MCN Movies

The Descendants

Genre: Comedy, Drama

Director:

  • Alexander Payne

Writer:

    Cast:

    • George Clooney
    • Judy Greer
    • Matthew Lillard
    • Beau Bridges
    • Robert Forster
    • Michael Ontkean
    • Shailene Woodley

    Official Site:

    Articles

    DP/30: The Descendants, editor Kevin Tent

    (note: opening tease is out of sync)

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    DP/30: The Descendants

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    DP/30 2011: The Descendants, actor Judy Greer

    From sleeping on friend’s floor to co-star in Jawbreaker to George Clooney’s lap in Three Kings, Judy Greer has had quite a run. And now, she’s being talked up for an Oscar nod for her turn opposite Clooney in The Descendants.

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    2011 Top Tens: The First of the Lists

    As the first of the Top Ten Lists start to roll in, George Clooney and Brad Pitt top the leaderboard with The Decendants and The Tree of Life. With Moneyball in the fifth spot, Pitt has two horses in the race. Only 14 lists so far .. a couple of hundred yet to go.

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    Critics Roundup — November 17

    The Twilight Saga: Breaking Dawn, Part 1 |||Green||Red Happy Feet Two |Green||||Green The Descendants |Green||Green||Green Tomboy |||Green|| Rid of Me |||Green|| Tyrannosaur (limited) |||Green|Green| The Lie (limited) ||||Green|

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    Friday Estimates, November 18, 2011

    As anticipated, Part One of the final entry in the Twilight series, Breaking Dawn, strongly leads the pack, while kiddie entry Happy Feet Two battles for space against Puss in Boots. Meanwhile, The Immortals and Adam Sandler’s Jack and Jill arm wrestle for the third and fourth place slots.

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    “The loose braid down her back, her trendy silver necklace and her perfect skin give away Shailene Woodley’s tender age. Yet, hearing her speak you would think you were talking to her mom or at the very least her older, more mature sister.”

    “The loose braid down her back, her trendy silver necklace and her perfect skin give away Shailene Woodley’s tender age. Yet, hearing her speak you would think you were talking to her mom or at the very least her older, more mature sister.”

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    The Story Of Kaui Hart Hemmings, Whose Novel Inspired The Descendants

    The Story Of Kaui Hart Hemmings, Whose Novel Inspired The Descendants

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    Judy Greer On The Descendants As Change Of Pace

    Judy Greer On The Descendants As Change Of Pace lotsa spoilers

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    Confessions of a Film Festival Junkie: Day 4

    Glitch! Saturday morning’s early morning screening of The Descendents – Alexander Payne’s new film starring George Clooney – at the Toronto International Film Festival got into rather severe technical problems. Those of us standing in line were told at about 20 minute intervals that there was a problem but exactly what problem was kept vague….

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    Posters

    Quote Unquotesee all »

    It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

    So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

    And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

    There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

    I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

    So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

    But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

    My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
    ~ Hampton Fancher

    “That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

    ~ David Simon