Posts Tagged ‘Ridley Scott’

Wilmington on DVDs: Robin Hood, Charade, Playing for Time, Forbidden Planet, The Secret Behind Their Eyes … and more

Tuesday, September 21st, 2010

PICK OF THE WEEK: NEW

Robin Hood (Three and a Half Stars)

U.S.; Ridley Scott, 2010
“To live outside the law, you must be honest,“ Bob Dylan once sang (in “”Absolutely Sweet Marie,“ from “Blonde on Blonde“). And that’s the credo that permeates most of the many, many screen incarnations of Robin Hood of Sherwood Forest, that most honest of outlaws, most dashing of rebels, and most enduring of British historical legends and heroes. From Douglas Fairbanks, Jr. to Errol Flynn to Richard Greene to both Sean and Jason Connery, Kevin Costner and now Russell Crowe, Robin, as he’s portrayed in literature, film and TV, has remained our favorite outlaw, our preferred sharer of the wealth.
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The Dark Knight: The Musical

Wednesday, December 17th, 1997

Variety reports that Warner Bros. is making plans to follow in Disney’s footsteps by bringing the Batman franchise to Broadway. That’s right, “The Dark Knight: The Musical” (It could be less painful than another Schumacher Batman sequel). I bet you want to sing already, huh? Songs include “My Dead Parents,” “Sorry ’bout the Acid, Joker,” the comedy number, “My Tights Are Too Darned Tight,” and the grand romantic ballad, “My Suit Is Happy To See You.”
The Arizona Republic talked to Tom Arnold, who spilled the beans about what’s next for James Cameron. According to Tom, it’s True Lies 2. Cameron is apparently ready to pay Fox back for their $200 million worth of faith in him and his vision for Titanic. Arnold starts his WB hiatus in February and he was just put on indefinite hold on Ridley Scott’s over-budget-before-pre-production, I Am Legend. And Cameron? He’d only have to take a break from the awards banquets at which he’ll soon be a regular. Look for the film in Christmas, 1998, assuming Tom is on target.
Whining was the art form of choice over the weekend. Kevin Costner was unhappy with press junket critics’ reaction to The Postman, his new writer/director/star turn. The reaction? Laughter. “That’s horrible!” squealed Kevin, “You guys (the media) keep spinning that way, and it’s wrong. You were wrong about Dances (With Wolves), you were wrong about Waterworld, and you’re wrong about this movie! It’s too bad that’s how it keeps going; that really pisses me off.” On the other hand, Christian Slater knows that he was wrong and that he needs help. He told reporters, “It doesn’t matter how famous you are … If your head is telling you you suck, all you ever want to do is try to escape from that. I’m just dealing with that now, and it’s tough.” Good luck, gentlemen. I’ll put a dime in your tin cups when I see you.
Any money for me? Throw something in my tin cup. Or just drop me a line to say hi.

Robin Williams Has Set his Next Project,

Tuesday, September 16th, 1997

Robin Williams has set his next project, The Interpreter. The light-hearted comedy about a schlub who interprets rather than translates in tense international negotiations might as well be called Flubber 2, following his expected hit Thanksgiving release. Ironically, when Robin was in negotiations to play The Riddler in Batman Forever four years ago, I asked him why he wanted the part. He said, “If I don’t play a bad guy soon, I’m going to become f***ing Fred MacMurray!” No word on whether the Double Indemnity remake is on his “To Do” list.
The Full Monty will be the first late-summer release to go all the way to profitability. Even though the film’s gross has just hit $6 million, it should pass $15 million in the next two or three weeks, putting the film into the black considering a $3 million production cost and an estimated $8 million P&A (Prints & Advertising) budget. On the flip side, G.I. Jane, September’s top drawer (with silk stocking in it?), is in its fourth week with a $39 million total, making it a poor bet to even match its production costs in domestic box office, though it will certainly be profitable in the long worldwide run. Naked fat guys everywhere rejoice!
Speaking of G.I. Jane, what was with the men in short shorts and hairless legs? Despite Moore’s pointedly feminine physique, Ridley Scott‘s vision of the S.E.A.L.S was more about beefcake than a Chippendale’s video.
You think it’s easy to be in the movie business? MGM, formerly the lion of Hollywood, has been singing in red ink for the last five years to the tune of $1.7 billion. Yes, billion with a B. Even last year, with The Birdcage and Goldeneye on the release list, MGM dropped $90.5 million. Fortunately, studio chief Frank Mancuso has taken home almost $30 million in salary and stock in that same five years. Makes Michael Eisner‘s paycheck look pretty reasonable, huh?
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