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David Poland

By David Poland poland@moviecitynews.com

Geena Davis in Talks for Sailor Moon

Geena Davis is in talks to be first on board Disney’s live-action version of the Japanese TV anime, Sailor Moon. The show is about teenage girls with super powers and enormous eyes, leaving Davis to the role of evil Queen Beryl, who is trying to destroy the earth. The Hot Button suggests a cast of actresses who can still pretend to be teens and who have eyes so large that they appear to be human incarnations of velvet paintings of unhappy clowns and orphans: Winona Ryder, Heather Graham, Elizabeth Shue during her The Saint period, and the late, great Marty Feldman, resurrected and in drag for this important cinematic achievement.
O.J. Simpson prosecutor Christopher Darden got married last week to Rysher Entertainment exec Marcia Carter. Within hours of the nuptials, Darden was claiming that the failure of such Rysher films as A Smile Like Yours, The Evening Star, White Man’s Burden, Dear God and Turbulance (this is the short list, folks!) was the responsibility of O.J. Simpson. When reminded that Simpson was in court while these films were developed, Darden blamed Judge Ito. He then claimed that releasing studio Paramount was playing the Dud Card, when they released the films in theaters instead of prisons. It’s OK, Chris. It’s over man! You can stop making excuses.
First Joe Eszterhas‘ poison pen letter to Hollywood, Alan Smithee: Burn Hollywood Burn, had its very own director, Arthur Hiller, yank his name off the film, replaced by the traditional “I-Don’t-Want-To-Be-Associated- With-This-Crap” psuedonym, Alan Smithee. Now, it’s been pushed by distributor Disney all the way until next March, and even then, is scheduled for just a 20-city test release. Irony rears its ugly head, as the film about getting screwed in Hollywood gets screwed for the most traditional reason in Hollywood; the film stinks and no one wants to see it.
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon