Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Macy's Day Parade: One For Them, Two For Him


Coming Soon’s Ed Douglas is hitting the William H. Macy beat kind of hard today, ostensibly touching base about Edmond, the actor’s aggro plunge into the New York underworld and his latest collaboration with David Mamet. I will eventually bring you my own impressions of that, but Douglas also features a few pre-IMDB scoops about Macy’s intriguing hyphenate future:

“This coming fall, I’m going to direct a film called ‘Keep Coming Back,'” he told us to our amazement when asked if there’s anything he hadn’t done that he’d like to do. “It stars Salma Hayek, but she’s the only name I can name. I’ve got more probably cast, but I can’t say it. So that’s my directorial feature debut. I directed a little film for HBO about 100 years ago, but that was shorter with about a million-dollar budget. This is a real movie, it’s an indie.” …

He also was just as excited about the fact that he is producing his first movie. “It’s not a done deal yet, but we’ve raised a whole bunch of money,” he told us. “It’s the first one I’ve ever produced myself, along with [director] Steven Schachter, he and I wrote it, it’s called ‘The Deal,’ and it’s a romantic comedy with me and Lisa Kudrow, based on Peter Lefcourt’s book, a very funny book, it’s just hysterical. I produced that and that’s a big new step in my career.”

I know what you are thinking: What deal did Macy and Satan consummate that his new babies might thrive? It is a Disney movie called Wild Hogs, co-starring John Travolta, Tim Allen and Martin Lawrence as midlife-crisis-afflicted Harley riders entangled with an insidious biker gang. “Hilarity ensues,” Macy actually tells Douglas, all but wincing a hole through the telephone diaphragm. Taking one for the team clearly has never been more painful.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon