS AND INSTALLATIONS ANNOUNCED Park City, UT — Sundance Institute announced today the films selected to screen in the 2015 Sundance Film Festival out-of-competition sections Spotlight and Park City at Midnight, as well as the films and…

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Sundance Announces U. S. Dramatic Competition

U.S. DRAMATIC COMPETITION Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Advantageous / U.S.A. (Director: Jennifer Phang, Screenwriters: Jacqueline Kim, Jennifer Phang) — In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do…

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Sundance Sets 15 For U. S. Doc Competition

U.S. DOCUMENTARY COMPETITION Sixteen world-premiere American documentaries that illuminate the ideas, people, and events that shape the present day. 3½ MINUTES / U.S.A. (Director: Marc Silver) — On November 23, 2012, unarmed 17-year-old Jordan Russell Davis was shot at a Jacksonville gas station by Michael David Dunn. 3½ MINUTES explores the aftermath of Jordan’s tragic death, the latent…

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Sundance Announces World Cinema Competition

WORLD CINEMA DRAMATIC COMPETITION Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Chlorine / Italy (Director: Lamberto Sanfelice, Screenwriters: Lamberto Sanfelice, Elisa Amoruso) — Jenny, 17, dreams of becoming a synchronized swimmer. Family events turn her life upside down and she is forced move to a remote area to…

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Sundance Announces World Documentary Dozen

WORLD CINEMA DOCUMENTARY COMPETITION Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. The Amina Profile / Canada (Director: Sophie Deraspe) — During the Arab revolution, a love story between two women — a Canadian and a Syrian American — turns into an international sociopolitical thriller spotlighting media excesses and the…

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Sundance Announces NEXT Lineup

NEXT <=> Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Presented by Adobe. Bob and the Trees / U.S.A., France (Director: Diego Ongaro, Screenwriters: Diego Ongaro, Courtney Maum,…

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24th Annual Gotham Independent Film Awards by IFP Winners Announced

The Independent Filmmaker Project (IFP) tonight announced the winners of the 24thAnnual Gotham Independent Film Awards at its awards ceremony held at Cipriani Wall Street, in New York City. Winning the Best Feature award was Birdman or (The Unexpected Virtue of Ignorance), Alejandro González Iñárritu’s stylistically adventurous existential comedy in which a Hollywood actor attempts to revive…

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15 DOCUMENTARY FEATURES ADVANCE IN 2014 OSCAR® RACE

The Academy of Motion Picture Arts and Sciences today announced that 15 films in the Documentary Feature category will advance in the voting process for the 87th Oscars®.  One hundred thirty-four films were originally submitted in the category. The 15 films are listed below in alphabetical order by title, with their production companies: “Art and…

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New York Film Critics Circle Awards Embrace BOYHOOD

Boyhood Named Best Picture New York, NY – December 1, 2014 – The New York Film Critics Circle voted today for their picks for the 2014 awards at the Film Society at Lincoln Center. In celebration of the Critics 80th year, the awards will be handed out during their annual ceremony on Monday, January 5th at Tao Downtown. Boyhood was awarded Best…

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Slamdance Announces 2015 Lineup

LAMDANCE 2015 ANNOUNCES FEATURE FILM COMPETITION PACKED WITH WORLD PREMIERES AND INTERNATIONAL PRESENCE FROM EMERGING FILMMAKERS Lineup highlights first­time directors from around the globe including Turkey, Brazil, Austria, Italy and Ireland; distinguished casts include: Ashley Benson, Alex Karpovsky, Larry Fessenden, Brian Gleeson, Pras Michel, and WWE Veterans ­ Jake “the Snake” Roberts, Chris Jericho, and…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon