By Kim Voynar Voynar@moviecitynews.com
Wonderland
It’s a frustrating aspect of seeing a lot of films on the fest circuit that you very often find a film you really love, only to have it languish in the netherworld of distribution forever. It happened with 2007 Sundance fave Son of Rambow, which took forever to get released due to rights issues over its use of footage from Rambo, and with Teeth, another 2007 Sundance entry, which finally got a limited release a year later before going to DVD.
The excellent 2007 Sundance entry Four Sheets to the Wind, directed by Sterlin Harjo, won the Best Actress award at the fest that year for lead actress Tamara Podemski (shared with Teeth lead actress Jess Weixler), but the film never got distribution and disappeared completely. Sweet Mud, which won the Crystal Bear at Berlin and the Grand Jury Prize at Sundance, was never seen in the US off the fest circuit.
I could go on and on listing worthy Sundance (and Berlin, and Cannes, and Toronto) films that played well at the fest but disappeared for a long time, or were never seen again. And on the one hand, it makes me feel incredibly priveliged to have had the opportunity to even see these films, but on the other, it makes me sad that so many good films play the fest circuit only to never been seen by a wider audience.
Phoebe in Wonderland, which I saw at Sundance 2008, is another such film.
Phoebe, the directorial debut of Daniel Barnz, has a stellar cast: Elle Fanning as Phoebe, a little girl who’s suffering socially because of problems relating normally to others, Felicity Huffman and Bill Pullman as Phoebe’s stressed-out parents, and indie fave Patricia Clarkson as the drama teacher who sees beyond Phoebe’s problems to the potential within her.
As good as the film is, it’s a difficult film to figure out how to market. While it has fantastical elements as Phoebe escapes from the rules of the real world into an Alice in Wonderland-fueled fantasy world where she’s understood and accepted, it’s considerably too dark to be a film for younger kids, and Phoebe’s Tourette’s-driven social antics may cause even the most understanding of adults in the audience to cringe. And yet, it’s a solidly directed film with a remarkable performance by Elle Fanning, who’s coming into her own as the talented younger sister of kid actress Dakota Fanning, a solid supporting cast and a good, original story.
Phoebe in Wonderland is finally getting a release date March 6 via distributor THINKfilm; it’s well-worth catching in theaters while you can.