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David Poland

By David Poland poland@moviecitynews.com

'Stupidity Wins': Porn Contest Winner Immortalized in NYDN


The Daily News’s Julian Kesner today reveals the quasi-lucky pervert who won the Fleshbot contest offering a “non-sexual role” in Burning Angel‘s alt-porn masterwork Joanna Angel’s Fuckin’ Guide to Fucking. Manhattan banker Kimani Rogers was selected from over 200 entries, the knowledge of which I am sure will thrill his wife and his employer when his photo appears today in over 700,000 newspapers.
And around his office (and no doubt at home), you can bet that Rogers’ 15 minutes of fame will no doubt attract a 16th or even 17th with revelations like these:

Rogers says he had never visited Fleshbot (though he admits to visiting BurningAngel.com), but a friend sent him a link to the contest.

His somewhat bizarre winning entry: “In a previous life, I was Jesus Christ. But more importantly, I want to have Kylee Kross’s babies. I’d carry them in my belly.” (Kross is one of the adult stars in Angel’s current production.)

“I didn’t know what to write in that kind of situation,” confesses Rogers. “I didn’t want to write ‘I’ve always dreamed of being in a porn,’ because — well, I haven’t always dreamed of being in a porn.

“I just wrote something stupid, and apparently stupidity wins every now and then. This is actually my first time winning something — my luck is turning around!”

Kudos also to “New York’s Hometown Newspaper” for devoting 850 words to a piece about porn-film casting. I love Burning Angel as much as the next guy, but I really had a family story like this pegged for the Post. Shows you what I know.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon