Posts Tagged ‘The Terminator’

Hollywood Makes Bizarre Bedfellows

Friday, October 17th, 1997

As Miramax was busy suing Sony over their use of “from the creator of Scream” to sell I Know What You Did Last Summer, they were bidding to win the rights to make the tri-quel to The Terminator following T-2, one of Sony’s biggest hits ever. Speaking of hits, I expect the aforementioned next spoke on the Kevin Williamson Scream-cicle (really cycle, but it doesn’t sound as cool), to win the weekend, stealing The Devil’s Advocates soul. Both films could cross the $12 million barrier, though Last Summer could be the first really big opening of the fall and toy with the $20 million mark.
The only other wide opening is Fox Mulder in Playing God, which I see as the number five finisher with about $5 million. Outside of that, it should be a pretty standard weekend of slowly-dropping fortunes. In third place, look for Seven Years In Tibet to drop about 25 percent to $7.5 million after word gets out that Brad’s hair bleach is more consistent than his Germanic accent. Kiss The Girls should take its first deep cut (20 percent off for $7.2 million) opposite genre openings Devil and Summer
The Second Five should be headed up by In & Out, retaking a lead on Soul Food and passing the $50 million mark with a 30 percent drop to $3.8 million. Soul Food may be getting a little stale, taking sixth with a 35 percent drop to $3.65 million. Also taking the 35 percent hit, Dreamworks first effort, The Peacemaker is about ready to drop it’s load on Europe, shooting for seventh spot and another $3.4 million. Disney’s implosion-on-the-launch-pad, Rocketman, will do well to drop just 30 percent and take ninth with $3.1 million in just it’s second (and kid competition-free, I might add) weekend. In the 10 Spot, L.A. Confidential, making it’s likely last stand in the Top 10 with a 20 percent drop to $2.9 million. It’s been fun trying to get people to see you, boys. It’s hush, hush for now.
Last week, my predictions were challenged. Come on, I can take it! Email me!

Superman may live, but not until 1999

Saturday, September 27th, 1997

After moving faster than a speeding bullet to start filming October 6th with Nicolas Cage putting on the tights for director Tim Burton, the film leapt to a February start date, then took a second bound to April 1998. Why? It’s inferred. To explain. Superman Lives has had enough troubles to make one believe that Lex Luthor was an exec at another studio. The original script, by Chasing Amy scribe Kevin Smith, was dumped by Burton. The new version, by Wesley Strick (Cape Fear/The Saint), apparently has struck Kryptonite as well. Then, the production move to early 1998 made the scheduled summer 1998 release date into a Titanic-like scheduling nightmare. So, Warner Bros. moved it to Christmas 1998. Okay? Nope! Resurrected Producer Jon Peters wanted a summer movie! So, July 3, 1999 it is. Safe at last? Warner Bros. hopes so. The Independence Day release date is five whole weeks from the Star Wars prequel. It’ll need it. And if the other studios are looking for a fight, Cage’s Neurotic Man Of Steel could end up fighting the Jedi, The Fantastic Four and The Terminator (T-3) in one bloody summer.
Speaking of The Terminator, I told you last week about the purchase of the sequel rights by bankrupt company king Andy Vanja. Turns out the 20th Century Fox found out about the purchase at about the same time I did. Why does that matter? Well, they were in the midst of closing negotiations with Jim Cameron, Arnold Schwarzenegger and Gale Ann Hurd to make T-3 at Fox. Not only were they embarrassed, but they now have a very unwanted partner. The bottom price for the remake rights now sits at about $15 million and is likely to go up as Vanja applies the pressure. And that’s before Arnold’s likely $30 million asking price, Cameron’s probable $15 million writer/director fee and the production itself, which, given Cameron’s history, could push beyond Titanic’s $200 million (low estimate) price tag. Arnold’s new tag line? “I’ll be back-breaker.”
In more Fox news, the studio is being sued by New York State, which is claiming that the studio is in cahoots with Sammy “The Bull” Gravano, former mob hit man, to skirt the state’s “Son of Sam” law, which keeps convicted felons from profiting from their criminal acts. The fight is over the $250,000 Gravano received when Underboss, the Peter Maas bestseller about Gravano’s murderous history, was sold to Fox. Always wanting to stay with the trend, California legislators want to pass the Home Alone 3 law, making it illegal for studios to profit from unnecessary sequels.
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