Movie Review Archive for July, 2010

Wilmington on Movies: Dinner for Schmucks, Cats & Dogs: The Revenge of Kitty Galore, Charlie St. Cloud, The Concert, 8 1/2

Dinner for Schmucks (Two and a Half Stars) U.S.; Jay Roach, 2010 There are plenty of primo American comedy actors around right now; all we really need is the movies to put them in. Dinner for Schmucks, with its story courtesy  of French buddy-comedy master Francis Veber, and its showcase roles for Paul Rudd, Zach…

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Wilmington on Movies: Inception

Inception (Four Stars) U.S.; Christopher Nolan, 2010 It begins with a man washed up on the beach, awaking as if from a dream, waves crashing around him. What happens next? Christopher Nolan’s Inception, — with Leonardo DiCaprio as a tortured guy who shoves dreams into your head — is obviously some kind of masterpiece. It’s…

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Gary Dretzka Digital Nation: Kisses

As the title of Lance Daly’s sweet coming-of-age dramedy implies, lips meet lips in Kisses. If for no other reason than those lips are on the faces of characters 13 and 11 years old, the embraces are few, but memorable. Revealing anything more about the tenor, timing or taste of those kisses would require a…

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Voynaristic Review, The Last Airbender

The Last Airbender Directed by M. Night Shyamalan Just how bad is The Last Airbender, M. Night Shyamalan’s adaptation of the excellent anime series Avatar: The Last Airbender? I would say it’s laughably bad, but I’m too irritated by the slaughtering of this excellent source material to have much of a sense of humor about…

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Voynaristic Review, The Twilight Saga: Eclipse

The Twilight Saga: Eclipse Directed by David Slade Team Edward! Team Jacob! The handsome (albeit a bit pasty), sparkling, overprotective vampire who will live forever, or the handsome (albeit a bit hairy), hot, overprotective guy who turns into a giant wolf — however is a girl to choose?

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Predators, Despicable Me and The Law (La Loi)

Predators (One and a Half Stars) U.S.; Nimrod Antal, 2010 I‘d be less than honest if I didn’t inform you that Predators — a horror movie about a Dirty Half-Dozen or so of mercenaries parachuted down onto a planetful of monsters — is a piece of god-awful shit. I would however be borrowing, and maybe…

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Movie Review

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Rory on: Wilmington on Movies: Snow White and the Huntsman

Greg on: Review-ish: Ghostbusters (2016, non-spoiler)

leahnz on: Review-ish: Ghostbusters (2016, non-spoiler)

Hallick on: Review-ish: Ghostbusters (2016, non-spoiler)

leahnz on: Review-ish: Ghostbusters (2016, non-spoiler)

David Poland on: Review-ish: Ghostbusters (2016, non-spoiler)

Fitz on: Review-ish: Ghostbusters (2016, non-spoiler)

leahnz on: Review-ish: Ghostbusters (2016, non-spoiler)

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon