By David Poland poland@moviecitynews.com

2010 Paramount Preview

Posted Wednesday, January 20th, 2010 - Comments Off on 2010 Paramount Preview
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Shutter Island –  Feb 19
Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Max von Sydow

U.S. Marshal Teddy Daniels is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding on the remote Shutter Island.

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She’s Out of My League – March 12
Jay Baruchel, Alice Eve, T.J. Miller, Mike Vogel, Nate Torrence, Krysten Ritter, Geoff Stults and Lindsay Sloane

Kirk,  an average Joe, can’t believe his luck.  Though he’s stuck in a seemingly dead-end job as an airport security agent, against all odds, Molly, a successful and outrageously gorgeous babe, falls for him.  Kirk is stunned. So are his friends, his family and even his ex-girlfriend. Now he has to figure out how to make the relationship work, even though he’d be the first to admit she’s totally out of his league.  

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How to Train Your Dragon – March 26
Jay Baruchel, Gerard Butler, America Ferrera, Craig Ferguson, Jonah Hill, Christopher Mintz-Plasse, Kristen Wiig, TJ Miller

Set in the mythical world of burly Vikings and wild dragons, and based on the book by Cressida Cowell, the action comedy tells the story of Hiccup, a Viking teenager who doesn’t exactly fit in with his tribe’s longstanding tradition of heroic dragon slayers.  Hiccup’s world is turned upside down when he encounters a dragon that challenges he and his fellow Vikings to see the world from an entirely different point of view.

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Iron Man 2 – May 7
Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Mickey Rourke, Sam Rockwell

 The continuing adventures of billionaire industrialist Tony Stark and his alter-ego, Iron Man.

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Shrek Forever After – May 21
Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas

After challenging an evil dragon, rescuing a beautiful princess and saving your in-laws’ kingdom, what’s an ogre to do?  Well, if you’re Shrek, you suddenly wind up a domesticated family man.  Instead of scaring villagers away like he used to, a reluctant Shrek now agrees to autograph pitch forks.  What’s happened to this ogre’s roar?  Longing for the days when he felt like a “real ogre,” Shrek is duped into signing a pact with the smooth-talking dealmaker, Rumpelstiltskin.  Shrek suddenly finds himself in a twisted, alternate version of Far Far Away, where ogres are hunted, Rumpelstiltskin is king and Shrek and Fiona have never met.  Now, it’s up to Shrek to undo all he’s done in the hopes of saving his friends, restoring his world and reclaiming his one True Love.

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The Last Airbender – July 2
Dev Patel, Jackson Rathbone, Nicola Peltz, Cliff Curtis, Shaun Toub, Aasif Mandvi and Noah Ringer

Air, Water, Earth, Fire. Four nations tied by destiny when the Fire Nation launches a brutal war against the others. A century has passed with no hope in sight to change the path of this destruction. Caught between combat and courage, Aang discovers he is the lone Avatar with the power to manipulate all four elements. Aang teams with Katara, a Waterbender, and her brother, Sokka, to restore balance to their war-torn world.

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Morning Glory – Fall 2010
Rachel McAdams, Harrison Ford, Diane Keaton, Patrick Wilson, Jeff Goldblum

When hard-working TV producer Becky Fuller is fired from a local news program, her career begins to look as bleak as her hapless love life. Stumbling into a job at “Daybreak” (the last-place national morning news show), Becky decides to revitalize the show by bringing on legendary TV anchor Mike Pomeroy. Unfortunately, Pomeroy refuses to cover morning show staples like celebrity gossip, weather, fashion and crafts – let alone work with his new co-host, Colleen Peck, a former beauty queen and longtime morning show personality who is more than happy covering morning “news.” As Mike and Colleen clash, first behind the scenes and then on the air, Becky’s blossoming love affair with fellow producer, Adam Bennett begins to unravel – and soon Becky is struggling to save her relationship, her reputation, her job and ultimately, the show itself.

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Megamind – Nov 5
Will Ferrell, Brad Pitt, Tina Fey, Jonah Hill

“Megamind” is the most brilliant supervillain the world has ever known. And the least successful. Over the years, he has tried to conquer Metro City in every imaginable way. Each attempt, a colossal failure thanks to the caped superhero known as “Metro Man,” an invincible hero until the day Megamind actually kills him in the throes of one of his botched evil plans. Suddenly, Megamind has no purpose. A supervillain without a superhero. He realizes that achieving his life’s ambition is the worst thing that ever happened to him.  Megamind decides that the only way out of his rut is to create a new hero opponent called “Titan”, who promises to be bigger, better and stronger than Metro Man ever was. Pretty quickly Titan starts to think it’s much more fun to be a villain than a good guy . Except Titan doesn’t just want to rule the world, he wants to destroy it.  Now, Megamind must decide: can he defeat his own diabolical creation? Can the world’s smartest man make the smart decision for once?  Can the evil genius become the unlikely hero of his own story?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon