Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Bloggers Narrowly Avert Violence in NYC Panel Discussion

I do not know how it ever came to this, but indieWIRE actually followed through with its promise to bring seven New York film bloggers to the SoHo Apple Store last Friday for the ultimate movie dork smackdown. Actually, the discussion remained fairly civil overall; I think the most heated moment came when Aaron Dobbs of Out of Focus and Alison Willmore of IFC disagreed about The Squid and the Whale for about three seconds. Alas, they sat on opposite ends of the long, tin table–too far to take a swing, yet too close to throw a bottle of water.

The view from the Blog Panel Table of Garrulous Death (Photos: STV)

And while all in attendance enjoyed a truly wild time (see the ghetto-splice photo illustration above for an idea of how close we came to a full-blown orgy), there is not a lot else I can pass along to you that would not plunge you into an instant narcoleptic stupor. I just cannot be responsible for that on a Monday. However, IFC News correspondent Matt Singer showed up to ask the participants some questions, so I guess we will see how that went sometime this week. I am sure the executive memo to air only my stupidest answers is already posted in the editing room; please let me know how it turns out.
Anyhow, the after-party at IFC Center also went well. Cinematical editor Karina Longworth and I hatched a plan to continue some sort of film discussion series in the near future, so stay tuned for that. Rest assured we will start with alcohol next time rather than finish with it–you have to admit that the potential for a barroom blogger brawl wields a sort of undeniable appeal.

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon