Press Releases Archive for January, 2015

2015 SUNDANCE FILM FESTIVAL ANNOUNCES FEATURE FILM AWARDS

Grand Jury Prizes go to The Wolfpack, Me and Earl and the Dying Girl, The Russian Woodpecker and Slow West Audience Awards go to Meru, Me and Earl and the Dying Girl, Dark Horse, Umrika and James White Park City, UT — Sundance Institute this evening announced the feature film Jury, Audience and other special awards of the 2015 Sundance Film Festival. The awards, celebrating artistry,…

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The 2014 ACE Eddie Editing Awards

“Boyhood” (edited by Sandra Adair, ACE) and “The Grand Budapest Hotel” (edited by Barney Pilling) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy/Musical) respectively at the 65th Annual ACE Eddie Awards tonight where trophies were handed out in ten categories of film, television and documentaries. The black-tie ceremony was held in the…

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Slamdance Jury And Audience Awards Announced

he 21st Slamdance Film Festival tonight announced the feature and short film recipients of this year’s awards in the Audience, Jury, and Sponsored Categories. The award winners were announced at the festival’s annual Awards Ceremony at the Treasure Mountain Inn in Park City, UT. As in previous years, juries of leading industry experts and esteemed…

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Joe Swanberg’s Digging For Fire Planted In The Orchard

The Orchard announced today that the company is acquiring North American rights to Joe Swanberg’s DIGGING FOR FIRE. The film is co-written by Jake Johnson and Swanberg and it stars Jake Johnson, Rosemarie DeWitt, Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick and Mike Birbiglia. DIGGING FOR FIRE was produced by Swanberg, Alicia Van Couvering and Jake Johnson. The film had its world premiere…

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Focus World Takes US And UK Rights To Cop Car

Focus World, the alternative distribution initiative owned and operated by Focus Features, has acquired US and UK rights to Cop Car out of Sundance where the film premiered in the midnight section and has been receiving rave reviews. The film is directed by Jon Watts and stars Kevin Bacon, James Freedson-Jackson, Hays Wellford, Shea Whigham and Camryn…

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IRRATIONAL MAN

Film marks eighth collaboration with the filmmaker and Sony Classics NEW YORK (January 29, 2014) – Sony Pictures Classics announced today that they have acquired all North American rights to Woody Allen’s upcoming film, IRRATIONAL MAN, from Gravier Productions. Produced by Letty Aronson, Stephen Tenenbaum and Edward Walson, the film features a prestigious cast including…

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Magnolia Runs With The Wolfpack Worldwide

 

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Condé Nast Plucks Bouquet Of Sundance Shorts

 ‘Russian Roulette,’ ‘Stop’ and ‘{The And} Marcela & Rock’ Shown at Sundance Film Festival   Park City, Utah (January 27, 2015) – Following on the successful launch of The New Yorker Short Films series last month, Condé Nast Entertainment (CNÉ) announces the acquisition of three films from the 2015 Sundance Film Festival’s shorts lineup: “Stop” directed…

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Slamdance Studios Launches Film Collection On Hulu

New Agreement Will Make a Selection of Slamdance Films Available for Viewers to Stream Slamdance Film Festival’s commercial distribution enterprise Slamdance Studios has announced that independent flm lovers will be able to stream a selection of its flms on Hulu beginning today. Combining visionaries of independent flm and Slamdance’s unique and trusted brand, 12 feature programs from Slamdance alumni will be available to stream…

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Sundance Buy: SPC Swains Paul Weitz’s Grandma

 Sony Pictures Classics announced today that they acquired worldwide rights to GRANDMA. The film, written and directed by Paul Weitz, premieres Friday at the 2015 Sundance Film Festival and stars Lily Tomlin, Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox and Sam Elliott. GRANDMA is produced by Andrew Miano, Weitz, Paris Kassidokostas-Latsis and Terry Dougas and executive…

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SPC Reads The Diary Of A Teenage Girl At Sundance

SONY PICTURES CLASSICS ACQUIRES SUNDANCE SENSATION THE DIARY OF A TEENAGE GIRL  ‘Diary’ has been one of the most talked about films at the 2015 Sundance Film Festival    NEW YORK (January 27, 2014) – Sony Pictures Classics announced today that they acquired the rights in  North America, Latin America, Australia, New Zealand, Eastern Europe excluding…

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Screen Actors Guild Awards Winners

SAG-AFTRA Honors Outstanding Film and Television Performances at the 21st Annual Screen Actors Guild Awards® LOS ANGELES (Jan. 25, 2015) — SAG-AFTRA presented its coveted Actor® statuettes for the outstanding motion picture and primetime television performances of 2014 at the 21st Annual Screen Actors Guild Awards® in ceremonies attended by film and television’s leading actors,…

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Casting Society Of America Lists Its 30th Awards, Including Career Achievement For Richard Linklater

Due to the Artios Awards date change this year the eligibility period for film projects was expanded for this award ceremony only, to include films released theatrically from July 1, 2013 through December 31, 2014.) Feature Film Big Budget Comedy “The Wolf of Wall Street,” Ellen Lewis Feature Film Big Budget Drama “12 Years a Slave,”…

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STX ENTERTAINMENT & SHOWTIME NETWORKS PARTNER ON MULTI-YEAR PREMIUM TELEVISION OUTPUT DEAL AS STX BEGINS PRODUCTION ON INITIAL SLATE OF FILMS

  (LOS ANGELES, CA — January 20, 2015) — Showtime Networks and STX Entertainment, the newly launched film, television and multimedia studio, announced today that they have closed a multi-year output agreement to bring motion pictures distributed theatrically by STX exclusively to Showtime Networks during the premium television window. The deal will begin in 2015 and covers…

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Iconic Film Name Carolco Pictures Returns for First Time in 20 Years

  Brick Top Productions, Inc. Becomes Carolco Pictures, Inc. as Stock Symbol is Changed to CRCO BOCA RATON, FL / ACCESSWIRE / January 20, 2015 / Brick Top Productions, Inc. (BTOP)(OTCQB:CRCO), announced that Carolco Pictures, the legendary name behind dozens of film blockbusters such as Rambo, Basic Instinct and Total Recall, is back and making its first…

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SNOOT ENTERTAINMENT TO PRODUCE ANTARCTICA, ANIMATED FEATURE FILM HELMED BY PRODIGIOUS FILMMAKER DON HERTZFELDT

SNOOT ENTERTAINMENT TO PRODUCE ANTARCTICA, ANIMATED FEATURE FILM HELMED BY PRODIGIOUS FILMMAKER DON HERTZFELDT   LOS ANGELES – January 21, 2015 – Snoot Entertainment, the production company behind YOU’RE NEXT, THE GUEST and Charlie Kaufman’s upcoming animated film ANOMALISA, announced today that they have optioned Don Hertzfeldt’s script for ANTARCTICA, an animated, genre-defying adventure which explores the world’s coldest continent. …

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MoMA And FSLC Name First 9 Selections For New Directors/New Films

The Museum of Modern Art and the Film Society of Lincoln Center announce the initial nine official selections for the 44th edition of New Directors/New Films (March 18-29) Selections include Nadav Lapid’s The Kindergarten Teacher and Kornél Mundruczó’s White God New York, NY (January 21, 2015) – The Museum of Modern Art and the Film Society of Lincoln Center today…

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AMERICAN CINEMA EDITORS (ACE) HONORS VETERAN FILM EDITORS DIANE ADLER, ACE, JERRY GREENBERG, ACE AND JOURNALIST CAROLYN GIARDINA WITH HONORARY AWARDS

Awards to be presented at the 65th Annual ACE Eddie Awards on January 30, 2015 at the Beverly Hilton Hotel Jerry Greenberg, ACE Lifetime Career Achievement Honoree Diane Adler, ACE Lifetime Career Achievement Honoree Carolyn Giardina Robert Wise Award Honoree           Universal City, January 21, 2015 – American Cinema Editors (ACE) will present veteran editors Diane…

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The 2014 Critics Choice Movie Awards Go To…

Best Picture – “Boyhood” Best Actor – Michael Keaton, “Birdman” Best Actress – Julianne Moore, “Still Alice” Best Supporting Actor – J.K. Simmons, “Whiplash” Best Supporting Actress – Patricia Arquette, “Boyhood” Best Young Actor/Actress – Ellar Coltrane, “Boyhood” Best Acting Ensemble – “Birdman” Best Director – Richard Linklater, “Boyhood” Best Original Screenplay – Alejandro G….

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Academy Award Nominations

Best Picture American Sniper Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley Cooper and Peter Morgan Birdman or (The Unexpected Virtue of Ignorance) Alejandro G. Iñárritu, John Lesher and James W. Skotchdopole Boyhood Richard Linklater and Cathleen Sutherland The Grand Budapest Hotel Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson The Imitation Game Nora Grossman,…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon