Gurus o’ Gold: Nominations Morning (Page 1 of 2)
| Rank | Last Chart | Best Picture | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Lincoln DreamWorks/Disney |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 117 | |
| 2 | 6 |
Life of Pi 20th Century Fox |
2 | 3 | 3 | 5 | 3 | 3 | 5 | 3 | 2 | 2 | 2 | 2 | 3 | 13 | 92 | |
| 3 | 5 |
Silver Linings Playbook The Weinstein Company |
3 | 2 | 4 | 2 | 5 | 5 | 2 | 2 | 3 | 3 | 3 | 3 | 4 | 13 | 89 | |
| t4 | 2 |
Argo Warner Bros |
6 | 5 | 2 | 8 | 2 | 4 | 6 | 4 | 4 | 4 | 4 | 6 | 8 | 13 | 67 | |
| t4 | 3 |
Zero Dark Thirty Sony Pictures |
5 | 4 | 7 | 4 | 6 | 2 | 3 | 5 | 6 | 6 | 6 | 7 | 2 | 13 | 67 | |
| 6 | 4 |
Les Miserables Universal |
7 | 6 | 6 | 6 | 4 | 6 | 8 | 7 | 9 | 5 | 5 | 8 | 5 | 13 | 48 | |
| 7 | 9 |
Amour Sony Classics |
9 | 8 | 5 | 3 | 7 | 7 | 4 | 6 | 7 | 9 | 8 | 5 | 6 | 13 | 46 | |
| 8 | 8 |
Beasts of the Southern Wild Fox Searchlight |
4 | 7 | 9 | 7 | 8 | 8 | 7 | 8 | 5 | 7 | 9 | 4 | 7 | 13 | 40 | |
| 9 | 7 |
Django Unchained The Weinstein Company |
8 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 13 | 19 |
| Rank | Last Chart | Best Actress | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Jennifer Lawrence Silver Linings Playbook |
1 | 2 | 1 | 4 | 1 | 1 | 3 | 2 | 2 | 2 | 1 | 1 | 1 | 13 | 56 | |
| t2 | 5 |
Emmanuelle Riva Amour |
2 | 3 | 3 | 1 | 3 | 3 | 2 | 1 | 1 | 1 | 3 | 3 | 3 | 13 | 49 | |
| t2 | 2 |
Jessica Chastain Zero Dark Thirty |
3 | 1 | 2 | 3 | 2 | 2 | 1 | 3 | 3 | 3 | 2 | 2 | 2 | 13 | 49 | |
| 4 | 4 |
Naomi Watts The Impossible |
4 | 4 | 4 | 5 | 5 | 4 | 4 | 4 | 5 | 4 | 5 | 4 | 4 | 13 | 22 | |
| 5 |
Quvenzhané Wallis Beasts of the Southern Wild |
5 | 5 | 5 | 2 | 4 | 5 | 5 | 5 | 4 | 5 | 4 | 5 | 5 | 13 | 19 |
| Rank | Last Chart | Best Actor | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Daniel Day-Lewis Lincoln |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
| 2 | 3 |
Hugh Jackman Les Miserables |
3 | 4 | 3 | 2 | 2 | 2 | 5 | 5 | 2 | 2 | 2 | 2 | 3 | 13 | 41 | |
| 3 | 4 |
Bradley Cooper Silver Linings Playbook |
2 | 3 | 2 | 3 | 3 | 3 | 2 | 4 | 5 | 3 | 3 | 3 | 5 | 13 | 37 | |
| 4 | 2 |
Denzel Washington Flight |
5 | 2 | 4 | 4 | 4 | 5 | 4 | 3 | 4 | 4 | 4 | 4 | 2 | 13 | 29 | |
| 5 |
Joaquin Phoenix The Master |
4 | 5 | 5 | 5 | 5 | 4 | 3 | 2 | 3 | 5 | 5 | 5 | 4 | 13 | 23 |
| Rank | Last Chart | Best Supporting Actress | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Anne Hathaway Les Miserables |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
| 2 | 2 |
Sally Field Lincoln |
2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 13 | 51 | |
| 3 | 3 |
Helen Hunt The Sessions |
3 | 4 | 4 | 4 | 3 | 4 | 3 | 3 | 5 | 3 | 2 | 4 | 3 | 13 | 33 | |
| 4 | 4 |
Amy Adams The Master |
5 | 3 | 3 | 5 | 4 | 3 | 4 | 5 | 4 | 5 | 5 | 3 | 5 | 13 | 24 | |
| 5 |
Jackie Weaver Silver Linings Playbook |
4 | 5 | 5 | 3 | 5 | 5 | 5 | 4 | 3 | 4 | 4 | 5 | 4 | 13 | 22 |
| Rank | Last Chart | Best Supporting Actor | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Tommy Lee Jones Lincoln |
1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 13 | 61 | |
| 2 | 2 |
Robert De Niro Silver Linings Playbook |
4 | 2 | 1 | 2 | 2 | 4 | 1 | 3 | 2 | 2 | 4 | 2 | 2 | 13 | 47 | |
| 3 | t3 |
Philip Seymour Hoffman The Master |
3 | 3 | 4 | 3 | 3 | 2 | 2 | 2 | 3 | 5 | 1 | 3 | 5 | 13 | 39 | |
| 4 | t3 |
Alan Arkin Argo |
2 | 4 | 3 | 4 | 4 | 3 | 4 | 5 | 5 | 3 | 3 | 5 | 3 | 13 | 30 | |
| 5 |
Christoph Waltz Django Unchained |
5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 4 | 4 | 5 | 4 | 4 | 13 | 18 |
| Rank | Last Chart | Best Director | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Steven Spielberg Lincoln |
1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 64 | |
| 2 | 4 |
Ang Lee Life of Pi |
2 | 1 | 2 | 3 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 13 | 51 | |
| 3 |
Michael Haneke Amour |
4 | 4 | 4 | 2 | 3 | 4 | 2 | 4 | 3 | 4 | 4 | 3 | 4 | 13 | 33 | ||
| 4 | t5 |
David O. Russell Silver Linings Playbook |
3 | 5 | 3 | 4 | 4 | 3 | 4 | 3 | 4 | 3 | 3 | 4 | 3 | 13 | 32 | |
| 5 |
Benh Zeitlin Beasts of the Southen Wild |
5 | 3 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 13 | 15 |
| Rank | Last Chart | Original Screenplay | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 4 |
Michael Haneke Amour |
1 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 3 | 3 | 13 | 56 | |
| 2 | 1 |
Mark Boal Zero Dark Thirty |
3 | 2 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 3 | 1 | 1 | 13 | 53 | |
| t3 | 3 |
Wes Anderson, Roman Coppola Moonrise Kingdom |
2 | 3 | 5 | 3 | 4 | 2 | 3 | 4 | 5 | 4 | 4 | 2 | 2 | 13 | 35 | |
| t3 | 5 |
Quentin Tarentino Django Unchained |
4 | 4 | 2 | 5 | 3 | 4 | 4 | 3 | 2 | 3 | 1 | 4 | 4 | 13 | 35 | |
| 5 |
Flight John Gaitins |
5 | 5 | 4 | 4 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 13 | 16 |
| Rank | Last Chart | Adapted Screenplay | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Tony Kushner Lincoln |
1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 63 | |
| 2 | 3 |
David O. Russell Silver Linings Playbook |
2 | 5 | 2 | 3 | 2 | 2 | 2 | 2 | 5 | 3 | 2 | 3 | 3 | 13 | 42 | |
| 3 | 2 |
Chris Terrio Argo |
5 | 1 | 3 | 5 | 3 | 3 | 3 | 3 | 2 | 4 | 3 | 2 | 5 | 13 | 36 | |
| 4 | 4 |
David Magee Life of Pi |
4 | 4 | 5 | 2 | 4 | 4 | 5 | 5 | 3 | 2 | 4 | 4 | 4 | 13 | 28 | |
| 5 |
Lucy Alibar, Behn Zeitlin Beasts of the Southern Wild |
3 | 2 | 4 | 4 | 5 | 5 | 4 | 4 | 4 | 5 | 5 | 5 | 2 | 13 | 26 |
| Rank | Last Chart | Animated Feature | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
Wreck-It Ralph |
1 | 3 | 1 | 4 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 3 | 1 | 13 | 56 | ||
| 2 |
Frankenweenie |
3 | 1 | 2 | 2 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 2 | 2 | 13 | 52 | ||
| 3 |
Brave |
2 | 5 | 3 | 3 | 3 | 3 | 4 | 4 | 2 | 3 | 3 | 1 | 3 | 13 | 39 | ||
| 4 |
ParaNorman |
4 | 2 | 4 | 1 | 4 | 4 | 3 | 2 | 4 | 4 | 4 | 4 | 3 | 13 | 35 | ||
| 5 |
The Pirates! Band of Misfits |
5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 13 | 14 |
| Rank | Last Chart | Documentary Feature | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
The Gatekeepers |
3 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 5 | 2 | 2 | 1 | 12 | 49 | |||
| 2 |
Searching For Sugar Man |
1 | 4 | 1 | 4 | 2 | 5 | 1 | 1 | 1 | 1 | 1 | 2 | 12 | 48 | |||
| 3 |
The invisible War |
4 | 3 | 3 | 3 | 3 | 2 | 4 | 5 | 3 | 3 | 4 | 3 | 12 | 32 | |||
| 4 |
5 Broken Cameras |
5 | 5 | 4 | 2 | 5 | 3 | 3 | 3 | 2 | 5 | 5 | 4 | 12 | 26 | |||
| 5 |
How To Survive A Plague |
2 | 2 | 5 | 5 | 4 | 4 | 5 | 4 | 4 | 4 | 3 | 5 | 12 | 25 |
| Rank | Last Chart | Foreign Language | Breznican | Ellwood | Feinberg | Hammond | Howell | Karger | Olsen | Poland | Pond | Stone | Tapley | Thompson | Whipp | Wloszczyna | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
Amour |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | ||
| 2 |
A Royal Affair |
2 | 3 | 5 | 3 | 3 | 2 | 3 | 2 | 3 | 2 | 3 | 3 | 2 | 13 | 42 | ||
| 3 |
No |
3 | 5 | 2 | 4 | 2 | 3 | 2 | 3 | 5 | 5 | 4 | 2 | 3 | 13 | 35 | ||
| 4 |
Kon-Tiki |
5 | 2 | 3 | 5 | 4 | 4 | 4 | 5 | 2 | 4 | 5 | 4 | 4 | 13 | 27 | ||
| 5 |
War Witch |
4 | 4 | 4 | 2 | 5 | 5 | 5 | 4 | 4 | 3 | 2 | 5 | 5 | 13 | 26 |
Well guess its obvious whose winning best pic this year with spielberg as the only best director nom out of the three best movies of argo, zero dark thirty, and lincoln.
What the heck is the deal these last few years with soft movies always winning over the real and important movies? I mean weve had best pics of no country for old nen, the departed, and hurt locker for a few years and now we seem to be back into the “drivin miss daisy” days of simple mass appeal rubbish winning like the kings speech, and now lincoln. grrrrrrrrr.
Lincoln is a typical Oscar bait film. Driving Miss Daisy this is not…..
Agreed antoinew. When The King’s Speech was chosen over a superior, relevant to modern-times The Social Network, I smelled the change a-coming. Zero Dark Thirty is urgent filmmaking at its best. Bigelow used every skill she possessed to make a movie that shocks and surprises around every corner. Spielberg, in making what amounts to a good stage-production, went the safe route. Older voters are far more comfortable watching a bunch of people sitting around talking then watching uncomfortable and shocking scenes of torture and war. Shame on you Academy for ignoring a great film when it all but slaps you in the face.
Side note: does anyone think that Zero Dark Thirty’s later than usual entrance into the mainstream box office hurt its chances to earn more nominations?
A trend based on the last two winners? You guys need a statistics class.