Press Releases Archive for April, 2017

Luc Besson on Le Pen & The Great Illusion

THE GREAT ILLUSION Dear compatriots, friends, and brothers, My name is Luc B. I’m 57 years old, French, married, and father of five beautiful children. I don’t belong to a particular community, party or union. I don’t drink, I don’t smoke, and I’ve never done drugs. I do work, however, and have done since the…

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Tribeca Announces Jury Nods

[PR] New York, NY  – The 16th Tribeca Film Festival announced the winners of its competition categories at the awards ceremony tonight at BMCC Tribeca Performing Arts Center. Top awards went to Keep the Change for Best U.S. Narrative, Son of Sofia for Best International Narrative, and Bobbi Jene for Best Documentary. The Festival, presented by…

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Michael Mann Returns To TV For “Hue 68” Vietnam Mini From Author Of “Blackhawk Down”

[PR] ACADEMY AWARD®-NOMINATED FILMMAKERS MICHAEL MANN & MICHAEL DE LUCA ACQUIRE RIGHTS TO MARK BOWDEN’S HUE 1968  Bestselling Author Mark Bowden’s Highly Anticipated New Book HUE 1968  Will Be Released by Grove Atlantic on June 6 Academy Award-nominated filmmakers Michael Mann and Michael De Luca have acquired the rights to Mark Bowden’s highly-anticipated new book, Hue 1968….

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Hulu Takes First-Window Streaming On All NEON Output

[PR] HULU AND NEON SET EXCLUSIVE PARTNERSHIP AND CUTTING-EDGE OUTPUT LICENSING AGREEMENT New Deal Grants Hulu First-Window Streaming Rights to All NEON Conten SANTA MONICA, CA  – Hulu and NEON have inked a brand new, multi-year output licensing agreement for all upcoming films and content released via NEON. The deal marks the first of its kind…

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Film Festival Alliance Sets New Leadership

Dallas, TX (April 20, 2017) – Following a successful fourth annual conference in conjunction with the Art House Convergence in January, the Film Festival Alliance (FFA) has officially announced a newly elected Board of Directors, building on FFA’s established foundation to become North America’s preeminent film festival service organization, strengthening this vital segment of the film…

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Tribeca Sets 2017 Juries

CRITICALLY ACCLAIMED FILMMAKERS, AWARD-WINNING ACTORS, AND CULTURAL LEADERS MAKE UP 2017 TRIBECA FILM FESTIVAL JURIES Jurors include Priyanka Chopra, R.J. Cutler, Willem Dafoe, Peter Fonda, Diane Lane, Barbara Kopple, Tavi Gevinson, Josh Lucas, Alessandro Nivola, Sheila Nevins, Michael Pitt, Zachary Quinto, Christina Ricci, Ruth Wilson, and more The Tribeca Film Festival announced its jurors for the…

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Nantucket Film Fest To Honor Tom McCarthy

The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art…

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Academy Sets New Rules For Oscar 90

The Academy’s Board of Governors approved Oscars® rules and campaign regulations for the 90th Academy Awards® at their most recent Board meeting on Tuesday, March 28. For the first time, nominations voting in the Animated Feature Film category will be opened up to the entire eligible voting membership.  Invitations to join the nominating committee will…

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Neon Launches Short Film Division

[PR] NEON launches short film division (NEON SHORTS) with Peter Huang’s 5 FILMS ABOUT TECHNOLOGY, bringing back the long honored tradition of combining a feature film with a short. Premiering alongside Nacho Vigalondo’s COLOSSAL, this will be the first of many shorts to accompany NEON’s slate of feature length films. 5 FILMS ABOUT TECHNOLOGY had its World Premiere…

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Olivier Assayas Going Cold War With Next Film

OLIVIER ASSAYAS TO WRITE AND DIRECT “WASP NETWORK” FOR RT FEATURES AND CG CINEMA Based on Fernando Morais’ Book The Last Soldiers of the Cold War LOS ANGELES (April 6, 2016) — RT Features and CG Cinema announced today that Olivier Assayas will write and direct Wasp Network, which is based on Fernando Morais’ book,…

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Academy To Launch “Academy Gold” Talent Development And Inclusion Program

[PR] Sixteen Entertainment Industry Partners Participate in Pilot Year LOS ANGELES, CA – In June, the Academy of Motion Picture Arts and Sciences will launch Academy Gold, a new entertainment industry-wide summer internship and mentoring program that will expand opportunities for students and young professionals from underrepresented communities.  This initiative will afford top film entertainment,…

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Oscar Sets Dates For 2018-2021, Including March 4, 2018

THE ACADEMY AND ABC ANNOUNCE KEY DATES FOR 90TH OSCARS® THE OSCARS AIRS LIVE SUNDAY, MARCH 4, 2018 ON THE ABC TELEVISION NETWORK OSCARS DATES SELECTED FOR 2019, 2020 AND 2021 LOS ANGELES, CA – The Academy and the ABC Television Network today announced key dates for the 90th Oscars®. The Academy Awards® presentation will…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon