Los Angeles Doesn’t Believe in Tears … Mars Does
The fears that a depressed marketplace would take its toll on Battle: Los Angeles proved unfounded as the sci-fi extravaganza easily took weekend honors with an estimated $36.2 million. However, the frame’s other two national releases seriously underperformed. The visual flamboyant fairy tale Red Riding Hood trudged through the woods with $14 million in its basket to rank third and the family targeted Mars Needs Moms received a resounding audience “no” with $6.8 million.
Regionally a pair of pics bowed in Quebec to undistinguished results. Local production French Kiss generated $91,200 at 54 stalls while French family fave Arthur et la guerre des deux mondes provided $68,400 from 35 venues.
The action among limited/exclusive debuts was considerably more encouraging with the latest Jane Eyre earning a $45,120 average from four screens. The indie Kill the Irishman was unexpectedly potent with a $142,000 tally in five exposures and French award winner Certified Copy grossed $66,300 from a comparable quintet.
Overall the pluses and minuses canceled out and weekend revenues slipped 4% from the immediate prior session. It was a steeper 13% decline from 2010 when the second weekend of Alice in Wonderland reigned with $62.7 million followed by bows of Green Zone and She’s Out of My League with respective openers of $14.3 million and $9.8 million.
Industry anxiety ran high for Battle: Los Angeles with pundits invoking the likes of Independence Day, District 9 and Skyline on the down side as past barometers. Initial tracking pegged its opening between $25 million and $30 million with it pushing slightly higher as opening day approached.
Exit polls pegged the audience unsurprisingly at 62% male. However, it also showed that the ticket buyers were 55% over the age of 25; continuing the 2011 industry question of where the younger, previously more avid crowds have migrated (and whether is possible to park product at that location).
Audience composition for both Red Riding Hood and Mars Needs Moms were also as anticipated. The cowl clad lass was 54% distaff and 56% under the age of 25 while the folk from the red planet were 85% family with 68% buying stereoscopic ducats. But though not particularly family friendly, Rango was the audience magnet even with a 40% hit off of its opening weekend.
Though the two films hit their target, neither hit it with quite the anticipated force. Red Riding Hood was tracking between $16 million and $20 million while Mars Needs Moms was supposed to be in the range of $10 million to $14 million.
Expect some hard questions to be asked at CinemaCon in two weeks beginning with the evaporation of the under 25s. Distribution is likely to be pushing for shorter theatrical windows and theater owners will just be … freaking out.
Weekend (estimates) March 11 – 13, 2011 | |||||
Title | Distributor | Gross (average) | % change | Theaters | Cume |
Battle: Los Angeles | Sony | 36.2 (10,590) | NEW | 3417 | 36.2 |
Rango | Par | 22.8 (5,820) | -40% | 3923 | 68.4 |
Red Riding Hood | WB | 14.0 (4,630) | NEW | 3030 | 14 |
The Adjustment Bureau | Uni | 11.4 (4,010) | -46% | 2847 | 38.4 |
Mars Needs Moms | BV | 6.8 (2,190) | NEW | 3117 | 6.8 |
Beastly | CBS | 5.0 (2,570) | -49% | 1959 | 16.9 |
Hall Pass | WB | 5.0 (1,970) | -43% | 2555 | 34.9 |
Just Go With It | Sony | 4.0 (1,660) | -38% | 2398 | 93.9 |
The King’s Speech | TWC | 3.6 (2,030) | -42% | 1768 | 129 |
Gnomeo and Juliet | BV/eOne | 3.5 (1,360) | -52% | 2585 | 89 |
Unknown | WB | 3.3 (1,440) | -49% | 2303 | 58.4 |
I Am Number 4 | BV | 2.2 (1,110) | -61% | 2005 | 50.3 |
Justin Bieber: Never Say Never | Par | 1.3 (1,050) | -69% | 1247 | 70.9 |
Big Mommas: Like Father, Like Son | Fox | 1.2 (1,330) | -62% | 931 | 35.1 |
Take Me Home Tonight | Relativity | 1.2 (610) | -65% | 2003 | 5.8 |
Cedar Rapids | FoxSearch | .93 (2,360) | 13% | 394 | 4.6 |
Tangled | BV | .62 (1,710) | -22% | 363 | 196.6 |
The Fighter | Par/Alliance | .55 (1,210) | -51% | 453 | 92.9 |
Black Swan | FoxSearch | .44 (1,310) | -56% | 337 | 105.9 |
True Grit | Par | .43 (1,070) | -56% | 401 | 169.4 |
Barney’s Version | eOne/SPC | .34 (1,760) | -13% | 192 | 6.2 |
Weekend Total ($500,000+ Films) | $123.60 | ||||
% Change (Last Year) | -13% | ||||
% Change (Last Week) | -4% | ||||
Also debuting/expanding | |||||
Of Gods and Men | Sony Classics | .25 (4,500) | -2% | 56 | 1.2 |
Jane Eyre | Focus | .18 (45,120) | 4 | 0.18 | |
Kill the Irishman | Anchor Bay | .14 (28,260) | 5 | 0.14 | |
French Kiss | TVA | 91,200 (1,690) | 54 | 0.09 | |
Arthur et la guerre des deux mondes | Alliance | 68,400 (1,950) | 35 | 0.07 | |
Certified Copy | IFC | 66,300 (13,260) | 5 | 0.07 | |
HappyThankYouMorePlease | Anchor Bay | 59,700 (3,140) | 70% | 19 | 0.09 |
I Will Follow | Film Movement | 44,100 (11,020) | 4 | 0.04 | |
3 Backyards | Screen Media | 11,400 (11,400) | 1 | 0.01 | |
Making th Boys | First Run | 6,800 (6,800) | 1 | 0.01 | |
Elektra Luxx | IDP | 5,700 (1,420) | 4 | 0.01 | |
Black Death | Magnolia | 3,700 (3,700) | 1 | 0.01 | |
Monogamy | Oscilloscope | 3,600 (3,600) | 1 | 0.01 | |
Domestic Market Share (Jan. 1 – March 10, 2011) | |||||
Distributor (releases) | Gross | Market Share | |||
Paramount (9) | 337.1 | 20.90% | |||
Sony (9) | 277.4 | 17.20% | |||
Buena Vista (5) | 215.2 | 13.30% | |||
Warner Bros. (12) | 179.1 | 11.10% | |||
Universal (6) | 163.3 | 10.10% | |||
Weinstein Co. (3) | 121.2 | 7.50% | |||
Fox (5) | 82.9 | 5.10% | |||
Fox Searchlight (3) | 76.3 | 4.70% | |||
CBS (3) | 41.3 | 2.60% | |||
Relativity (3) | 29.5 | 1.80% | |||
Focus (2) | 20.7 | 1.30% | |||
eOne/Seville (7) | 12.2 | 0.80% | |||
Summit (3) | 11.7 | 0.70% | |||
Sony Classics (5) | 9.6 | 0.60% | |||
Other * (73) | 37.6 | 2.30% | |||
1615.1 | 100.00% | ||||
* none greater than 0.4% | |||||
Top Limited Releases (Jan. 1 – March 10, 2011) | |||||
Title | Distributor | Gross* | |||
Blue Valentine * | TWC | 9,313,215 | |||
Barney’s Version * | eOne/SPC | 5,661,527 | |||
Biutiful | Roadside Att | 4,337,480 | |||
The Company Men | TWC | 4,102,660 | |||
Cedar Rapids | rch | 3,676,294 | |||
From Nada to Prada | LGF | 2,946,275 | |||
Another Year * | SPC | 2,854,313 | |||
The Way Back | Newmarket/All | 2,806,469 | |||
Hubble 3D * | WB | 2,321,675 | |||
The Grace Card | IDP | 1,842,199 | |||
The Illusionist * | SPC | 1,811,964 | |||
Rabbit Hole * | LGF | 1,810,546 | |||
Somewhere * | Focus | 1,502,550 | |||
Incendies * | Seville/eOne | 1,348,780 | |||
2011 Oscar Shorts | Magnolia | 1,266,790 |