Posts Tagged ‘M. Night Shyamalan’

Patterson Asks, M. Night Shyamalan Is Now A Franchise, But Where’s The Value In His Brand?

Friday, September 10th, 2010

Patterson Asks,  M. Night Shyamalan Is Now A Franchise, But Where’s The Value In His Brand?

How the Mighty Have Fallen…

Monday, August 23rd, 2010

Two times in the past week, I’ve gone to the movie theater and seen the preview for Devil.  Both times,  I thought the trailer was well-cut, moody, and effective.  And both times, the audience started giggling as soon as they saw M. Night Shyamalan’s name on the screen.  By no means am I a fan of the man’s recent output – in fact, I’d go so far as to say that the films he’s made since Signs have all been somewhat embarrassing travesties – but I don’t root for anyone’s failure.  I think Shyamalan is clearly a talented individual who has made at least one excellent film (Unbreakable) and one very good one (The Sixth Sense), but I don’t think anything has really changed in him.  I don’t think he’s a different kind of storyteller now, I just think he hasn’t evolved as a filmmaker.  Some chalk it up to an out-sized ego – and certainly there’s proof of that – but I’m not going to play amateur psychologist and assume that’s the case.  I think he is very comfortable making films the way he makes them and doesn’t see that much of a need to listen to outside opinions.

Having said all that, Universal should be more aware of what has happened to the M. Night Shyamalan over the last few years.  I don’t think it’s right that people are laughing at Shyamalan’s producer credit on Devil, but I also don’t think it’s smart for the marketing folks to prominently display the name of a man who has tarnished his brand in the eyes of most moviegoers.  One could point to the $130 million that The Last Airbender grossed, but that film had a built-in audience and still couldn’t make its budget back.

Devil is a smaller film that needs word of mouth and positive buzz.  It seems to be set almost entirely in an elevator with an outlandish premise, but the trailer is cut so well that it intrigued me and I don’t know why the studio would risk putting Shyamalan’s name in lights.  Let’s all hope the film is good and that it is step one in Shyamalan getting back into our good graces.  Step two is letting someone else write his scripts.

“I don’t know what’s going on with me and the critics in the United States. I’ve always had a European sensibility to my movies, so the pacing is always a little bit off for [Americans]. I’m very used to getting on a plane from the US having been savaged by them and going to Japan next, and then they’re like ‘genius!'” Another Deep Thought From M. Night STFU

Saturday, August 21st, 2010

“I don’t know what’s going on with me and the critics in the United States. I’ve always had a European sensibility to my movies, so the pacing is always a little bit off for [Americans]. I’m very used to getting on a plane from the US having been savaged by them and going to Japan next, and then they’re like ‘genius!'”
Another Deep Thought From M. Night STFU

The Sixth Sense, Wide Awake, The Age Aquarius

Friday, September 19th, 1997

In an era where everyone is complaining about star salaries, Disney found a new level of bizarre by paying $2.25 million for Sixth Sense, a horror script about a child psychologist. Even better, the deal gives the director’s chair to first-timer M. Night Shyamalan, who wrote the film. Unlike other writers who have demanded a directing gig, Shyamalan has no writing track record, with his first major feature, Wide Awake, due from Miramax on Oct. 17. And there’s more! The $2.5 million fee will comprise about 20 percent of the film’s overall budget, a bigger piece of the budgetary pie than $20 million action stars like Arnold get. This may be the stupidest financial deal this writer has ever heard of in Hollywood. No joke.
The new Harrison Ford film, The Age Aquarius, changed plans to shoot in Israel for three weeks next month when someone figures out that Israel could be dangerous. Also on the Genius Insight travel advisory list was the fact that the French don’t like us, the British can’t cook and Italian men may pinch your wife’s buttocks. Stay tuned for more important updates.
Andy Vajna is buying half The Terminator sequel rights at $7.5 million from Carolco Liquidating Trust, the executor of the bankruptcy that Carolco founder Vanja left behind to start Cinergi Pictures. But, Vanja’s Cinergi isn’t the one buying the rights, because that company is self-liquidating to avoid bankruptcy after making too many losers, like The Color of Night, Judge Dredd and The Scarlett Letter (not to mention weak returns on Evita). So, if you have a few hundred million lying around the house, invest in Andy. Only this time, the Indecent Proposal will be paying Demi Moore $12 million to appear in a costume drama and you’re the one that gets screwed.
Bruce Willis and Demi Moore did their best to shock the world at this year’s Emmy Awards when Bruce gave a big hello smooch to Ellen DeGeneres while Demi did likewise with Anne Heche. More shocking still would have been the trio of Willis, Moore and Heche not finding a way to steal headlines form the people who actually won Emmys.
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