Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

The Return of Screening Gotham: Sept. 1-4, 2006


A few of this Labor Day weekend’s worthwhile cinematic happenings around New York:
–The Walter Reade Theater is hosting the epochal Bollywood extravaganza Sholay (left) today through Sept. 5. Starring Amitabh Bachchan and Dharmendra as convicts recruited to capture a nasty bandit (Amjad Singh) in the mountains surrounding a terrorized village, the film scored lukewarm reviews in its original 1975 release before becoming the biggest hit in Bollywood history and running for five years straight in Mumbai and New Delhi. The print obtained by the Film Society of Lincoln Center is evidently director Ramesh Sippy’s rare, original 200-minute cut, from which Indian censors hacked 15 minutes (and insisted on a new ending) and which lost more than a half-hour of footage upon its American release. As an added bonus, your pals at Asian CineVision have greased the skids to get you two-for-one tickets when you say “ACV” at the box office. Sheesh–now you kind of have to go.
–So earlier this summer, viewers were given a choice: “Among Manhattan, The Way We Were and Wall Street, which film would you prefer close out the 2006 Central Park Film Festival?” Fuck if this vote was not rigged: The Way We Were eked out a victory and will screen Saturday night at 8 at the Rumsey Playfield near East 72nd Street. Take a date and pack dinner, wine, Kleenex, razor blades, whatever.
–The Museum of the Moving Image hosts a Brazilian Independence Day party tonight in Astoria, featuring food, live music and two screenings of Marcel Camus’s Black Orpheus. I don’t have a joke for this that doesn’t involve Greeks, Brazilians and birth control, so I had better just call it a week. See you Tuesday with the latest installment of the Site Meter survey “Joys of Discovering The Reeler” and a dispatch from the Brooklyn Independent Cinema Series screening of Michael Tully’s Cocaine Angel (which you should also check out, by the way). Have a good weekend!

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon