Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

'Groomsmen' Premiere Footage Better Than the Actual Movie


After its world premiere at this year’s Tribeca Film Festival, Ed Burns’s peculiar chick-flick-for-guys, The Groomsmen, opened in Los Angeles and New York last Friday. The film addresses the maturity issues facing a group of old pals reunited for their friend’s wedding, and despite the writer/director/star’s insistence on forcing some kind of catharsis into every scene (while fishing or drinking or garage-rocking, natch), I admit finding occasional pleasures in its middling, meandering banter.
Alas, as per usual, the real show appears to have unfolded last week on The Groomsmen‘s L.A. red carpet, where a hapless intrepid soul from upstart video site Iklipz withstood a wobbly barrage of nonsense from all indie comers:

Brittany Murphy: “The character I play is… is… is pregnant. She’s very pregnant. Although… and she’s real sensible during her pregnancy. And very strong-willed. (She) keeps a very good head on her shoulders, and while her husband’s having a bit of a–or her husband-to-be–is having a bit of a meltdown–Eddie’s character–she keeps everything pretty clear and pretty stable. She’s kind of the rock.”

Jay Mohr: “What friend am I? He’s like one of these guys. He stands around. He’s one of these guys from the neighborhood who tawks like dis. ‘Fuh-get it.’ You know. ‘Whaddya gonna do?’ It’s a hot day. I wore the black suit. I figure if you wear black and you act like you’re nice and cool, everyone will go, ‘You know what? Maybe it’s not that hot outside. Maybe I’m wrong. Maybe Cousin Mike is right.’ “

Selma Blair: (on romance): “Probably getting married was the most romantic thing. But now I’m getting divorced, so… Ha! Screw that.”

The outtakes are best viewed live, obviously, but for those of you whose online work-dodging extends solely to the written word, this should hold you over until you can enjoy Burns’s enthusiastic “Twisted Shister” invocations for yourself. You’re welcome.

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon