

By David Poland poland@moviecitynews.com
Box Office First Look
I’m getting back into this habit… but a little uninspired so far.
Frozen 2 opened in the same slot as Frozen, although the first time around, it opened on a single screen. This time, it started wide, as has become the norm. The $41 million Friday is great, although it is dwarfed by the The Hunger Games: Catching Fire opening of $71 million in the same schedule slot in 2013. But the number today (Saturday) will be the really interesting one. It would be no embarrassment for it to be flat or drop some. A significant rise would be exciting for Disney. A significant drop less so.
A Beautiful Day in the Neighborhood isn’t an exciting number, but if you look at recent November opening comps, films like Hacksaw Ridge, Instant Family and A Bad Mom’s Christmas got into the 60s and some the 70s with this kind of launch. This is the rare case where I am interested inCinemascore responses (Tony D left their Cinemascore off his piece today as did Cinemascore’s website), as it will be interesting to see how audiences react to the film being less about Mr. Rogers than they might expect.
Not a great Friday-to-Friday hold for Ford v Ferrari. We’ll see if it accelerates.
21 Bridges falling down. I don’t think the repeated references to Marvel helped this very non-Marvel movie.
There are only three serious Best Picture candidates in theaters right now. Parasite has kept an edge over the more-widely-released Jojo Rabbit. (FvF is above.)
According to what’s left of Box Office Mojo, we’re $758 million behind last year’s total domestic gross as of today. Frozen, Jumanji: Welcome to The Jungle, and Star Wars 8 generated over $860 million domestic through December 31 in their releases. If the sequels do 90% of the previous ones and there isn’t even another dime coming in, this will be the highest-grossing year in the history of the movie business, with over $10.5 billion. If they do 80% as much business by year’s end, we are still only $70m from the record, which Cats, Richard Jewell, and Bombshell will surely deliver between them.
To be honest, I am not 100% trusting the Mojo numbers right now, so I hope this is as accurate as history has suggested the site is. (Oy!)
The 10.5 billion is the year to date comparison–last year’s overall total, the highest ever, was $11.82 billion by the end of the year.
I liked The Irishman a lot. After an hour or so I thought yeah this is fine but Scorsese could direct this in his sleep. But it grew on me slowly and by the end I was fully on board. Not that this is a deep thought but it hits you as Frank nears the end of his life that the whole thing is about death. 210 minute movie about death. And it’s quite moving and sad. Pesci and Pacino are just incredible. I was never bored. It of course looks and sounds amazing (those gunshots jesus). I was ready to dismiss the hype and call it overrated but it’s very good. Gives you a lot to chew on. So somber in the end. Glad I got to see it in a theater.
Weekend, Nov. 22-5
1 – Frozen II Walt Disney Studios Motion Pictures $127,000,000 – 4,440 – – $127,000,000 1
2 1 Ford v Ferrari Twentieth Century Fox $16,000,000 – 3,528 – – $57,989,570 2
3 – A Beautiful Day in the Neighborhood Sony Pictures Releasing $13,500,000 – 3,235 – – $13,500,000 1
4 – 21 Bridges STX Entertainment $9,300,000 – 2,665 – – $9,300,000 1
5 2 Midway Lionsgate $4,700,000 – 2,627 -615 – $43,107,561 3
6 4 Playing with Fire Paramount Pictures $4,615,000 – 2,760 -425 – $31,621,647 3
7 7 The Good Liar Warner Bros. $3,375,000 – 2,454 +15 – $11,765,794 2
8 3 Charlie’s Angels Sony Pictures Releasing $3,175,000 – 3,452 – – $13,940,592 2
9 5 Last Christmas Universal Pictures $3,040,000 – 2,411 -1,043 – $27,792,390 3
10 8 Joker Warner Bros. $2,820,000 – 1,410 -927 – $326,931,813 8
11 10 Harriet Focus Features $2,310,000 – 1,346 -665 – $36,004,055 4