Posts Tagged ‘Richard Gere’

The Double Poster

Wednesday, August 31st, 2011

The Men who Never Paid a Bill Without a Lawsuit Are Back in Business.

Tuesday, December 16th, 1997

Menahem Golan and Yoram Globus, former proprietors of the infamous Cannon Pictures, have talked a health club chain into financing a movie start-up to the tune of about $2 million. Gotta hand it to these guys. They obviously still can make their manure smell sweet to others. Cannon was one of the clearest examples of a company that was killed by the excess opportunity of the Reagan era. After hitting big with the Death Wish series and then turning Chuck Norris into an action hero, the company got big bucks in the junk-bond economy of the ’80s. Suddenly, they went from Norris and Bronson to Dustin Hoffman and Faye Dunaway. A few years later they were bankrupt after spending millions on films they never made and making some quality films, including Barfly, that no one ever saw. At least in theaters. Welcome back, boys. And readers: If they try to hire you, get cash.
MGM‘s desperation to hang onto the Bond franchise for themselves and themselves alone was made plain as day last week when the company filed their intentions to take a $30 million writedown for this quarter on Red Corner, the Richard Gere political drama. There will be no writedowns in first quarter 1998 with Bond on the way to save the day. But MGM, already off the list of “real” major studios, is becoming more of a mini-major every day. And, although Lindsay Doran has great taste, expect the film projects, excepting Bond, to get smaller and smaller.
As if to prove that barbarism is still in vogue, a group of Iranian militants attacked theatergoers, including a disabled veteran, as they left a showing of Snowman, a film about a man so desperate to get out of the desert that he disguises himself as a woman with the hope of marrying an American man who can take him/her away. The thing is, the guy falls in love with an Iranian woman and stays put. He doesn’t even go the whole route (or is that the full monty?)! Another theater pulled the film under threats of fire bombing. Finally, a movie that really is responsible for community violence.
L.A. Confidential surely has secured an Oscars berth for Best Picture after winning multiple best picture awards by critics already.
Want to bank roll my new studio? E-mail me a dollar figure. Or just drop me a line to say hi.

Behind the Scenes

Wednesday, November 19th, 1997

DreamWorks is prepping Hell Bent, an effects comedy about a tobacco executive whose primary responsibility is selling cigarettes to kids. When his disgusted wife pushes him out of his window to his death, hell is the next stop and he, of course, fits right in. You all have read Rough Cut Daily’s Pact With The Devil. Well, here’s your chance. What show business people — star, executive or job title — do you think are one window push away from running the city that never extinguishes? E-mail me your candidates and the reasons. The best entrant will win their very own slot on The Hot Button.
The Jackal may have been number one at the box office this week, but the road was as twisted off-screen as on. You may remember the controversy over the original title, “The Day of the Jackal,” which was meant by Universal to make the new version seem like a remake of the 1973 classic directed by Fred Zinnemann. Fred objected strenuously after reading the screenplay by Kevin JarrŽ. At the time, producer Jim Jacks defended the changes in the screenplay as part of the artistic genius of JarrŽ, the writer of Tombstone and Glory. “Why the IRA character?” I asked. “Kevin’s Irish,” was Jack’s response. “Why a Richard Gere-type rather than the frumpy government guy?” “Kevin thought The Jackal was so charismatic that we needed someone equally as charismatic.” Cut to the release of the movie. Universal settles with Zinnemann, who sadly passes away before the movie is done. It’s called The Jackal. And as far as Kevin JarrŽ? His name is nowhere near the credits, displaced by Chuck Pfarrer, the genius who brought us Hard Target, Barb Wire and Navy S.E.A.L.S. Fickle business, huh?
Sony chief John Calley is prepping the studios first Bond movie for 1999. MGM is suing. Which company is going to get the Goldfinger? Who knows? Sony’s already snuck around MGM and snagged the prize. Now MGM has Sony in the war room, threatening its life. Soon, Sony will be hung over a tank of sharks, hog-tied to Sharon Stone in a string bikini. That watch you’re wearing had better be more than a standard issue Rolex, Mr. Calley.
Anything on that movie mind of yours? E-mail me your thoughts.

Predicting the Box Office Gets Tough

Friday, November 14th, 1997

This weekend is the hardest I’ve had to predict in quite a long time. Why? Big stars, low want-to-see. The Jackal features Bruce Willis and Richard Gere, but there’s less buzz around than in a decaf latte. Disney hasn’t had big results from its re-releases since they became so video friendly, but The Little Mermaid may be special. Or not. And Bill Murray is far from a guaranteed opener in a film that isn’t as easily defined as his last hit, Groundhog Day.
So here’s my take. Starship Troopers drops just 20 percent to $17.6 million, taking first for a second week. The Jackal opens with a nice, but not overwhelming $14 million for second. The Little Mermaid surfs to a third place finish with about $12 million. Bean flatulates to the tune of $9.6 million, dropping 25 percent for fourth. Bill Murray’s The Man Who Knew Too Little will stay undercover with a soft $8.5 million for fifth.
The Second Five should all be repeat visitors, with New Line’s One Night Stand opening at only 700 screens. I Know What You Did Last Summer slices another $4.2 million — a 35 percent drop — for sixth. Also dropping about 35 percent should be The Devil’s Advocate ($3.3 million for seventh) and Red Corner ($3.2 million in eighth). Mad City should make its second and last Top Ten appearance in ninth with a 25 percent drop to $3.5 million. And Hot Button fave Boogie Nights should dance into 10th with a 20 percent drop to $3.1 million. Trailing closely should be surprise hit Eve’s Bayou with about $2.6 million.
And make sure to go to the movies this weekend, because the holiday onslaught will start burying you next week with Clint Eastwood’s Midnight in the Garden of Good and Evil, Anastasia, Mortal Kombat: Annihilation and Francis Ford Coppola’s Grisham entry, The Rainmaker. And your Thanksgiving plans will probably include Flubber or Alien Resurrection or both.
Don’t think I’ve pegged this weekend’s results? Let’s see your Top Ten. If you beat me you will … “Win David Poland’s Money!” Well, no, but I might tell our readers about it.

Boogie Nights Opens at Number Four

Monday, November 3rd, 1997

Ouch! I know you can’t see it in my photos, but I am bleeding profusely from the nose after getting tagged hard by Boogie Nights‘ number four opening with just $5.1 million! I guess Middle America wasn’t ready for a film about porn that didn’t include porn. And I wish I could blame it on New Line being a small studio, but their magnificent Money Talks opened with $10.65 million just weeks ago! Argh! The one salvation here is that the picture should end up doing so little business (my guess: under $30 million total domestic) that if New Line plays its cards right, it could become the Oscars’ “Little Movie That Could” for 1997.
Meanwhile, the unstoppable slasher films continue to do big box office. I Know What You Did Last Summer camped out at number one for the third week, dropping just 20 percent to $10 million. Devil’s Advocate, where Al Pacino slashes the scenery with his tongue before chewing it up real good, dropped a modest 25 percent to summon another $7.6 million for third place. And Kiss The Girls slashed-n-smooched its way to fifth place with another $3.6 million, dropping just 30 percent in week five.
Another surprise, though not as unpleasant, was the success of Red Corner. I guess the China visit worked for the film — which got roundly panned by the critics — rather than against it. Pretty Man Richard Gere got a liberal $8.3 million to take second place. Also, Switchback, Paramount’s quiet entry into the All Hallows Eve thriller market, stayed quieter than I thought it might, pulling in just $3 million for seventh place.
The rest of the Top Ten is made up of holdovers, all of which I came pretty close to predicting. Big deal! I’m already bleeding. Anyway, Brad was glad that Seven Years in Tibet took in another $3.4 million in its fourth week for sixth place. Fairy Tale: A Forgotten Release, grabbed another $2.9 million while the grabbing was good for eighth. Gattaca ran out of puns — $2.7 million for ninth. And In & Out took tenth with $1.8 million.
Check out what my predictions were on Friday. Email is your way of showing me you feel my pain. Or maybe you just want to rub it in.

BOO-gie Nights is Here!

Friday, October 31st, 1997

(Happy Halloween, kids!) Go now, before you get distracted by Starship Troopers and The Little Mermaid, ’cause it’s gonna happen. I wish that I could say that Paul Thomas Anderson‘s feel-good, feel-all epic will take Number One with $20 million, but $10 – $11 million seems a lot more likely. (We’ll have to wait for Tarantino’s Jackie Brown to get a $20 million weekend out of a ’70s flick).
The rest of the line-up should be pretty familiar by now, despite two other wide openings. IKWYDLS (I’m tired of all those words!), the summer slasher, should pass the $40 million mark with another $8.75 million this weekend. Al & Keanu look to scare up another $7.66 million in The Devil’s Advocate. Last week, there was a $5 million gap between Devil’s second place showing and Kiss The Girls’s third place finish. This week, it should be about $4.3 million, with Morgan Freeman kissing $3.34 million for fifth, leaving a gaping hole for Paramount’s grossly undersold Switchback to take fourth place with around $5 million.
All the talk about China may hurt Seven Years in Tibet by way of saturation, but look for a sixth place finish with a 30 percent drop-off to about $3.3 million. Richard Gere should be back-to-back with Brad with Red Corner, which is good for copy and bad for business. It’s an oppressive seventh place open with about $3 million. Gattaca stays flat-aca with a 35 percent drop to about $2.8 million for eighth. Fairy Tale tails off 30 percent to $2.5 million for ninth . And In & Out is in one last time with $2.1 million, pushing the $60 million mark overall.
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