Press Releases Archive for November, 2017

Angela Lansbury

“There is no excuse whatsoever for men to harass women in an abusive sexual manner. And, I am devastated that anyone should deem me capable of thinking otherwise. “Those who have known the quality of my work and the many public statements I have made over the course of my life, must know, that I…

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Sundance 2018 Goes For 110 Features

2018 SUNDANCE FILM FESTIVAL: FEATURE FILMS ANNOUNCED: 110 Independent Films From 29 Countries Park City, UT — Sundance Institute showcases bold, independent storytelling at the 2018 Sundance Film Festival, beginning with today’s announcement of feature films selected across all categories. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 18–28….

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Focus Features Takes Morgan Neville’s Fred Rogers Doc For Summer 2018

MISTER ROGERS’ DOCUMENTARY WON’T YOU BE MY NEIGHBOR? FROM ACADEMY AWARD WINNER MORGAN NEVILLE ACQUIRED BY FOCUS FEATURES NEW YORK, November 27, 2017 – Focus Features has acquired the worldwide rights to Won’t You Be My Neighbor?, the new documentary about the life and work of Mister Fred Rogers. From Academy Award-winning filmmaker Morgan Neville (20 Feet…

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FACTORY 25 ANNOUNCES THE FACTORY 200 SERIES: EARLY FILMS BY SOME OF THE BEST DIRECTORS IN THE AMERICAN INDEPENDENT SCENE

FACTORY 25 ANNOUNCES THE FACTORY 200 SERIES: EARLY FILMS BY SOME OF THE BEST DIRECTORS IN THE AMERICAN INDEPENDENT SCENE Brooklyn, NY  – Factory 25 announces their new Factory 200 series of early films by some of the best American independent filmmakers of today including Funny Ha Ha by Andrew Bujalski (Results, Computer Chess), We Go Way Back by Lynn Shelton (Your Sisters Sister, Laggies, Outside In), Vacation by Zach…

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Artists, Critics, Writers, Filmmakers Among Sundance Institute 2017 Art of Nonfiction Fellows and Grantees

 Artists, Writers, Filmmakers Among Sundance Institute’s  2017 Art of Nonfiction Fellows and Grantees. New: Nonfiction Critics Fellowship, Fostering New Writing on Documentary Los Angeles, CA — Sundance Institute’s Art of Nonfiction Initiative welcomes four Fellows and five Grantees, as well as three Nonfiction Critics Fellows, in its third year of granting key creative and financial support to…

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Amazon Studios’ “Lord Of The Rings” Press Release

Amazon to Adapt J.R.R. Tolkien’s Globally Renowned Fantasy Novels, The Lord of the Rings, for Television with a Multi-Season Production Commitment Television adaptation, exploring new storylines preceding J.R.R. Tolkien’s The Fellowship of the Ring, slated to debut exclusively on Prime Video SEATTLE, Nov. 13, 2017 — Amazon today announced it has acquired the global television rights to The…

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Rian Johnson Charged With New Star Wars Trilogy

[PR] For director Rian Johnson, Star Wars: The Last Jedi was just the beginning of his journey in a galaxy far, far away. Lucasfilm is excited to announce that Johnson will create a brand-new Star Wars trilogy, the first of which he is also set to write and direct, with longtime collaborator Ram Bergman onboard to produce.  As writer-director…

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National, NY, LA, Boston Film Critics Groups DQ All Disney Films For Year-End Award Consideration

A STATEMENT FROM THE LOS ANGELES FILM CRITICS ASSOCIATION, THE NEW YORK FILM CRITICS CIRCLE, THE BOSTON SOCIETY OF FILM CRITICS AND THE NATIONAL SOCIETY OF FILM CRITICS Nov. 7, 2017 — The members of the Los Angeles Film Critics Association, the New York Film Critics Circle, the Boston Society of Film Critics and the National Society…

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BFCA Announces Nomination And Awards Dates

[PR] Los Angeles, CA – November 7, 2017) – The Broadcast Film Critics Association (BFCA) and the Broadcast Television Journalists Association (BTJA) are pleased to announce that the 23rd Annual Critics’ Choice Awards will air LIVE on The CW Network on Thursday, January 11, 2018 (8-10pm ET/PT).  The show will continue its combined Film and Television awards format, honoring the finest in…

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Volker Schlöndorff Statement on Dustin Hoffman Allegations

“I welcome the #metoo campaign and do not want to sound dismissive of what I consider a serious cause. However one should not smear, tar and feather indistinctively every male around. Calling Dustin Hoffman a predator is simply going too far. I hope this fades away. “It’s plain silly. Just watch Christian Blackwood’s wonderful documentary PRIVATE…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon