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David Poland

By David Poland poland@moviecitynews.com

Shortz Circuit: 'Wordplay' Premieres, Subject Sits Down For Reeler Podcast

As an avowed fan of the film and a sucker for yesterday afternoon’s circulating rumor that Bill Clinton might stop by, I made the trip to Wednesday night’s Wordplay premiere party at IFC Center. In the end, Clinton was a no show, but to hell with him; who needs an ex-president when you have New York Times crossword editor (and Wordplay hero) Will Shortz making the celebrity rounds?

Taking one with the team: Will Shortz (center) celebrates Wordplay‘s opening night with producer Christine O’Malley and director Patrick Creadon (Photo: STV)

Everyone who was anyone in the puzzle doc joined Shortz under the billowy IFC big top: Tyler Hinman, kicking back vodka tonics in his crossword puzzle necktie; champion solver Ellen Ripstein, looking resplendent in a black ball gown; Trip Payne, who said Wordplay might win the documentary Oscar if it adds the subtitle, “The Long March to Freedom”; and the married directing/producing team of Patrick Creadon and Christine O’Malley, who were excited as they were anxious about their film’s upcoming opening weekend.
I do not think they have much to worry about, especially here in New York and especially with a mascot as beloved as Shortz doing his part to get the, ahem, word out. He even took a few minutes yesterday to speak with me for yet another Reeler podcast, which you can find linked below. This is required listening for anybody who wonder how Shortz himself might do on one of his puzzles or if he has considered seeking a restraining order against Jon Stewart.
Actually, it is required listening for everybody, dammit, just because I say it is:
Will Shortz podcast — June 14, 2006
Oh, and Wordplay opens Friday, June 16, at IFC Center and Lincoln Plaza.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon