Posts Tagged ‘Saw 3D’

Weekend Box Office Report — November 21

Sunday, November 21st, 2010

Harry and the Deathly Swallows … Gulp!

Harry Potter and the Deathly Hallows, Part 1 ascended to an estimated $126.2 million and corralled more than 60% of weekend ticket sales. Comparatively speaking the remaining films in the multiplex had to settle for chump change, including the bow of the thriller The Next Three Days which slotted fifth with $6.7 million.

The session also included the new Bollywood release Guzaarish, which garnered a better than respectable $423,000 at 108 venues. Among the few exclusive bows both the British import Made in Dagenham and France’s White Material were just OK with respective openings of $39,300 and $35,800, each playing on three screens.

It was the biggest opening yet for a Harry Potter film but while the juggernaut provided a big box office boost from last weekend it was insufficient to stave off a decline from 2009.

Expectations were high for the first installment of the last chapter of the Potter franchise. Advance sales and online tracking anticipated a $100 million debut and that number expanded following word of advance Thursday midnight screenings estimated at $24 million. Large format engagements were estimated at $12.4 million and if that number holds up it will be a record.

Internationally the early estimates are roughly $205 million from 54 markets. It includes all-time records in the U.K. and Russia and otherwise just sensational debuts elsewhere. The final, final Potter putter is schedule for July 2011.

On a decidedly downbeat note, The Next Three Days came in well below tracking that suggested a $10 million launch. The film also received a drubbing from critics.

Weekend revenues lurched toward $200 million, which translated into a 64% hike from seven days back. It was however 25% behind the 2009 slate led by the second installment of Twilight (New Moon), which bowed bitingly to $142.8 million with the unexpectedly $34.1 million potency of The Blind Side right behind it.

The contender’s roster failed to see any additional dynamos this weekend and the titles already in the marketplace were finding the Darwinian aspect of the exercise unrelenting. Both Fair Game and 127 Hours added a significant number of playdates with the latter continuing to maintain a hefty $8,330 engagement average. The other surprise in the mix is the continuing stamina of the non-fiction Inside Job that’s racked up $2.2 million to date.

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Weekend Estimates – November 19-21, 2010

Title Distributor Gross (average) % change * Theaters Cume
Harry Potter & the Deathly Hallows, Part 1* WB 126.2 (30,600) NEW 4125 126.2
Megamind Par 16.2 (4,280) -45% 3779 109.5
Unstoppable Fox 13.0 (4,060) -43% 3207 41.9
Due Date WB 8.9 (2,760) -42% 3229 72.4
The Next Three Days Lionsgate 6.7 (2,590) NEW 2564 6.7
Morning Glory Par 5.2 (2,050) -43% 2544 19.8
Skyline Uni/Alliance 3.4 (1,170) -71% 2883 17.6
Summit 2.4 (1,190) -51% 2034 83.5
For Colored Girls … Lionsgate 2.3 (1,920) -64% 1216 34.5
Fair Game Summit 1.4 (3,730) 41% 386 3.7
Secretariat BV 1.0 (970) -56% 1010 56.4
Paranormal Activity 2 Par .93 (840) -69% 1101 83.6
The Social Network Sony .91 (1,590) -49% 571 89.2
127 Hours Searchlight .90 (8,330) 104% 108 1.9
Saw 3D Lionsgate .82 (1,020) -71% 806 45.3
Jackass 3D Par .72 (1,050) -68% 687 116.1
Life As We Know It WB .52 (930) -50% 558 51.6
Guzaarish UTV .42 (3,910) NEW 108 0.42
The Girl Who Kicked the Hornet’s Nest Music Box/Alliance .41 (2,180) -22% 188 3.5
Inside Job Sony Classics .37 (1,770) -22% 211 2.2
Weekend Total ($500,000+ Films) $191.50
% Change (Last Year) -25%
% Change (Last Week) 64%
Also debuting/expanding
Today’s Special Reliance 88,400 (1,670) 53 0.09
Made in Dagenham Sony Classics 39,300 (13,100) 3 0.04
White Material IFC 35,800 (11,930) 3 0.04
Queen of the Lot Rainbow 16,400 (2,730) 6 0.02
Copacabana Seville 14,100 (2,010) 7 0.01

Domestic Market Share (Jan. 1 – Nov. 18, 2010)

Distributor (releases) Gross Market Share
Paramount (18) 1555.1 16.80%
Warner Bros. (26) 1538.8 16.70%
Fox (17) 1320.7 14.30%
Buena Vista (15) 1173.4 12.70%
Sony (23) 1160.3 12.60%
Universal (18) 790.4 8.60%
Summit (11) 508.5 5.50%
Lionsgate (14) 490.6 5.30%
Overture (7) 81.7 0.90%
Fox Searchlight (7) 80.3 0.90%
Focus (7) 75.1 0.80%
Weinstein Co. (7) 62.5 0.70%
Sony Classics (21) 57.3 0.60%
MGM (1) 51.2 0.50%
CBS (2) 50 0.50%
Other * (288) 240.7 2.60%
9236.6 100.00%
* none greater than .04%

Top Domestic Grossers * (Jan. 1 – Nov. 18, 2010)

Title Distributor Gross
Avatar * Fox 476,883,415
Toy Story 3 BV 414,681,777
Alice in Wonderland BV 334,191,110
Iron Man 2 Par 312,445,596
Twilight: Eclipse Summit 300,551,386
Inception WB 291,914,445
Despicable Me Uni 248,900,040
Shrek Forever After Par 238,667,087
How to Train Your Dragon Par 218,685,707
The Karate Kid Sony 176,797,997
Clash of the Titans WB 163,214,888
Grown Ups Sony 162,147,232
The Last Airbender Par 131,733,601
Shutter Island Par 128,051,522
The Other Guy Sony 119,256,755
Salt Sony 118,485,665
Jackass 3D Par 115,357,091
Valentine’s Day WB 110,509,442
Sherlock Holmes * WB 106,967,985
Robin Hood Uni 105,425,146
* does not include 2009 box office

MW on Movies: Unstoppable and Saw 3D

Thursday, November 11th, 2010

Unstoppable (Four Stars)

U.S.: Tony Scott, 2010

Unstoppable, a blow-you-out-of-your seat and slam-you-against-the-wall thriller about a runaway train — by Tony Scott, who knows how to make action movies, but rarely makes them this well — starts strong, hits the tracks fast, tears out the brakes, takes off like a shot, and then just keeps racing and accelerating, ratcheting up the action and raising the stakes, barreling through Pennsylvania and all of writer Mark Bomback’s plot twists and character cues with costars Denzel Washington (the grumpy old engineer) and Chris Pine (the slick young conductor), blasting along with a lung-clutching velocity Die Hard could only dream of, until it leaves you breathless (Phewww!) at the last stop.

If you watch this movie and say you weren’t excited, then you probably weren’t paying much attention. (Maybe the movie went by you in a blur.) If you think it’s the same old Tony Scott — remembering that last silly runaway remake subway train movie he made — you’re partly right, though this is the wittier, jazzier Tony Scott of Spy Game or True Romance, not the scriptless flash of The Fan and The (Mis)Taking of Pelham One, Two Three.

(more…)

Weekend Box Office Report – November 7

Sunday, November 7th, 2010

No Brainer

Megamind led a torrid weekend box office frame (the largest for a pre-Thanksgiving November) with a first salvo estimated at $47.5 million. Two other national openers followed in succession with strong numbers. The comedy road trip Due Date grossed $33.4 million and the Afrocentric For Colored Girls bowed to $20.1 million.

There was also a pair of Bollywood films timed to the Dwali holiday. Golmaal 3 had solid returns of $443,000 from 86 screens while Action Replayy was disappointing with $232,000 from 99 venues. In Quebec Reste avec moi pancaked on a gross of $25,600 in an initial 19 playdates.

In limited and exclusive runs the politically charged Fair Game polled a respectable $663,000 that indicates challenging expansion plans. Among the remaining newcomers there was a good solo for Algerian Oscar submission Outside the Law of $7,500. But the big noise of the weekend was the not-for-the-squeamish 127 Hours, which played to near capacity at four and generated a staggering screen average of $66,570.

Weekend revenues ballooned as a result of buoyant new titles and some very strong holdovers.

The latest from DreamWorks Animation, Megamind, was generally pegged to debut in a mid-$40 million arena though some felt it could have performed better on a less competitive weekend. Though that contention is dubious, the rest of the year really doesn’t offer that option with both pre-sold and award titles beginning to open up the multiplex floodgates.

Due Date — with its obvious references to Trains, Planes & Automobiles — renewed faith in the power of a high concept comedy. But the riskier For Colored Girls, based upon the acclaimed play by Ntozake Shange, was the session’s major question mark. Many had pursued the property for decades and concluded that it was unfilmable, so when Tyler Perry unexpectedly stepped forward there was a collective shudder. Critical response was mixed to positive while the opening box office was better than anticipated.

Overall box office should top $155 million for the weekend and best the immediate prior session by 67%. It’s also a 28% improvement from 2009 with the launch of the animated A Christmas Carol opened to $30.1 million with the frame’s other debs The Men Who Stare at Goats and The Fourth Kind slotting third and fourth with respectively $12.7 million and $12.2 million.

If you believe that there’s no such thing as bad publicity, the opening weekend of 127 Hours would certainly buttress your argument. Aside from sterling reviews, the fact-inspired tale of endurance has generated a lot of ink centering on the intensity of the viewing experience that appears to cause at least a few patrons to faint at every screening. The industry will be watching intently to see whether it remains a date movie as it expands nationally.

Also under the microscope is Fair Game that fell short of dynamic initial business. There’s already debate about the decision to open in more than a handful of venues and a feeling that rapid expansion will result in further disappointment along the lines of Conviction.

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Weekend Estimates – November 5-7, 2010

Title Distributor Gross (average) % change * Theaters Cume
Megamind Par 47.5 (12,040) New 3944 47.5
ue Date WB 33.4 (9,960) New 3355 33.4
For Colored Girls Lionsgate 20.1 (9,440) New 2127 20.1
Red Summit 8.8 (2,720) -18% 3229 71.8
Saw 3D Lionsgate 7.9 (2,820) -67% 2808 38.5
Paranormal Activity 2 Par 7.1 (2,250) -57% 3168 77
Jackass 3D Par 5.0 (2,330) -41% 2165 110.8
Secretariat BV 4.1 (1,570) -18% 2614 51.1
Hereafter WB 4.0 (1,680) -38% 2365 28.7
The Social Network Sony 3.5 (1,890) -22% 1860 85
Life As We Know It WB 3.1 (1,610) -23% 1950 48.6
Conviction Fox Searchlight 1.5 (2,280) -16% 672 4.5
The Town WB 1.2 (1,510) -39% 801 89.8
The Girl Who Kicked the Hornet’s Nest Music Box/Alliance .74 (3,720) 2% 199 2
Fair Game Summit .66 (14,410) New 46 0.66
Easy A Sony .50 (1,070) -53% 468 57.3
Legend of the Guardians WB .45 (610) -74% 740 54
Golmaal 3 Eros .44 (5,140) New 86 0.44
Waiting for “Superman” Par Vantage .38 (1,570) -36% 242 5.4
Wall Street: Money Never Sleeps Fox .34 (960) -57% 353 51.9
Weekend Total ($500,000+ Films) $149.10
% Change (Last Year) 28%
% Change (Last Week) 67%
Also debuting/expanding
127 Hours Searchlight .27 (66,570) 4 0.27
Action Replayy Viva .23 (2,340) 99 0.23
Stone Overture .18 (1,630) -28% 109 1.5
Four Lions Drafthouse 41,300 (5,160) 8 0.04
Reste avec moi Seville 25,600 (1,350) 19 0.03
Client 9 Magnolia 18,400 (6,130) 3 0.02
Red Hill Strand 8,400 (1,680) 5 0.01
Outside the Law (Hors-la-loi) Cohen Media 7,500 (7,500) 1 0.01
Trapped CJ Entertainment 4,400 (4,400) 1 0.01

Domestic Market Share (Jan. 1 – Nov. 4, 2010)

Distributor (releases) Gross Market Share
Warner Bros. (25) 1457.6 16.50%
Paramount (16) 1423.7 16.00%
Fox (16) 1290.9 14.50%
Buena Vista (15) 1163.9 13.10%
Sony (23) 1151.1 13.00%
Universal (17) 776.9 8.80%
Summit (10) 488.3 5.50%
Lionsgate (13) 444.2 5.00%
Overture (7) 81.2 0.90%
Fox Searchlight (6) 75.9 0.80%
Focus (7) 74.8 0.80%
Weinstein Co. (7) 62.3 0.70%
Sony Classics (21) 55.5 0.60%
MGM (1) 51.2 0.60%
CBS (2) 50 0.60%
Other * (281) 233.2 2.60%
8880.7 100.00%
* none greater than .04%

Top Global Grossers * (Jan. 1 – Nov. 4, 2010)

Title Distributor Gross
Avatar Fox 1,953,205,209
Toy Story 3 BV 1,061,408,156
Alice in Wonderland BV 1,024,537,295
Inception WB 831,539,135
Shrek Forever After Par 737,766,901
Twilight: Eclipse Summit 691,483,448
Iron Man 2 Par 622,718,600
How to Train Your Dragon Par 495,792,295
Despicable Me Uni 492,994,376
Clash of the Titans WB 489,778,913
Sherlock Holmes * WB 367,796,599
The Karate Kid Sony 359,315,646
Prince of Persia: The Sands of Time BV 335,692,394
The Last Airbender Par 318,404,181
Robin Hood Uni 311,826,207
Shutter Island Par 301,977,955
Sex and the City 2 WB 301,158,934
Salt Sony 291,684,047
Resident Evil: Afterlife Sony/Alliance 277,419,991
Grown Ups Sony 270,265,798
The Expendables Lionsgate/NuImage 269,273,037
Alvin and the Chipmunks: The Squeakquel Fox 264,341,533
Knight and Day Fox 256,518,022
Percy Jackson & the Olympians Fox 226,497,209
Valentine’s Day WB 217,596,116
* does not include 2009 box office

Weekend Estimates – November 7

Sunday, November 7th, 2010

Megamind|47.5|New|47.5
Due Date|33.4|New|33.4
For Colored Girls|20.1|New|20.1
RED|8.8|-18%|71.8
Saw 3D|7.9|-67%|38.5
Paranormal Activity 2|7.1|-57%| 77
Jackass 3D|5.0|-41% |110.8
Secretariat|4.1|-18%|51.1
Hereafter|4.0|-38%|28.7
The Social Network|3.5|-22%|85

Friday Estimates – November 6

Saturday, November 6th, 2010

Megamind|12.4|3944|New|12.4
Due Date|12.1|3355|New|12.1
For Colored Girls|7.4|2127|New|7.4
Saw 3D|2.5|2808|-76%|2.5
Red|3.4 |3349|-25%|51.5
Paranormal Activity 2|2.5|3229|-27%|65.5
Jackass 3D|1.6|2165|-50%|107.3
Secretariat|1.2|2614|-24%|48.2
Hereafter|1.2|2365|-44%|25.9
The Social Network|1|1860|-32%|82.5
Also Debuting
Fair Game|0.18|46||0.18
Golmaal 3|0.12|86||0.12
127 Hours|77,400|4||77,400
Action Replayy|58,200|99||58,200
Four Lions|12,700|8||12,700
Reste avec moi|7,600|19||7,600
Client 9|5,450|3||5,450
Red Hill|3,000|5||3,000
Outside the Law (Hors-la-loi)|2,000|1||2,000
Trapped|1,500|1||1,500
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*in millions|||

Box Office Hell — November 4

Thursday, November 4th, 2010

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com
Megamind|46.2|54.7|60|52|49
Due Date|32.1|32.4|28|34|38
For Colored Girls|23.5|12.9|20|23|27
Saw 3D|8.5|8.5|8|8.5|8.5
Paranormal Activity 2 |7.0|5.8|7.5|7|6.5

Weekend Box Office Report – October 31

Sunday, October 31st, 2010

See … Saw … Ouch!

Saw 3D whipped into cinemas with an estimated $24.3 million to take top spot in weekend movie going. Distributors gave a wide berth to the Halloween frame when traditionally there are sharp drops in attendance; making the Saw finale the sole new national release.

A different sort of ghoul — the Millennium finale The Girl Who Kicked the Hornet’s Nest — went limited wide to solid returns of $890,000, but otherwise the frame’s new entries were dominated by niche and exclusive launches. The best of the bunch was the Chinese trembler Aftershock with a single screen entry of $17,600. Other newcomers with good but not spectacular returns included indie drama Welcome to the Riley’s, Brit spy spoof Wild Target, Mexican prize winner Nora’s Will, Claude Chabrol’s final effort Bellamy and non-fiction entry Waste Land.

Overall box office saw a sharp fall from last weekend and a slight bump from 2009 results.

The seventh annual edition of the Saw franchise was hoping for an exit with bite with the addition of stereoscopic imagery. But pre-release tracking indicated that with or without gimmicks the mania was fading and its mid-$20 million weekend tally was pretty much in line with pundit’s predictions. The gore crowd would appear to be sated with current splatter fare but the past month has seen every segment of the audience unenthusiastic for the new crop of movies beyond their opening sessions.

The global juggernaut for the Millennium trilogy continued with the U.S. bow of The Girl Who Kicked the Hornet’s Nest. The first installment, The Girl with the Dragon Tattoo, has racked up $99 million internationally and it and its second chapter are the top grossing foreign-language movies in America post-Pan’s Labyrinth.

Weekend revenues generated about $95 million in sales that translated into a 28% drop from the immediate prior session. It was a modest 6% improvement from 2009 when Michael Jackson: This Is It bowed to $23.2 million followed by Paranormal Activity with $16.4 million.

The fact-based Conviction expanded nationally to fair results and appears to be headed to the same sort of indifferent commercial returns as the rest of the early award season contenders. A sharp drop for last weekend’s Hereafter departs from the sort of holds associated with recent films directed by Clint Eastwood whereas the better than expected stamina of the geezer spies of RED has confounded box office mavens.

But apart from Jackass 3D (which passed a $100 million tally this weekend) such well-reviewed positive word-of-mouth entries as The Social Network and Secretariat have struggled to maintain a presence (forget about momentum) in a marketplace that has all but eliminated the possibility of a second wind.

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Weekend Estimates – October 29-31, 2010

Title Distributor Gross (average) % change * Theaters Cume
Saw 3D Lionsgate 24.3 (8,660) New 2808 24.3
Paranormal Activity 2 Par 16.4 (5,070) -60% 3239 65.6
Red Summit 10.9 (3,250) -28% 3349 59
Jackass 3D Par 8.5 (2,720) -60% 3139 101.7
Hereafter WB 6.4 (2,630) -47% 2424 22.2
Secretariat BV 5.0 (1,610) -28% 3108 44.7
The Social Network Sony 4.7 (1,690) -36% 2767 79.7
Life As We Know It WB 4.1 (1,440) -33% 2860 43.6
The Town WB 2.0 (1,250) -27% 1608 87.7
Conviction Fox Searchlight 1.8 (3,220) 501% 565 2.4
Legend of the Guardians WB 1.8 (880) -46% 2010 52.7
Easy A Sony 1.1(880) -37% 1262 56.3
The Girl Who Kicked the Hornet’s Nest Music Box/Alliance .89 (5,830) New 152 0.89
Wall Street: Money Never Sleeps Fox .78 (840) -37% 933 51.2
Waiting for “Superman” Par Vantage .52 (1,580) -33% 330 4.6
Devil Uni .51 (800) -21% 635 33.1
Alpha and Omega Lionsgate .48 (710) -34% 676 24.1
It’s Kind of a Funny Story Focus .46 (960) -32% 477 5.8
You Again BV .41 (610) -37% 673 24.7
You Will Meet a Tall Dark Stranger Sony Classics .33 (1,022) -24% 323 2.4
Toy Story 3 BV .31 (920) -34% 337 413.9
Weekend Total ($500,000+ Films) $89.70
% Change (Last Year) 6%
% Change (Last Week) -28%
Also debuting/expanding
Stone Overture .22 (1,760) -39% 125 1.2
Nowhere Boy Weinstein Co. .13 (840) -62% 153 1
10.50 Alliance 55,800 (4,290) 13 0.06
Welcome to the Riley’s IDP 41,600 (4,160) 10 0.04
Nora’s Will Menemsha 25,300 (4,220) 6 0.03
Wild Target FreeStyle 23,200 (5,800) 4 0.02
Bellamy IFC 19,700 (9,850) 2 0.02
Monsters Magnolia 18,100 (6,030) 3 0.02
Aftershock AMC 17,600 (17,600) 1 0.02
Waste Land Arthouse 10.300 (10,300) 1 0.01
Walkaway IABA 9,400 (360) 26 0.01
Strange Powers Variance 4,800 (4,800) 1 0.01
The Kids Grow Up Shadow 4,600 (4,600) 1 0.01

Domestic Market Share (Jan. 1 – Oct. 28, 2010)

Distributor (releases) Gross Market Share
Warner Bros. (25) 1436.3 16.40%
Paramount (16) 1389.1 15.90%
Fox (16) 1289.8 14.70%
Buena Vista (15) 1155.5 13.20%
Sony (23) 1142.4 13.10%
Universal (17) 774.3 8.90%
Summit (10) 473.3 5.40%
Lionsgate (12) 412.7 4.70%
Overture (7) 80.6 0.90%
Focus (7) 74.1 0.80%
Fox Searchlight (6) 73.4 0.80%
Weinstein Co. (7) 61.9 0.70%
Sony Classics (21) 54.7 0.60%
MGM (1) 51.2 0.60%
CBS (2) 50 0.60%
Other * (277) 229.7 2.70%
8749 100.00%
* none greater than .04%

Top Limited Releases * (Jan. 1 – Oct. 28, 2010)

Title Distributor Gross
Hubble 3D WB 17,246,918
The Ghost Writer Summit 15,569,712
The Girl with the Dragon Tattoo Music Box/Alliance 11,270,373
The Young Victoria * Apparition/Alliance 11,131,232
Get Low Sony Classics 8,980,294
A Single Man * Weinstein Co. 7,935,872
The Girl Who Played with Fire Music Box/Alliance 7,768,761
Cyrus Fox Searchlight 7,461,082
Babies Focus 7,444,272
The Imaginarium of Doctor Parnassus * E1/Sony Classics 7,394,171
City Island Anchor Bay 6,671,036
The Last Station Sony Classics 6,617,867
The Secret in Their Eyes Sony Classics 6,391,436
Winter’s Bone Roadside Attractions 6,204,696
It’s Kind of a Funny Story Focus 5,342,641
Under the Sea 3D * WB 5,256,073
I Am Love Magnolia 4,982,446
An Education * Sony Classics 4,963,224
The Hurt Locker * Summit 4,531,548
Solitary Man Anchor Bay 4,360,548
* does not include 2009 box office

Weekend Estimates – October 31

Sunday, October 31st, 2010

Saw 3D|24.3|New|24.3
Paranormal Activity 2|16.4|-60%| 65.6
RED|10.9|-28%|59
Jackass 3D|8.5|-60% |101.7
Hereafter|6.4|-47%|22.2
Secretariat|5.0|-28%|44.7
The Social Network|4.7|-36%|79.7
Life As We Know It|4.1|-33%|43.6
The Town|2.0|-27%| 87.7
Conviction|1.8|501%|2.4

Friday Estimates – October 30

Saturday, October 30th, 2010

Saw 3D|10.8|2808|New|10.8
Paranormal Activity 2|6|3239|-57%|55.2
Red|3.4 |3349|-25%|51.5
Jackass 3D|3.1|3139|-59%|96.2
Hereafter|2.1|2175|-50%|17.9
Secretariat|1.5|3108|-22%|41.2
The Social Network|1.5|2921|-33%|76.5
Life As We Know It|1.4|3019|-28%|40.9
The Town|0.6|1918|-24%|86.3
Conviction|0.55|565|610%|1.1
Also Debuting
The Girl Who Kicked the Hornet’s Nest|0.28|124||0.28
10.50|19,200|13||19,200
Welcome to the Riley’s|12,500|10||12,500
Wild Target|7,600|4||7,600
Bellamy|6,500|2||6,500
Monsters|6,000|3||6,000
Waste Land|4,800|1||4,800
Aftershock|4,600|1||4,600
Walkaway|3,500|26||3,500
The Kids Grow Up|2,650|1||2,650
||||
*in millions|||

Wan And Whannel Talk Their Saw Backstory

Friday, October 29th, 2010

Wan And Whannel Talk Their Saw Backstory

Box Office Hell – October 28

Thursday, October 28th, 2010

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com
Saw 3D|23.4|n/a|24|n/a|22
Paranormal Activity 2|19|n/a|16|n/a|19.5
Jackass 3D|10.5|n/a|10.5|n/a|9.5
RED|10|n/a|10.5|n/a|9.7
Hereafter|7.2|n/a|n/a|n/a|7.5

Critics Roundup – October 28

Thursday, October 28th, 2010

Saw 3D|||||
The Girl Who Kicked the Hornet’s Nest|||Yellow||Green
Monsters|||Green||
Shake Hands with the Devil|Green||Green||
Amer ||||Yellow|
Nora’s Will |Green||||
Bellamy |Green||||

Trailering Saw 3D

Friday, July 23rd, 2010

As a deadly battle rages over Jigsaw’s brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.