Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Weinsteins Join Forces With BET Founder; Sony Responds in Blackface


It turns out The Times’s Andrew Ross Sorkin and Laura Holson were mostly on the money Thursday with their scoop about Our Stories Films, a partnership between the Weinsteins and BET mogul Robert Johnson to produce “urban content.” Minus a wobbly analogy or two (“Last year, the Weinsteins raised about $1 billion in financing and debt, or about the yearly budget of a movie studio like Warner Brothers Pictures”), the authors’ story is confirmed this morning by a press release just slipped under the door at Reeler HQ. The latest news is that JP Morgan Chase will kick in $175 million in production financing and that the eventual output–comprising “titles in the African-American family comedy genre”–will be distributed by the Weinsteins’ Dimension Films genre banner.
Naturally (and in unison, evidently), the Weinsteins exulted about their latest partnership that allows someone else to do the heavy lifting:

Bob and Harvey Weinstein stated, “We are proud to be behind this venture and are confident in Bob Johnson’s taste and his ability to identify projects that will be successful. We are committed to releasing a slate of films focused in the African-American family genre and to working with Our Stories to launch their exciting new brand.”

Stop laughing. Think of it this way: Even if the Weinsteins are going through the motions, at least they are not pulling the condescending stunt that Sony choreographed in its own “urban content” announcement, which hit the wire just in time for the release of the Wayans’ latest lower-intestinal bulge, Little Man:

Sony Pictures Digital has reached a promotional deal with the web’s first online urban community, GoUrban.net, allowing the studio to tap the growing urban Internet audience and create hype for its latest movies. …

The current promotion is a sweepstakes offering web visitors the chance to win their own bling-bling with a $1,000 hip-hop jewelry shopping spree and a $500 gift certificate from GoUrban.net. The new online community is a comprehensive website that features urban apparel, music, electronics, a nationwide events calendar and an interactive social network.

Moviegoers interested in winning some “ice” of their own should register at http://www.gourban.net/contest.

Wow. You hella “fly,” Sony, but do not think you will get over on the Weinsteins that easily. Expect the brothers to throw down the funk-faking gauntlet as the first Our Stories films come to theaters; they may be counting on “Bob Johnson’s taste” in selecting projects, but you will know you are fucked when Harvizzle shows up at a premiere with gold caps and a clock around his neck, or when Bob arrives with his diamond-encrusted “B-Dub” bling. Do not tempt egregious, patronizing fate with these guys–you just cannot win.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon