Movie Review Archive for July, 2011

Wilmington on Movies: Cowboys & Aliens

“Cowboys & Aliens” (Two and a Half Stars) U.S.: Jon Favreau, 2011 Movie Westerns usually take place in a primitive land of the American past (somewhere in the 19th century) full of horses and trains and showdowns and an occasional cattle drive, where the men spend an inordinate amount of time in saloons, and sudden…

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Wilmington on Movies: Winnie the Pooh

  “Winnie the Pooh” (Three Stars) U.S.: Stephen J. Anderson, Don Hall; 2011 Here is Edward Bear coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin… A. A. Milne He was one of the boon companions of my childhood: Winnie-the-Pooh or Edward Bear or Winnie-ther-Pooh, as he was variously called…

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Wilmington on Movies: Friends with Benefits

  “Friends with Benefits” (Two and a Half Stars) U. S.: Will Gluck, 2011 Falling in love is such great movie material that it’s a pity Hollywood these days gets it right (or funny) so rarely. Friends with Benefits is a movie that’s supposed to be smarter and funnier than the usual pseudo-romantic comedy (or…

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Wilmington on Movies: Captain America: The First Avenger

  “Captain America: The First Avenger” (Two and a Half Stars) U.S.: Joe Johnston, 2011 I don’t mean to be a grouch, but Captain America — stalwart crime and monster-buster of  the  new Marvel epic Captain America: The First Avenger — struck me as one of the duller superheroes I’ve seen recently. That’s despite one of…

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Wilmington on Movies: Project Nim

  “Project Nim” (Four Stars) U.S.-U.K.: James Marsh, 2011 I. Let’s Play. — Nim He was a gnarled, hairy old chimpanzee, who spent most of his time in a large cage with two chimp companions and an occasional human visitor or keeper. He moved slowly and a bit painfully and he had a strange, sad,…

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Wilmington on Movies: Harry Potter and the Deathly Hallows, Part 2

“Harry Potter and the Deathly Hallows, Part Two” (Three and a Half Stars) U.S.; David Yates, 2010 Part I. All fine things must come to an end, and so finally has the Harry Potter series: the books first of all, and now the movies, climaxing at last in a final explosion, a last spell, that…

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Wilmington on Movies: Horrible Bosses

 Horrible Bosses (Two Stars) U.S.: Seth Gordon, 2011 There’s an ugly rumor going around that Horrible Bosses is a funny, clever movie. But if that’s true, I must have wandered into the wrong Multiplex theatre and seen some other horrible movie by mistake. Maybe it’s just me. One person‘s laugh riot can be another person’s snore….

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Wilmington on Movies: Zookeeper

  Zookeeper (Two Stars) U.S.: Frank Coraci, 2011 Zookeeper is a Kevin James comedy of almost stupefying dopiness; a movie that, at its worst, makes you feel (to succumb for a moment to Zookeeper’s own vice of ludicrous exaggeration), as if you were sinking slowly, slowly into a huge steaming vat of vanilla pudding, while…

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Wilmington on DVDs. Pick of the Week: New. 13 Assassins

 PICK OF THE WEEK: NEW “13 Assassins” (Three and a Half Stars) Japan: Takashi Miike, 2010 (Magnolia)   13 Assassins. The sons of the Seven Samurai? In an abandoned mountain village that they have turned into a huge, ingenious booby trap, 13 samurai, or free-lance fighters, assembled by an idealistic master warrior, await their enemy:…

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Wilmington on Movies: The Makioka Sisters; Live Today, Die Tomorrow; Onibaba

  The Makioka Sisters (Four Stars) Japan: Kon Ichikawa, 1983 Kon Ichikawa’s 1983 film of the famous ‘40s novel by Junichiro Tanizaki — with its subtle and exquisite dramatization of a crucial period in the lives of four beautiful, upper-class sisters living in Osaka — is one of the great Japanese films, and perhaps one…

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Wilmington on Movies: Larry Crowne

      “Larry Crowne” (Two and a Half Stars) U.S.: Tom Hanks, 2011 In Larry Crowne — a romantic comedy with Tom Hanks and Julia Roberts that should have been a timely, funny show, but isn’t — Hanks plays the title character, an up-from-working-class managerial guy suddenly cut adrift from his life, and forced to try to find…

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Movie Review

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Rory on: Wilmington on Movies: Snow White and the Huntsman

Greg on: Review-ish: Ghostbusters (2016, non-spoiler)

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Hallick on: Review-ish: Ghostbusters (2016, non-spoiler)

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David Poland on: Review-ish: Ghostbusters (2016, non-spoiler)

Fitz on: Review-ish: Ghostbusters (2016, non-spoiler)

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon