Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Top of the Morning From New York

I am sure we have met somewhere before, but just in case: Hello. My name is S.T. VanAirsdale, and The Reeler is my blog covering news, gossip, business and personalities from around the New York City film community. I have been on the beat since June–most of which time I spent on indieWIRE’s blog network–and I am excited to join Movie City News in a kind of NYC eyes-and-ears capacity.
Obviously, nobody sees and hears everything. Nevertheless, that is my goal. So please feel free to send me your tips, hints and story ideas–I am open to anything and everything happening here in town. You will find me hanging around premieres, crashing parties or chatting with everyone from mainstream Oscar favorites to self-distributed indie geniuses. But I am equally excited to bring you the latest on the heroic Harvey Weinstein, the “anti-studio” Lionsgate, or any especially awful colorectal spasms that happen to wind up in Roger Friedman’s Fox 411 columns. I work pretty hard to supply original reporting when I can, and I break stories as gleefully as I quote them from around the Web. Nothing much is going to change around here except for the main server.
Which reminds me: Take some time to browse The Reeler archives as I prepare to move them here (I know, I know–moving during the holidays. Totally ridiculous), but please refresh your bookmarks and RSS feeds if you are a regular visitor. I am hoping to settle in for the long haul, and I genuinely appreciate you joining me.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon