

By Leonard Klady Klady@moviecitynews.com
Old Croaks at Home
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Following two weeks of exclusive engagements The Princess and the Frog migrated to the big pond and led weekend ticket sales with an estimated $24.8 million. The session’s sole national newcomer was the upscale Invictus that ranked third overall with an OK $9 million.
In limited wide release Larger Than Life 3D failed to live up to its moniker with a $252,000 tally from 509 locations and Bollywood entry Rocket Singh – Salesman of the Year felt the recession with $141,000 at 63 venues. In Quebec, Noemie: Le Secret was under wraps with $49,200 from 56 screens.
Exclusives with award potential fared better with the Christopher Isherwood adaptation A Single Man close to a home run with $211,000 from nine locations. The harrowing The Lovely Bonesrattled the faithful with $113,000 from just three theaters.
Overall business was relatively steady with box office of close to $100 million for the frame that represented slipping of 1% from last weekend and a modest 6% increase from the 2008 frame. Domestic box office surpassed the 2008 total last Wednesday and is running roughly 8% faster than last year with 18 days left on the calendar.
While not what one would characterize as a classic platform, The Princess and the Frog hopped to the top with princely charm. The contemporized take on the children’s favorite with a racial twist added seemed ideally suited to the Obama era. Americans appear to have cleared the color barrier whether cloaked in a fairy tale or told from the vantage point of Precious’s mean streets.
But despite critical hosannas, Invictus on the historic election of Nelson Mandela to the presidency of post-Apartheid South Africa and his efforts to unite the nation via a historic rugby match started slowly. Granted that’s not uncharacteristic for films directed by Clint Eastwood. Internal tracking had pegged the opening between $10 million and $12 million so its future could take a page from another children’s staple – The Tortoise and the Hare.
The session also featured a number of notable expansions. The award touted Up in the Air expanded from 15 to 72 playdates and maintained a vigorous $33,610 screen average. Me and Orson Welles also chugged along with the addition of 58 venues and doubled its gross to date. Tripling its exposure (albeit from two to six sites), Broken Embraces held with a $17,920 average.
Weekend Estimates: November 11-13, 2009
Title | Distributor | Gross (average) | % change | Theaters | Cume |
The Princess and the Frog | BV | 24.8 (7,220) | 3214% | 3434 | 37.7 |
The Blind Side | WB | 15.2 (4,490) | -24% | 3388 | 150 |
Invictus | WB | 9.0 (4,230) | – | 2125 | 9 |
Twilight: New Moon | Summit | 7.8 (2,160) | -49% | 3635 | 267.2 |
A Christmas Carol | BV | 6.8 (2,850) | -12% | 2402 | 124.4 |
Brothers | Lions Gate | 5.1 (2,460) | -46% | 2088 | 17.5 |
2012 | Sony | 4.3 (1,530) | -36% | 2838 | 155.3 |
Old Dogs | BV | 4.3 (1,400) | -37% | 3090 | 39.9 |
Armored | Sony | 3.5 (1,820) | -47% | 1919 | 11.7 |
Ninja Assassin | WB | 2.6 (1,250) | -48% | 2100 | 34.2 |
Up in the Air | Par | 2.4 (33,610) | 105% | 72 | 4 |
Everybody’s Fine | Miramax | 2.2 (1,010) | -44% | 2141 | 7.3 |
Planet 51 | Sony/Alliance | 2.2 (840) | -51% | 2570 | 37 |
The Fantastic Mr. Fox | Fox | 1.4 (1,090) | -52% | 1268 | 16.2 |
Precious | Lions Gate | 1.2 (1,850) | -46% | 664 | 38.2 |
The Boondock Saints II | Apparition | .77 (1,420) | -17% | 542 | 8.4 |
The Road | Weinstein Co. | .53 (3,930) | -29% | 135 | 4 |
An Education | Sony Classics | .31 (1,290) | -35% | 241 | 6.8 |
Larger Than Life 3D | Cinedgm | .25 (490) | New | 509 | 0.25 |
Couples Retreat | Uni | .25 (680) | -19% | 371 | 107.6 |
Weekend Total ($500,000+ Films) | – | $94.20 | – | – | – |
% Change (Last Year) | – | 6% | – | – | – |
% Change (Last Week) | – | -1% | – | – | – |
Also debuting/expanding | |||||
A Single Man | Weinstein Co. | .21 (23,470) | – | 9 | 0.21 |
Me and Orson Welles | FreeStyle | .16 (2,620) | 317% | 63 | 0.33 |
Rocket Singh – Salesman of the Year | Yash Raj | .14 (2,244) | – | 63 | 0.14 |
Bad Lieutenant: Port of Call New Orlea | First Look | .14 (1,480) | -5% | 96 | 1.15 |
The Lovely Bones | Par | .11 (37,730) | – | 3 | 0.11 |
Broken Embraces | Sony Classics | .11 (17,920) | 21% | 6 | 0.59 |
Noemie: Le Secret | Seville | 49,200 (880) | – | 56 | 0.05 |
The Slammin’ Salmon | Anchor Bay | 26,300 (2,400) | – | 11 | 0.03 |
My Son My Son What Have Ye Done | Absurda | 14,700 (14,700) | – | 1 | 0.01 |
Domestic Market Share: To December 10, 2009
Distributor (releases) | Gross (in million | Market Share |
Warner Bros. (32) | 1901.1 | 19.50% |
Paramount (14) | 1445.1 | 14.80% |
Sony (22) | 1414.7 | 14.50% |
Buena Vista (22) | 1129.5 | 11.60% |
Fox (16) | 979.9 | 10.00% |
Universal (20) | 848.9 | 8.70% |
Summit (11) | 458.1 | 4.70% |
Lions Gate (13) | 388.3 | 4.00% |
Fox Searchlight (12) | 262.8 | 2.70% |
Weinstein Co. (9) | 191.9 | 2.00% |
Focus (10) | 160.7 | 1.60% |
Overture (8) | 156.6 | 1.60% |
Paramount Vantage (4) | 67.6 | 0.70% |
MGM (4) | 64.8 | 0.70% |
Miramax (8) | 58.2 | 0.60% |
Other * (310) | 235 | 2.40% |
* none greater than 0.4% | 9763.2 | 100.00% |
Top Domestic Releases – To December 10, 2009
Title | Distributor | Gross |
Transformers: Revenge of the Fallen | Par | 402,195,608 |
Harry Potter and the Half-Blood Prince | WB | 301,905,204 |
Up | BV | 293,283,811 |
The Hangover | WB | 277,294,415 |
The Twilight Saga: New Moon | Summit | 259,360,583 |
Star Trek | Par | 257,807,784 |
Monsters vs. Aliens | Par | 198,377,900 |
Ice Age: Dawn of the Dinosaurs | Fox | 196,624,037 |
X-Men Origins: Wolverine | Fox | 179,883,157 |
Night at the Museum 2 | Fox | 177,245,443 |
The Proposal | BV | 163,958,031 |
Fast & Furious | Uni | 155,239,768 |
2012 | Sony | 150,936,840 |
G.I. Joe: The Rise of Cobra | Par | 150,329,089 |
Paul Blart: Mall Cop | Sony | 146,777,505 |
Taken | Fox | 145,000,989 |
Gran Torino * | WB | 142,251,852 |
The Blind Side | WB | 134,761,539 |
Angels & Demons | Sony | 133,859,408 |
Terminator Salvation | WB | 125,322,459 |