Press Releases Archive for May, 2018

FOCUS FEATURES ACQUIRES CANNES OPENING NIGHT FILM EVERYBODY KNOWS STARRING PENÉLOPE CRUZ AND JAVIER BARDEM

[pr] [Focus comcast zoomed logo] FOCUS FEATURES ACQUIRES CANNES OPENING NIGHT FILM EVERYBODY KNOWS STARRING PENÉLOPE CRUZ AND JAVIER BARDEM FOR IMMEDIATE RELEASE CANNES, May 9th, 2018– Focus Features chairman Peter Kujawski announced today that Focus has acquired the Cannes Film Festival’s opening night film Everybody Knows (Todos Los Saben).  Focus Features will distribute the film…

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DIRECTOR RENNY HARLIN & PRODUCER DALJIT DJ PARMAR LAUNCH BEIJING BASED EXTRAORDINARY ENTERTAINMENT LIMIT

  First Film from Extraordinary is Sci-Fi tentpole Solara   CANNES –– Director Renny Harlin (Die Hard 2, Cliffhanger) and Producer Daljit DJ Parmar (Kung Fu Yoga) have launched Extraordinary Entertainment Limited 鼎趣影业, a production and finance company based in Beijing and Hong Kong. Parmar will serve as CEO and Harlin as Chief Creative Officer. The company will focus on…

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KEANU REEVES AND ALEX WINTER REUNITE FOR HIGHLY ANTICIPATED THIRD INSTALLMENT “BILL & TED FACE THE MUSIC” DIRECTED BY DEAN PARISOT 

  BLOOM to Introduce to international Buyers in Cannes; MGM’s Orion Pictures to release in the US   Los Angeles, CA (May 8, 2018) – BLOOM announced today that Keanu Reeves (John Wick, The Matrix) and Alex Winter (Deep Web; Downloaded) will officially be reuniting on screen after 27 years as the legendary Ted “Theodore” Logan (Reeves)…

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Founder/CEO Of Chicago In’tl Film Fest Michael Kutza To Step Down After 55 Years

FOUNDER AND CEO OF CINEMA/CHICAGO MICHAEL KUTZA TO STEP DOWN AT THE END OF 2018 Kutza’s 55 Years of Service to Chicago International Film Festival to be Celebrated at July 14 Gala at Loews Chicago CHICAGO – Michael Kutza, Founder and CEO of Cinema/Chicago, the presenting organization of the Chicago International Film Festival, today announced that he will…

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MGM and Lionsgate/Pantelion Films Analyze Their Weekend Success

[pr] Overboard, from MGM and Lionsgate’s Pantelion Films, successfully set sail this weekend over performing pre-release expectations and taking in an estimated $14.750 million on 1,623 screens, making it the highest grossing opening in Pantelion’s history. Receiving an A- CinemaScore and driven by exceptionally strong word of mouth and audience recommendations, Overboard is well positioned to continue its…

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LAS VEGAS FILM FESTIVAL MAKES INITIAL PROGRAMMING LINEUP

LAS VEGAS FILM FESTIVAL MAKES INITIAL PROGRAMMING LINEUP ANNOUNCEMENT FOR 11th ANNUAL FESTIVAL 2018 Las Vegas Film Festival and CineVegas Partner on Presenting Films, Live Comedy, and More June 6 – 10 At Brenden Theatres and Palms Casino Resort Passes on sale now at lvff.com LAS VEGAS (May 3, 2018) – The 11th Annual Las Vegas Film Festival, partnered with CineVegas,announced…

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Academy Expels Bill Cosby, Roman Polanski

“The Academy of Motion Picture Arts and Sciences’ Board of Governors met on Tuesday night and has voted to expel actor Bill Cosby and director Roman Polanski from its membership in accordance with the organization’s Standards of Conduct. The Board continues to encourage ethical standards that require members to uphold the Academy’s values of respect…

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MTV Movie & TV Awards Nominations

“BLACK PANTHER” AND “STRANGER THINGS” LEAD NOMINATIONS FOR 2018 “MTV MOVIE & TV AWARDS” HOSTED BY TIFFANY HADDISH NETWORK WILL ONCE AGAIN FEATURE ALL GENDER-NEUTRAL CATEGORIES New York, NY (May 3, 2018) – MTV today announced the categories and nominees for the 2018 “MTV Movie & TV Awards,” hosted by Tiffany Haddish, that celebrate the…

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AGC STUDIOS PICKS UP ROLAND EMMERICH’S MIDWAY

AGC STUDIOS PICKS UP ROLAND EMMERICH’S MIDWAY  Starlight Culture Entertainment Group and Providence Entertainment Limited To Fully Finance The WWII Epic LOS ANGELES (May 2, 2018) – Stuart Ford’s AGC Studios has acquired the international rights to Midway, to be directed by iconic filmmaker Roland Emmerich (Independence Day franchise, The Day After Tomorrow) from a script by Wes Tooke, and will introduce…

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SLATE ENTERTAINMENT GROUP BRINGS TRANSPARENCY TO THE FILM INDUSTRY WITH DISRUPTIVE BLOCKCHAIN TECHNOLOGY

[pr] The Company Introduces BINGE, a Blockchain Video-On-Demand Platform; SLATIX, a Blockchain Electronic Ticketing Application; and SLATE, a Digital Token LOS ANGELES and TORONTO (May 1, 2018) – Slate Entertainment Group (SEG) has announced the development of its new multi-layered entertainment ecosystem powered by advanced blockchain technology. SEG is a highly-skilled amalgamation of entertainment, business and technical expertise…

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IMR INTERNATIONAL TO LAUNCH FOREIGN SALES ON SCOTT Z. BURNS’ ‘THE TORTURE REPORT’ FOR VICE STUDIOS, STARRING ADAM DRIVER, ANNETTE BENING AND JON HAMM

IMR INTERNATIONAL TO LAUNCH FOREIGN SALES ON SCOTT Z. BURNS’ ‘THE TORTURE REPORT’ FOR VICE STUDIOS, STARRING ADAM DRIVER, ANNETTE BENING AND JON HAMM  Tim Blake Nelson, Ted Levine, Michael C. Hall, Ben McKenzie & Matthew Rhys round-out the cast with sales commencing in Cannes  LOS ANGELES (May 1, 2018) – IMR announced that they will be introducing Scott…

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Jake Gyllenhaal to Star as Leonard Bernstein in “The American” with Cary Joji Fukunaga to Direct. BRON Studios comes aboard.

Sierra/Affinity to commence international sales at the 2018 Cannes Film Market New York, NY (May 1, 2018) – Jake Gyllenhaal is set to produce and star as Leonard Bernstein in “The American,” with Cary Joji Fukunaga directing and producing. BRON Studios will produce and back the film, which begins principal photography in the fall. Sierra/Affinity commences…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon