By Leonard Klady Klady@moviecitynews.com
The Weekend Report
Thor: The Dark World once again led weekend movie sales with an estimated $38.2 million … but this time it had competition. The surprising contender and the week’s only incoming national release, ensemble urban comedy The Best Man Holiday, bowed with a sturdy $30.6 million.
Feelgood holiday entry The Christmas Candle grossed $68,700 from a mere five tapers. And the heartland of Nebraska flourished with a $143,000 opening an initial four locations.
Activity in the niches was also torrid with two Indian imports displaying opening strength. The Hindi take on “Romeo & Juliet,” Ram -Leela, posted an impressive $1.4 million while Punjabi Bhaji in Problem set a record bow for its sector with a $167,000 tally from just 27 locations. In Québec, grim rural drama Le démantèlement grossed an upbeat $91,200 from 21 venues.
Weekend revenues exceeded $130 million, translating into a 23% tumble from seven days earlier. And while pundits predicted a 50% plunge from 2012, box office only slipped by 48% from last year when the launch of the finale of The Twilight Saga dwarfed the competition with a $141.1 million launch.
The Best Man Holiday wasn’t perceived to get the audience big chill, with the saga of college friends holding a reunion in Las Vegas having top-end expectations of only $22 million. It’s considerably stronger opening frankly has studio execs mystified … albeit happily so. One can speculate somewhat glibly that the predominantly African American audience opted for something a bit lighter than 12 Years a Slave.
Studio exit demos identified opening weekend viewers were 87% African American but the pictures minority viewers nonetheless gave the picture a 92% positive approval rating. The overall crowd was 75% female with 63% of the crowd aged 35-years old and more senior.
The session also included slow additional rollouts for Dallas Buyers Club, The Book Thief and All is Lost, with the first two titles continuing to demonstrate strong interest from the alternative audience. This year’s award season has already demonstrated an unforgiving, near-Darwinian nature with no let-up in sight for the next seven weeks. That puts tremendous pressure on each new release to demonstrate immediate appeal and week-to-week resilience like a hurdle runner and this week Nebraska can take a deep breath that it made through its first heat.
Next week Philomena will confront the challenge amid the considerable noise expected from The Hunger Games: Catching Fire.
Weekend (estimates) November 15 – 17, 2013 | |||||
Title | Distributor | Gross (average) | % change * | Theaters | Cume |
Thor: The Dark World | BV | 38.2 (9,950) | -55% | 3841 | 146.7 |
The Best Man Holiday | Uni | 30,6 (15,130) | NEW | 2024 | 30.6 |
Last Vegas | CBS | 8.9 (2,750) | -19% | 3237 | 47 |
Free Birds | Relativity | 8.2 (2,350) | -26% | 3510 | 42.2 |
Bad Grandpa | Par | 7.6 (2,390) | -33% | 3190 | 90.2 |
Gravity | WB | 6,2 (2,450) | -27% | 2560 | 240.5 |
Ender’s Game | Lionsgate | 6.1 (1,880) | -41% | 3236 | 53.7 |
12 Years a Slave | Fox Searchlight | 4.7 (3,350) | -29% | 1411 | 25 |
Captain Phillips | Sony | 4.5 (1,710) | -22% | 2626 | 97.6 |
About Time | Uni | 3.4 (2,680) | -28% | 1280 | 11.5 |
Cloudy with a Sense of Meatballs 2 | Sony | 1.9 (1,170) | -31% | 1645 | 113 |
Dallas Buyers Club | Focus/Remstar | 1.8 (9,620) | 177% | 184 | 3 |
Ram Leela | Eros | 1.4 (6,730) | NEW | 205 | 1.4 |
All is Lost | Roadside | .92 (1,900) | -19% | 483 | 4.2 |
Carrie | Sony | .55 (590) | -57% | 933 | 35 |
Escape Plan | Lionsgate | .53 (770) | -37% | 687 | 24.1 |
Enough Said | Fox Searchlight | .50 (1,280) | -21% | 393 | 16.6 |
The Book Thief | Fox | .42 (14,450) | 299% | 29 | 0.56 |
Despicable Me 2 | Uni | .41 (1,350) | -13% | 305 | 365.9 |
The Counselor | Fox | .35 (720) | -58% | 481 | 16.6 |
Blue is the Warmest Color (Adèle) | Metropole/IFC | .28 (2,370) | -5% | 117 | 1.5 |
Prisoners | WB | .24 (670) | 34% | 355 | 60.6 |
We’re the Millers | WB | .22 (740) | -18% | 303 | 150 |
Weekend Total ($500,000+ Films) | $126.00 | ||||
% Change (Last Year) | -48% | ||||
% Change (Last Week) | -23% | ||||
Also debuting/expanding | |||||
Bhaji in Problem | Krian Media | .17 (6,180) | 27 | 0.17 | |
Nebraska | Par | .14 (35,700) | 4 | 0.14 | |
Kill Your Darlings | Sony Classics | .13 (1,780) | 52% | 71 | 0.5 |
The Saratov Approach | Three Coin | 94,700 (2,370) | 1% | 40 | 1.2 |
La démantèlement | Seville | 91,200 (4,340) | 21 | 0.09 | |
Masala | Ficus | 80,500 (1,410) | 57 | 0.08 | |
Great Expectations | Main Street | 74,700 (870) | -16% | 86 | 0.19 |
The Christmas Candle | Echolight | 68,700 (13,720) | 5 | 0.07 | |
Blue Jasmine | Sony Classics | 62,300 (1,200) | -24% | 52 | 32.6 |
Diana | eOne | 52,500 (640) | -42% | 82 | 0.3 |
The Great Beauty | Janus | 20,600 (20,600) | 1 | 0.02 | |
Pizza II: The Villa | Prime Trech | 17,300 (1,020) | 17 | 0.02 | |
Sunlight Jr, | IDP | 9,800 (820) | 12 | 0.01 | |
Faust | Leisure Time | 9,400 (4,700) | 2 | 0.01 | |
Charlie Countryman | Millennium | 7,400 (490) | 15 | 0.01 | |
Dear Mr, Watterson | Gravitas | 6,700 (1,670) | 4 | 0.01 | |
12.12.12 | Weinstein Co. | 3,660 (1,830) | 2 | 0.01 | |
Domestic Market Share (Jan. 1 – Nov. 14, 2013) | |||||
Distributor (releases) | Box Office (millions) | Market Share | |||
Warner Bros. (21) | 1611.8 | 17.40% | |||
Universal (17) | 1314.1 | 14.20% | |||
Buena Vista (12) | 1279.4 | 13.80% | |||
Sony (18) | 1047.9 | 11.30% | |||
20th Century Fox (16) | 986.9 | 10.70% | |||
Paramount (13) | 810.9 | 8.80% | |||
Lionsgate (25) | 614.5 | 6.70% | |||
Weinstein Co. (23) | 475.4 | 5.10% | |||
Relativity (8) | 206.3 | 2.20% | |||
FilmDistrict (8) | 201.2 | 2.20% | |||
Open Road (6) | 115.8 | 1.30% | |||
Fox Searchlight (10) | 88.4 | 0.95% | |||
Focus (9) | 86.5 | 0.95% | |||
Sony Classics (16) | 68.2 | 0.75% | |||
eOne/Seville (26) | 59 | 0.65% | |||
CBS (4) | 58.3 | 0.65% | |||
Other * (300) | 222.8 | 2.40% | |||
9247.4 | 100% | ||||
* none greater than 0.45% | |||||
Top Domestic Grossers (Jan. 1 – Nov. 14, 2013) | |||||
Title | Distributor | Box Office | |||
Iron Man 3 | BV | 409,147,687 | |||
Despicable Me 2 | Uni | 365,525,670 | |||
Man of Steel | WB | 291,142,307 | |||
Monsters University | BV | 268,227,670 | |||
Fast & Furious 6 | Uni | 238,734,755 | |||
Oz the Great and Powerful | BV | 234,911,825 | |||
Gravity | WB | 234,275,614 | |||
Star Trek Into Darkness | Par | 228,792,885 | |||
World War Z | Par | 202,359,711 | |||
The Croods | Fox | 187,198,596 | |||
The Heat | Fox | 159,535,953 | |||
We’re the Millers | WB | 149,804,919 | |||
The Great Gatsby | WB | 144,875,623 | |||
The Conjuring | WB | 137,400,141 | |||
Identity Thief | Uni | 134,863,488 | |||
Grown Ups 2 | Sony | 133,613,882 | |||
The Wolverine | Fox | 132,444,486 | |||
G.I. Joe: Retaliation | Par | 122,551,310 | |||
Now You See Me | Lionsgate | 117,765,861 | |||
Lee Daniels’ The Butler | Weinstein Co. | 115,372,948 |