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David Poland

By David Poland poland@moviecitynews.com

The Best Are Back

Three of Hollywood’s best directors have picked their latest projects. Lawrence Kasdan returns from back-to-back bombs (French Kiss and Wyatt Earp) with Mumford.
Wolfgang Petersen, who took to the air with Air Force One, is heading back to the sea (he made his name with Das Boot) with an adaptation of the best-selling novel, The Perfect Storm.
And Tim Burton is looking at Dreamworks’ X — The Man With The X-Ray Eyes as his next project after wrapping Superman Reborn this summer.
JUST WONDERING: When Tim Burton has a mid-life crisis, will he start wearing business suits, buy a Toyota and start making movies like Deep Rising?
BAD WILL HUNTING: Maybe Matt Damon isn’t so nice after all. Reports out of various New York gossip rags have Minnie Driver in Golden Globe tears after she found out that she was the ex-girlfriend when Matt announced that he had no girlfriend on Oprah. But never fear, Matt’s still sticking with Ben Affleck, do or die.
EMPRESS’ NEW CLOTHES: After holding out on “the nudity thing” for years, Heather Graham can’t seem to keep her clothes on. First, she boogied the night away as Rollergirl. These days the MPAA won’t cough up an R-rating for Graham’s sex scene with Robert Downey Jr. in Two Girls and A Guy, no matter how they re-cut the encounter. And now, news that she will turn up as a sexed-up alien in the Danny Boyle-directed segment of the Alien Love Triangle trilogy at Miramax. She will keep her space suit on in New Line’s PG-13 Lost in Space, but keep an eye out for the un-cut un-rated video version.
READER OF THE DAY: From Luke R.: ” “Titanic Unsinkable,” “Titanic Stays Afloat,” “New Entries Left in Titanic’s Wake.” These are but a sample of the myriad of disgusting headlines that puff-piece editors have foisted upon us in the last weeks of Titanic‘s record success. You know, I got sick of O.J., I got sick of the Lewinsky story, but I swear to God I am going to go postal if I hear any more puns describing Titanic‘s B.O. take.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon