MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

The Weekend Report: September 7, 2008

There’s no Weekend Report column this weekend.
Leonard Klady is Festivaling in Toronto.

Weekend Estimates – September 5-7, 2008

Title Distributor Gross (average) % change Theaters Cume
Bangkok Dangerous Lions Gate 7.9 (2,990) 2650 7.9
Tropic Thunder Par 7.3 (2,120) -36% 3446 96.6
The Dark Knight WB 5.7 (2,210) -34% 2575 512.2
The House Bunny Sony 5.5 (2,010) -34% 2736 36.6
Traitor Overture 4.3 (2,090) -45% 2066 17.3
Babylon A.D. Fox 4.0 (1,160) -58% 3425 17.2
Death Race Uni 3.6 ((1,370) -44% 2586 29.7
Disaster Movie Lions Gate 3.0 (1,120) -49% 2642 10.5
Mamma Mia! Uni 2.8 (1,450) -34% 1904 136.4
Pinapple Express Sony 2.2 (1,180) -37% 1892 84
Vicky Christina Barcelona MGM 2.1 (2,970) -24% 718 16
Mirrors Fox 1.7 (1,110) -37% 1559 27.7
Star Wars: The Clone Wars WB 1.6 (840) -40% 1952 32.7
The Mummy: Tomb of the Dragon Empire Uni 1.4 (1,000) -46% 1415 100.5
The Longshots MGM 1.4 (850) -39% 1666 9.9
Fly Me to the Moon Summit 1.3 (1,850) -13% 713 8.3
Journey to the Center of the Earth WB 1.3 (1,420) -28% 895 96.7
College MGM 1.0 (460) -55% 2124 4.1
Sisterhood of the Traveling Pants 2 WB .93 (820) -35% 1135 42.8
Step Brothers Sony .84 (1,000) -38% 846 99.4
Hamlet 2 Focus .81 (510) -52% 1575 4.3
Wall-E BV .74 (840) -37% 886 219.4
Bottle Shock FreeStyle .55 (1,370) -4% 401 3.3
Elegy IDP .53 (3,420) -15% 155 2.4
Weekend Total ($500,000+ Films) $62.50
% Change (Last Year) -17%
% Change (Last Week) -33%
Also debuting/expanding
Mera Pind Adlabs .22 (7,330) 33 0.22
Everybody Wants to Be Italian Roadside At. .19 (1,990) 97 0.19
A Secret Strand 32,100 (10,700) 3 0.03
Ping Pong Playa IFC 28,200 (3,120) 9 0.03
Mr. Foe Magnolia 12,400 (6,200) 2 0.01
The Pool Vitagraph 7,800 (7,800) 1 0.01
Save Me First Look 6,900 (6,900) 1 0.01

Domestic Market Share – To August 28, 2008

Distributor (releases) Gross Market Share
Warner Bros. (20) 1401.6 20.70%
Paramount (13) 1191.9 17.60%
Universal (16) 914.6 13.50%
Sony (19) 904.6 13.40%
Fox (18) 745.9 11.00%
Buena Vista (11) 649.6 9.60%
Lions Gate (9) 204.3 3.00%
Fox Searchlight (5) 150.9 2.20%
Paramount Vantage (10) 72.8 1.10%
New Line (4) 61.8 0.90%
MGM (11) 61.4 0.90%
Focus (5) 61.1 0.90%
Miramax (6) 53.8 0.80%
Summit (3) 39.6 0.60%
Picturehouse (6) 36.1 0.50%
Other * (228) 213 3.10%
6763 100.00%

Top Domestic Releases – To August 28, 2008

Title Distributor Gross
The Dark Knight WB 493,671,047
Iron Man Par 317,570,520
Indiana Jones & Kingdom of the Cryst Par 315,337,154
Hancock Sony 226,547,044
Wall-E BV 216,798,080
Kung Fu Panda Par 212,958,340
Horton Hears a Who Fox 154,524,370
Sex and the City WB 152,440,062
The Chronicles of Narnia: Prince Cas BV 141,550,527
The Incredible Hulk Uni 134,425,930
Wanted Uni 133,822,865
Get Smart WB 128,293,818
Mamma Mia! Uni 127,090,680
Juno * Fox Searchlight 115,568,583
You Don’t Mess with the Zohan Sony 99,728,879
Step Brothers Sony 96,568,737
10,000 B.C. WB 94,819,450
The Mummy: Tomb of the Dragon Em Uni 95,228,870
The Bucket List * WB 92,781,554
Journey to the Center of the Earth WB 92,779,260
* does not include 2007 box office
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Klady

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon