By David Poland

Page 19

Link to the List

Whitney Matheson
USA Today PopCandy

1 Fantastic Mr. Fox
2 Star Trek
3 Inglourious Basterds
4 The Rock-afire Explosion
5 Tyson
6 Whip It
7 Humpday
8 Coraline
9 Best Worst Movie
10 Adventureland
Link to the List

Don Sanchez

1 A Single Man
2 An Education
3 Avatar
4 The Blind Side
5 The Hurt Locker
6 Inglourious Basterds
7 Nine
8 Star Trek
9 Up
10 Up in the Air
Link to the List

Michael Sragow
The Baltimore Sun

1 The Exiles
2 The Hurt Locker
3 The Class
4 Up
5 Waltz with Bashir
6 Harvard Beats Yale 29-29
7 Bright Star
8 Cheri
9 Everlasting Moments
10 Precious
Link to the List

George Roush
Latino Review

1 Up
2 Inglorious Basterds
3 The Hurt Locker
4 Precious
5 District 9
6 Taken
7 The Cove
8 In the Loop
9 The Hangover
10 The Mystery Team
Link to the List

Curt Holman
Creative Loafing

1 Up
2 The Hurt Locker
3 12
4 In the Loop
5 The Damned United
6 District 9
7 A Serious Man
8 Fantastic Mr. Fox
9 Coraline
10 Anvil! The Story of Anvil
Link to the List

Brandy McDonnell
The Oklahoman

1 Inglorious Basterds
2 The Hurt Locker
3 Up in the Air
4 (500) Days of Summer
5 Precious
6 Fantastic Mr. Fox
7 Up
8 District 9
9 Invictus
10 The Brothers Bloom
Link to the List

Matt Goldberg

1 The Brothers Bloom
2 Up
3 A Serious Man
4 Where the Wild Things Are
5 District 9
6 Inglourious Basterds
7 A Single Man
8 Away We Go
9 In the Loop
10 Fantastic Mr. Fox
Link to the List

Brad Schreiber
Huffington Post

1 Coraline
2 Duplicity
3 Moon
4 The Baader Meinhof Complex
5 The Last Station
6 Hunger
7 O’Horten
8 A Serious Man
9 An Education
10 The Hangover
Link to the List

Clint O’Connor
The Plain Dealer

1 Precious
2 In the Loop
3 Fantastic Mr. Fox
4 Up in the Air
5 Avatar
6 Me & Orson Welles
7 Inglourious Basterds
8 The Hangover
9 The Hurt Locker
10 A Serious Man
Link to the List

Matt Pais
Metromix Chicago

1 A Serious Man
2 Where the Wild Things Are
3 The Hurt Locker
4 Tulpan
5 Crazy Heart
6 Mary & Max
7 An Education
8 In the Loop
9 The Girlfriend Experience
10 Extract

Matt Goldberg | Curt Holman | Whitney Matheson | Brandy McDonnell | Clint O’Connor | Matt Pais | George Roush | Don Sanchez | Brad Schreiber | Michael Sragow

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon