Reviews Archive for January, 2016

The DVD Wrapup: Burnt, Assassin, New Girlfriend, Patels, Mr. Robot and more

As mouth-watering as Burnt is, I would discourage anyone from assuming that all foodie movies taste the same. The cranky-perfectionist conceit works better in Daniel Cohen’s Le Chef, Jon Favreau’s Chef, Lasse Hallström’s The Hundred-Foot Journey, Campbell Scott and Stanley Tucci’s Big Night and Brittany Murphy’s largely undiscovered gem, The Ramen Girl. Also tempting are Mostly Martha and its Hollywood remake No Reservations, Woman on Top. Tampopo, Ratatouille, Julie and Julia and, of course, Babette’s Feast and Like Water for Chocolate.

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The DVD Wrapup: Straight Outta Compton, Diary of a Teenage Girl, Howl, I Am Thor and more

As difficult as it might be for fans of Straight Outta Compton to believe that it was nearly shut out of Oscar competition, it’s just that hard for me be to believe that enough voters in any category actually watched enough of the movie to endorse it. Unlike The Help and 12 Years a Slave, the story behind the rise and fall of the genre-shattering hip-hop group, N.W.A., had several things working against it from the get-go. Not all of them can be attributed to racial insensitivity and the lack of diversity in the academy, although they can’t be discounted out of hand. For example, I can’t imagine any voter over, say, 40, rewarding a movie whose acoustics required them to keep a tight grip on the remote control every time the explosive musical soundtrack kicked in on their state-of-the-art Dolby Digital 2.0 Stereo or DTS-HD Master Audio 5.1 system.

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The DVD Wrapup: The Walk, Irrational Man, Look of Silence, Bitter Rice, Last Horror Film and more

Absent any physical evidence of the edifice’s longtime mastery of the city’s skyline, Petit’s feat might just as well have been a scene from a movie.

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The DVD Wrapup: Sicario, Sleeping With Other People, Maneater, Cruel, Broad City and more

Stripped to its narrative framework, Sicario is a powerfully rendered procedural that, while chronicling a strike against a cartel kingpin, forces viewers to endorse or decry the extralegal tactics used in the elimination of so-called narco-terrorists. In the same way that Osama Bin Laden was denied the luxury of a trial by a Navy SEAL hit squad, the target of the CIA-led commando unit in Sicario isn’t likely to require the services of a lawyer, either. Do we care? No more than we sweated the details of the raid on Bin Laden’s compound in Pakistan. Villeneuve reserves those questions for Blunt’s ethically grounded FBI agent.

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Reviews

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon